Nothing but the Best

~ Release by Frank Sinatra (see all versions of this release, 10 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Come Fly With Me
arranger:
Billy May
recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
53:14
A2The Best Is Yet to Come
orchestra:
Count Basie and His Orchestra
arranger:
Quincy Jones
recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
42:56
A3The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-27)
conductor:
Nelson Riddle (on 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1964-01-27)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3.153:22
A4Luck Be a Lady
arranger:
Billy May
recording of:
Luck Be a Lady (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
5:15
A5Bewitched
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
3:00
B1The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
2:27
B2The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-01-31)
engineer:
Lee Herschberg
co-producer:
Ray Gilbert
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
acoustic guitar and background vocals:
Antônio Carlos Jobim (on 1967-01-31)
bass:
Ralph Peña
cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) and Nino Rosso (cellist)
drums (drum set):
Irv Cottler and Dom Um Romão
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Arthur Gleghorn and Bud Shank
trombone:
Dick Noel (trombone)
violin:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross and Ralph Schaeffer
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-01-31)
conductor:
Claus Ogerman (on 1967-01-31)
arranger:
Claus Ogerman
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (on 1967-01-31)
cover recording of:
The Girl From Ipanema (on 1967-01-31)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
53:14
B3Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:28
B4Summer Wind
recorded in and engineered in:
Hollywood, Los Angeles, California, United States (on 1966-05-16)
engineer:
Eddie Brackett (on 1966-05-16) and Lee Herschberg (on 1966-05-16)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-05-16)
conductor:
Nelson Riddle (on 1966-05-16)
arranger:
Nelson Riddle (on 1966-05-16)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (on 1966-05-16)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
recording of:
Summer Wind
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
2:55
B5Strangers in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-04-11)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) (on 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-04-11)
arranger:
Ernie Freeman (on 1966-04-11)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (on 1966-04-11)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.12:45
B6Call Me Irresponsible
arranger:
Nelson Riddle
recording of:
Call Me Irresponsible
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Paramount Music Corporation
part of:
The 36th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1963 winner)
2:56
2▶12" Vinyl