| # | Title | Artist | Rating | Length |
|---|
| 1 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:12 |
| 2 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:43 |
| 3 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:33 |
| 4 | Do You Know the Way to San José | Dionne Warwick | | 2:57 |
| 5 | You Can’t Hurry Love | The Supremes | | 2:43 |
| 6 | Reach Out I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Four Tops | 4 | 2:58 |
| 7 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha and the Vandellas | 3.55 | 2:38 |
| 8 | Uptight (Everything’s Alright) | Stevie Wonder | 4.65 | 2:53 |
| 9 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:38 |
| 10 | It’s Not Unusual | Tom Jones | 4.5 | 2:00 |
| 11 | Yeh Yeh | Georgie Fame & the Blue Flames | | 2:47 |
| 12 | Sha‐La‐La‐La‐Lee | Small Faces | 4 | 2:54 |
| 13 | Got to Get You Into My Life | Cliff Bennett & the Rebel Rousers | | 2:33 |
| 14 | In the Midnight Hour | Wilson Pickett | 3 | 2:34 |
| 15 | Knock on Wood- recorded in:
- Memphis, Tennessee, United States (on 1966-07-13)
- producer:
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- bass guitar [bass]:
- Duck Dunn (on 1966-07-13)
- drums (drum set) [drums]:
- Al Jackson (on 1966-07-13)
- guitar:
- Steve Cropper (on 1966-07-13)
- organ:
- Booker T. Jones (on 1966-07-13)
- piano:
- Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
- tenor saxophone:
- probably Andrew Love (on 1966-07-13)
- trumpet:
- Wayne Jackson (on 1966-07-13)
- vocals:
- Eddie Floyd (on 1966-07-13)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (on 1966-07-13)
- writer:
- Steve Cropper and Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. and Warner Chappell North America
- adaptation of:
- Potkraj na les
| Eddie Floyd | 4 | 3:04 |
| 16 | I Got You (I Feel Good) | James Brown | | 2:28 |
| 17 | Rescue Me | Fontella Bass | 4.5 | 2:54 |
| 18 | Go Now | The Moody Blues | | 3:11 |
| 19 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:01 |
| 20 | Mr. Tambourine Man- recorded in:
- Hollywood, Los Angeles, California, United States (on 1965-01-20)
- producer:
- Terry Melcher
- 12 string guitar:
- Jim McGuinn (on 1965-01-20)
- bass guitar:
- Chris Hillman (on 1965-01-20)
- drums (drum set):
- Michael Clarke (on 1965-01-20)
- guitar:
- David Crosby (on 1965-01-20)
- tambourine:
- Gene Clark (on 1965-01-20)
- vocals:
- Gene Clark (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
- phonographic copyright (℗) by:
- Columbia Records (in 1965) and Sony Music Entertainment Inc. (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
- cover recording of:
- Mr. Tambourine Man (on 1965-01-20)
- lyricist and composer:
- Bob Dylan (from 1964-02 until 1964-04)
- publisher:
- Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Bros. Music , Warner Brothers Music Ltd. , Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
| The Byrds | 4.15 | 2:20 |
| 21 | House of the Rising Sun | The Animals | 4.25 | 4:29 |
| 22 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis, Percy Sledge and Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 23 | Crazy | Patsy Cline | 4.15 | 2:44 |
| 24 | We Have All the Time in the World | Louis Armstrong | 3.5 | 3:14 |
| 25 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
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