Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1▶CD: Water Music
2▶CD: Music for the Royal Fireworks; Sinfonias
3▶CD: Concerti grossi Op. 3
4▶CD: Concerti grossi Op. 6 Nos. 1-4
5▶CD: Concerti grossi Op. 6 Nos. 5-8
6▶CD: Concerti grossi Op. 6 Nos. 9-12
7▶CD: Concerti a due cori
8▶CD: Organ Concertos I
9▶CD: Organ Concertos II; Harp Concerto
10▶CD: Organ Concertos III
11▶CD: Organ Concertos IV
12▶CD: Organ Concertos V
13▶CD: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
14▶CD: Flute Sonatas
15▶CD: Violin and Oboe Sonatas
16▶CD: Trio Sonatas I - Op. 2
17▶CD: Trio Sonatas II - Op. 5
18▶CD: Trio Sonatas III
19▶CD: Recorder Sonatas
20▶CD: Suites de pièces pour le clavecin I
21▶CD: Suites de pièces pour le clavecin II
22▶CD: Suites de pièces pour le clavecin III
23▶CD: Suites de pièces pour le clavecin IV
24▶CD: Harpsichord Music I
25▶CD: Harpsichord Music II
26▶CD: Harpsichord Music III
27▶CD: Harpsichord Music IV
28▶CD: Romantic Organ Transcriptions
29▶CD: Nine German Arias
30▶CD: Cantatas for soprano solo I
31▶CD: Cantatas for soprano solo II
32▶CD: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
33▶CD: Cantatas for soprano solo IV
34▶CD: Cantatas for soprano solo V
35▶CD: Italian Duets
36▶CD: The Alchemist; Apollo e Dafne
37▶CD: Aci, Galatea e Polifemo (beginning)
38▶CD: Aci, Galatea e Polifemo (conclusion)
39▶CD: Alexander's Feast (beginning)
40▶CD: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
41▶CD: Coronation Anthems
42▶CD: Dettingen Te Deum
43▶CD: Friedensode; Utrechter Te Deum
44▶CD: Ode for St. Cecilia's Day
45▶CD: Messiah (beginning)
46▶CD: Messiah (conclusion)
47▶CD: La Resurrezione (beginning)
48▶CD: La Resurrezione (conclusion)
49▶CD: Jephtha (beginning)
50▶CD: Jephtha (continuation)
51▶CD: Jephtha (conclusion)
52▶CD: Israel in Egypt (beginning)
53▶CD: Israel in Egypt (conclusion)
54▶CD: Judas Maccabaeus (beginning)
55▶CD: Judas Maccabaeus (conclusion)
56▶CD: Samson (beginning)
57▼CD: Samson (conclusion)
#TitleRatingLength
1Samson, HWV 57: 22. Act 2 "To fleeting pleasures make your court" [Dalila]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
partial recording of:
Samson, HWV 57: Act II. Air: To fleeting pleasures (Delilah). Chorus: Her faith and truth.
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
2:32
2Samson, HWV 57: 23. Act 2 "Ne'er think of that! I know thy warbling charms" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Recitative: Ne’er think of that! (Samson/Dalila).
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:16
3Samson, HWV 57: 24. Act 2 "Favour'd of heaven is he, who finds one true" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Chorus: To man God's universal law
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
recording of:
Samson, HWV 57: Act II. Recitative: Favoured of heaven is he (Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:06
4Samson, HWV 57: 25. Act 2 "No words of peace, no voice enchanting fear" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Recitative: No words of peace (Micah/Harapha/Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
1:47
5Samson, HWV 57: 26. Act 2 "Honour and arms scorn such a foe" [Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Air: Honour and Arms (Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
4:33
6Samson, HWV 57: 27. Act 2 "Cam'st thou for this, vain boaster?" [Samson, Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Duet: Go, baffled coward (Samson/Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
recording of:
Samson, HWV 57: Act II. Recitative: With thee, a man condemn'd (Harapha). Cam’st thou for this, vain boaster? (Samson/Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:05
7Samson, HWV 57: 28. Act 2 "Here lies the proof" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Chorus: Hear, Jacob's God, Jehovah, hear!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
recording of:
Samson, HWV 57: Act II. Recitative: Here lies the proof (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:43
8Samson, HWV 57: 29. Act 2 "Dagon, arise! attend thy sacred feast!" [Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Chorus: To song and dance we give the day
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
2:19
9Samson, HWV 57: 30. Act 2 "Fix'd in his everlasting seat" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Chorus: Fix'd in his everlasting seat
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:48
10Samson, HWV 57: 31. Act 3 "More trouble is behind" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Air: Presuming slave, to move their wrath! (Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: More trouble is behind (Micah/Samson/Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
4:13
11Samson, HWV 57: 32. Act 3 "Reflect then, Samson, matters now are strain'd" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Chorus: With thunder arm'd, great God, arise!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: Reflect then, Samson (Micah/Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:56
12Samson, HWV 57: 33. Act 3 "Be of good courage" [Samson, Micah, Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Recitative: Be of good courage (Samson/Micah/Harapha)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
6:15
13Samson, HWV 57: 34. Act 3 "With might endued, above the sons of men" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Accompagnato: With might endu'd above the sons of men (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Air & Chorus: The Holy One of Israel be thy guide (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:04
14Samson, HWV 57: 35. Act 3 "Old Manoah, with youthful steps, makes haste to find his son" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Air & Chorus: Great Dagon has subdu'd our foe (Philistine man)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: Old Manoa, with youthful steps (Mica/Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
5:17
15Samson, HWV 57: 36. Act 3 "What noise of joy was that?" [Manoah, Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Air: How willing my paternal love (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: What noise of joy was that? (Manoah/Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:51
16Samson, HWV 57: 37. Act 3 "Your hopes of his deliv'ry seem not vain" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Chorus: Hear us, our God! Oh, hear our cry!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: Your hopes of his deliv'ry seem not vain (Micah/Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
1:59
17Samson, HWV 57: 38. Act 3 "Noise call you this? an universal groan" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Recitative: Noise call you this? (Micah/Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:06
18Samson, HWV 57: 39. Act 3 "Ye sons of Israel, now lament" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Air & Chorus: Ye sons of Israel, now lament (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:52
19Samson, HWV 57: 40. Act 3 Dead March
harpsichord and organ:
Dr. Alexander Schreiner
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Samson, HWV 57: Act III. Symphony: Dead March
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:15
20Samson, HWV 57: 41. Act 3 "The body comes" [Micah, Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Air & Chorus: Glorious hero, may thy grave (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
recording of:
Samson, HWV 57: Act III. Recitative: The body comes (Micah/Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
6:39
21Samson, HWV 57: 42. Act 3 "Come, come! no time for lamentation" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Recitative: Come, come! (Manoah/Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:36
22Samson, HWV 57: 43. Act 3 "Let their celestial concerts all unite" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III. Chorus: Let their celestial concerts all unite
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
2:44
58▶CD: Theodora (beginning)
59▶CD: Theodora (conclusion)
60▶CD: Saul (beginning)
61▶CD: Saul (conclusion)
62▶CD: Solomon (beginning)
63▶CD: Solomon (conclusion)
64▶CD: Semele (beginning)
65▶CD: Semele (conclusion)