Baroque Adagios

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Canon (arr. Münchinger)
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1984-02)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:33
2Concerto no. 4 in F minor, RV 297 "Winter": Largo
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:43
3Adagio
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:00
4Dance of the Blessed Spirits (Orfeo) (arr. De Reede)
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Rien de Reede (flutist)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (in 1984-02)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:38
5Guitar Concerto in D major, RV 93 (arr. Malipiero): Largo
producer:
Paul Myers (classical record producer)
classical guitar:
Eduardo Fernández (guitarist)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi5:12
6Concerto for 2 Violins in D minor, BWV 1043: Largo ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:30
7Oboe Concerto in D minor: Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:25
8Nisi Dominus, RV 608: Cum dederit delectis suis somnum
producer:
Chris Sayers (producer)
countertenor vocals:
Andreas Scholl (countertenor) (from 2000-01-10 until 2000-01-13)
orchestra:
Australian Brandenburg Orchestra (from 2000-01-10 until 2000-01-13)
conductor:
Paul Dyer (conductor) (from 2000-01-10 until 2000-01-13)
balance engineer:
Allan Maclean (engineer/editor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2000-01-10 until 2000-01-13)
recording of:
Nisi Dominus, RV 608: IV. Largo "Cum dederit delectis suis somnum" (from 2000-01-10 until 2000-01-13)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nisi Dominus, RV 608
Antonio Vivaldi5:09
9Concerto Grosso in A minor, op. 6 no. 4: Larghetto affettuoso
cello:
Kenneth Heath (cellist)
violin:
Trevor Connah (violinist) and Sir Neville Marriner (conductor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel3:20
10Organ Concerto no. 13 in F major "The Cuckoo and the Nightingale": Larghetto
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02, in 1984-02)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
performer:
Stuttgart Chamber Orchestra (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: III. Larghetto (in 1984-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel2:43
11Oboe Concerto in F major, BWV 1053: Siciliano
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05, from 1982-05 until 1982-07)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1982-05) and Academy of St Martin in the Fields (from 1982-05 until 1982-07)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05, from 1982-05 until 1982-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-05, from 1982-05 until 1982-07)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
Johann Sebastian Bach4:19
12Violin Sonata in G minor, op. 1 no. 4 "The Devil's Trill": Larghetto Affettuoso
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
producer:
Us Van Der Meulen
piano:
Riccardo Castagnone (pianist, harpsichordist and composer) (from 1956-07-16 until 1956-07-19)
violin:
Arthur Grumiaux (Belgian violinist) (from 1956-07-16 until 1956-07-19)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": I. Larghetto affettuoso (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini (Italian composer)
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
recording of:
Violin Sonata in G minor, "The Devil's Trill": I. Larghetto (arr. F. Kreisler for violin and piano) (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini (Italian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Violin Sonata in G minor, "The Devil's Trill" (arr. F. Kreisler for violin and piano)
Giuseppe Tartini2:56
13Sleepers Awake (excerpt) (Cantata, BWV 140) (arr. Bantock)
orchestra:
New Symphony of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (British composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach2:31
14Concerto for 2 Oboes in D minor, RV 535: Largo
producer:
Chris Hazell
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1975-07-15 until 1975-07-18)
oboe:
Neil Black (oboist) (from 1975-07-15 until 1975-07-18) and Celia Nicklin (oboist) (from 1975-07-15 until 1975-07-18)
organ:
Colin Tilney (harpsichordist) (from 1975-07-15 until 1975-07-18)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1975-07-15 until 1975-07-18)
orchestra:
Academy of St Martin in the Fields (from 1975-07-15 until 1975-07-18)
conductor:
Sir Neville Marriner (conductor) (from 1975-07-15 until 1975-07-18)
balance engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer) (from 1975-07 until 1975-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-07-15 until 1975-07-18)
recording of:
Concerto for 2 oboes in D minor, RV 535: III. Largo (from 1975-07-15 until 1975-07-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
Antonio Vivaldi2:34
15Concerto grosso in D major, op. 6 no. 1: Largo
violin:
Carmel Kaine (violinist) (in 1973-12) and Alan Loveday (violinist) (in 1973-12)
orchestra:
Academy of St Martin in the Fields (in 1973-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Concerto Grosso in D major, op. 6 no. 1: II. Largo - Allegro (in 1973-12)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 1
Arcangelo Corelli3:21
16Keyboard Concerto no. 4 in A major, BWV 1055: Larghetto
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:56
17Goldberg Variations, BWV 988: Aria
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:53
18Ombra mai fu (Largo) (Xerxes)
countertenor vocals and countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:01
19Nulla in mundo pax sincera, RV 630 (excerpt)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:48
2▶CD

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part of:Adagios (Decca Classics) (order: 5)
ASIN:DE: B00005UWKY [info]