Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Annotation

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Annotation last modified on 2018-08-22 02:57 UTC.

Tracklist

1▶CD: Plays Cole Porter; Plays Irving Berlin
2▶CD: Plays George Gershwin; Plays Duke Ellington
3▶CD: Plays Jerome Kern; Plays Richard Rodgers
4▶CD: Plays Vincent Youmans; Plays Harry Warren
5▼CD: Plays Harold Arlen; Plays Jimmy McHugh
#TitleRatingLength
1As Long as I Live
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
As Long as I Live (on 1954-11-15)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
4:20
2I Gotta Right to Sing the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
I Gotta Right to Sing the Blues (on 1954-11-15)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
5:05
3Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Come Rain or Come Shine (on 1954-11-15)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
4:26
4Ac-cent-tchu-ate the Positive
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (on 1954-11-15)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:15
5Between the Devil and the Deep Blue Sea
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1954-11-15)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:08
6I've Got the World on a String
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
I’ve Got the World on a String (on 1954-11-15)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:47
7It's Only a Paper Moon
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
It’s Only a Paper Moon (on 1954-11-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
3:24
8That Old Black Magic
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
That Old Black Magic (on 1954-11-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:00
9Let's Fall in Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Let’s Fall in Love (on 1954-11-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
3:33
10Stormy Weather
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Stormy Weather (on 1954-11-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:34
11Blues in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-15)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-15)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-15)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-15)
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1954-11-15)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
3:50
12Over the Rainbow
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-11-16)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1954-11-16)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:33
13When My Sugar Walks Down the Street
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
When My Sugar Walks Down the Street (on 1954-11-16)
writer:
Gene Austin, Jimmy McHugh (songwriter) and Irving Mills
3:25
14I Can't Believe You're in Love With Me
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1954-11-16)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:33
15On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
On the Sunny Side of the Street (on 1954-11-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:48
16Don't Blame Me
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
Don’t Blame Me (on 1954-11-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:06
17I'm in the Mood for Love
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
I’m in the Mood for Love (on 1954-11-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:53
18I Can't Give You Anything but Love, Baby
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1954-11-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
5:24
19I Couldn't Sleep a Wink Last Night
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
I Couldn’t Sleep a Wink Last Night (on 1954-11-16)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
3:32
20Diga, Diga Do
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
recording of:
Diga Diga Doo (on 1954-11-16)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
5:01
21You're a Sweetheart
recorded in:
Los Angeles, California, United States (on 1954-11-16)
bass:
Ray Brown (jazz bassist) (on 1954-11-16)
guitar:
Herb Ellis (jazz guitarist) (on 1954-11-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-11-16)
instrumental recording of:
You’re a Sweetheart (on 1954-11-16)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
4:39

Credits

Release

ASIN:US: B075SVKWFC [info]