Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Annotation

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Annotation last modified on 2018-08-22 02:57 UTC.

Tracklist

1CD: Plays Cole Porter; Plays Irving Berlin
#TitleRatingLength
1What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
3:10
2Begin the Beguine
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Begin the Beguine (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:12
3I've Got You Under My Skin
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952, in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
instrumental recording of:
I’ve Got You Under My Skin (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (in 1952)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:30
4Love for Sale
recorded in:
Los Angeles, California, United States (on 1951-11-25)
bass:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
instrumental recording of:
Love for Sale (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:12
5Let's Do It
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
2:54
6I Love You
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952, in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
7So Near and Yet So Far
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1941)
3:21
8Just One of Those Things
recorded in:
Los Angeles, California, United States (on 1952-02-26)
double bass [bass]:
Ray Brown (jazz bassist) (on 1952-02-26)
drums (drum set):
Alvin Stoller (on 1952-02-26)
guitar:
Barney Kessel (on 1952-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-02-26)
instrumental recording of:
Just One of Those Things (on 1952-02-26)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
In the Still of the Night (Cole Porter song) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
3:00
10Night and Day
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:38
11Ev'ry Time We Say Goodbye
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
12Anything Goes
recorded in:
Los Angeles, California, United States (in 1952-12)
bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Anything Goes (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
2:57
13I've Got My Love to Keep Me Warm
instrumental recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:49
14Isn't This a Lovely Day?
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:19
15Easter Parade
instrumental recording of:
Easter Parade (from “Easter Parade”)
lyricist and composer:
Irving Berlin (in 1933)
part of:
Easter Parade (full musical)
3:15
16How Deep Is the Ocean (How High Is the Sky)
instrumental recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
17Remember
instrumental recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:20
18The Song Is Ended3:20
19Blue Skies
instrumental recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:02
20If I Had You
instrumental recording of:
If I Had You (obscure Irving Berlin song)
lyricist and composer:
Irving Berlin
3:12
21Cheek to Cheek
instrumental recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:02
22Alexander's Ragtime Band
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
arranger:
Deseő Csaba
publisher:
Williamson Music, Inc.
2:52
23Say It Isn't So
instrumental recording of:
Say It Isn’t So
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:09
24Always
instrumental recording of:
Always
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:50
2CD: Plays George Gershwin; Plays Duke Ellington
3CD: Plays Jerome Kern; Plays Richard Rodgers
4CD: Plays Vincent Youmans; Plays Harry Warren
5CD: Plays Harold Arlen; Plays Jimmy McHugh

Credits

Release

ASIN:US: B075SVKWFC [info]