Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1CD: Water Music
2CD: Music for the Royal Fireworks; Sinfonias
3CD: Concerti grossi Op. 3
4CD: Concerti grossi Op. 6 Nos. 1-4
5CD: Concerti grossi Op. 6 Nos. 5-8
6CD: Concerti grossi Op. 6 Nos. 9-12
7CD: Concerti a due cori
8CD: Organ Concertos I
9CD: Organ Concertos II; Harp Concerto
10CD: Organ Concertos III
11CD: Organ Concertos IV
12CD: Organ Concertos V
13CD: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
14CD: Flute Sonatas
15CD: Violin and Oboe Sonatas
16CD: Trio Sonatas I - Op. 2
17CD: Trio Sonatas II - Op. 5
18CD: Trio Sonatas III
19CD: Recorder Sonatas
20CD: Suites de pièces pour le clavecin I
21CD: Suites de pièces pour le clavecin II
22CD: Suites de pièces pour le clavecin III
23CD: Suites de pièces pour le clavecin IV
24CD: Harpsichord Music I
25CD: Harpsichord Music II
26CD: Harpsichord Music III
27CD: Harpsichord Music IV
28CD: Romantic Organ Transcriptions
29CD: Nine German Arias
30CD: Cantatas for soprano solo I
31CD: Cantatas for soprano solo II
32CD: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
33CD: Cantatas for soprano solo IV
34CD: Cantatas for soprano solo V
35CD: Italian Duets
36CD: The Alchemist; Apollo e Dafne
37CD: Aci, Galatea e Polifemo (beginning)
38CD: Aci, Galatea e Polifemo (conclusion)
39CD: Alexander's Feast (beginning)
40CD: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
41CD: Coronation Anthems
42CD: Dettingen Te Deum
43CD: Friedensode; Utrechter Te Deum
44CD: Ode for St. Cecilia's Day
45CD: Messiah (beginning)
46CD: Messiah (conclusion)
47CD: La Resurrezione (beginning)
48CD: La Resurrezione (conclusion)
49CD: Jephtha (beginning)
50CD: Jephtha (continuation)
51CD: Jephtha (conclusion)
#TitleRatingLength
1Jephtha HWV 70: 48. Act 3: Arioso: Hide thou thy hated beams
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
2:39
2Jephtha HWV 70: 49. Act 3: Accompagnato: A father, off'ring up
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:26
3Jephtha HWV 70: 50. Act 3: Air: Waft her, angels
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
4:05
4Jephtha HWV 70: 51. Act 3: Accompagnato: Ye sacred priests
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:35
5Jephtha HWV 70: 52. Act 3: Air: Farewell, ye limpid springs
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
5:02
6Jephtha HWV 70: 53. Act 3: Chorus: Doubtful fear and reverend awe
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
3:42
7Jephtha HWV 70: 54. Act 3: Symphony
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 36. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
1:53
8Jephtha HWV 70: 55. Act 3: Recitative: Rise, Jephtha
soprano vocals [Angel]:
Julia Gooding (soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
1:10
9Jephtha HWV 70: 56. Act 3: Air: Happy, Iphis, shalt thou live
soprano vocals [Angel]:
Julia Gooding (soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
4:41
10Jephtha HWV 70: 57. Act 3: Arioso: For ever blessed be
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
1:30
11Jephtha HWV 70: 58. Act 3: Chorus: Theme sublime
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
3:25
12Jephtha HWV 70: 59. Act 3: Recitative: Let me congratulate
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 39a. Recitative "Let me congratulate this happy turn" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:29
13Jephtha HWV 70: 60. Act 3: Air: Laud her, all ye virgin train
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
2:15
14Jephtha HWV 70: 61. Act 3: Recitative: O let me fold thee
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:19
15Jephtha HWV 70: 62. Act 3: Air: Sweet as sight to the blind
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 41. Air "Sweet as sight to the blind" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
1:55
16Jephtha HWV 70: 63. Act 3: Recitative: With transport, Iphis
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:20
17Jephtha HWV 70: 64. Act 3: Recitative: My faithful Hamor
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
0:14
18Jephtha HWV 70: 65. Act 3: Quintet: All that is in Hamor mine
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
3:36
19Jephtha HWV 70: 66. Act 3: Chorus: Ye house of Gilead
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
3:21
52CD: Israel in Egypt (beginning)
53CD: Israel in Egypt (conclusion)
54CD: Judas Maccabaeus (beginning)
55CD: Judas Maccabaeus (conclusion)
56CD: Samson (beginning)
57CD: Samson (conclusion)
58CD: Theodora (beginning)
59CD: Theodora (conclusion)
60CD: Saul (beginning)
61CD: Saul (conclusion)
62CD: Solomon (beginning)
63CD: Solomon (conclusion)
64CD: Semele (beginning)
65CD: Semele (conclusion)