The Art of the Cello

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
16 Gesänge, op. 34: No. 2. Auf Flügeln des Gesanges
recording engineer:
Jin Choi
producer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist)
piano:
Jérôme Ducros (pianist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2020)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:21
224 Preludes, op. 28: No. 4 in E minor
cello:
Julian Lloyd Webber (cellist)
piano:
John Lenehan (classical pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (catch‐all for arrangements)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
arrangement of:
Prélude no. 4 in E minor, op. 28: Largo
Frédéric Chopin2:25
3Le carnaval des animaux: XIII. Le cygne
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint-Saëns2:52
4Sicilienne
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
balance engineer:
Neville Boyling (engineer) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Sicilienne (for violin and piano. arr Dushkin) (from 1962-07-15 until 1962-07-16)
composer:
Maria Theresia von Paradis
piano and violin arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Sicilienne (for violin and piano)
Maria Theresia von Paradis3:00
5Cello Suite no. 1 in G major, BWV 1007: I. Prelude
cello:
Truls Mørk (Norwegian cellist) (in 2005-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2005) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2005)
recorded at:
Ris kirke (Ris Church) in Oslo, Norway (in 2005-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 2005-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:40
64 Pieces for Cello and Piano, op. 78: No. 2. Romance
producer:
Andrew Keener (engineer/editor/producer)
cello:
Truls Mørk (Norwegian cellist) (from 1993-07-26 until 1993-07-28)
piano:
Jean‐Yves Thibaudet (pianist) (from 1993-07-26 until 1993-07-28)
balance engineer:
Arne Akselberg (from 1993-07-26 until 1993-07-28)
recorded at:
Ski Hall (Torgveien) in Norway (from 1993-07-26 until 1993-07-28)
recording of:
Romanssi, op. 78 no. 2 (for violin or cello and piano) (from 1993-07-26 until 1993-07-28)
composer:
Jean Sibelius (Finnish composer) (in 1915)
part of:
4 pieces, op. 78 (for violin or cello and piano)
Jean Sibelius3:11
7Cello Concerto no. 1 in A minor, op. 33: Allegro non troppo
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo (from 1977-04-29 until 1977-05-01)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns5:29
8Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto (from 1977-04-29 until 1977-05-01)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns4:56
9Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro (from 1977-04-29 until 1977-05-01)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint-Saëns8:52
102 Chansons, op. 15: No. 2. Chanson de matin
cello:
Natalie Clein (cellist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
arranger:
Julian Milone (violinist and composer)
recording of:
Chanson de matin, op. 15 no. 2 (catch-all for arrangements)
composer:
Edward Elgar (composer)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Edward Elgar3:15
11Main Theme (from "Schindler's List")
sound engineer:
Jin Choi
producer and mixer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre national de Bretagne
conductor:
Johanna Malangré (conductor)
recorded at:
Couvent des Jacobins (Couvent des Jacobins) in Rennes, Ille-et-Vilaine, Bretagne (Brittany), France (from 2021-11-11 until 2021-11-14)
recording of:
Main Theme (Schindler’s List) (from 2021-11-11 until 2021-11-14)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams4:06
128 Humoresques, op. 101, B. 187: No. 7. Poco lento e grazioso
producer:
Martin Sauer (engineer/producer)
cello:
Edgar Moreau (cellist) (from 2024-04-17 until 2024-04-21)
piano:
David Kadouch (French pianist) (from 2024-04-17 until 2024-04-21)
recorded at:
Orchesterhaus Kriens in Luzern (Canton of Lucerne), Switzerland (from 2024-04-17 until 2024-04-21)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Kreisler) (from 2024-04-17 until 2024-04-21)
composer:
Antonín Dvořák (composer) (in 1894)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:32
1312 Romances, op. 21: No. 9. Melody
producer:
Martin Sauer (engineer/producer)
cello:
Edgar Moreau (cellist) (from 2024-04-17 until 2024-04-21)
piano:
David Kadouch (French pianist) (from 2024-04-17 until 2024-04-21)
recorded at:
Orchesterhaus Kriens in Luzern (Canton of Lucerne), Switzerland (from 2024-04-17 until 2024-04-21)
recording of:
12 Romances, op. 21: No. 9 "Melody" (from 2024-04-17 until 2024-04-21)
lyricist:
Семён Надсон (Semyon Yakovlevich Nadson, XIX century Russian poet and essayist)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1902)
part of:
12 Romances, op. 21
Sergei Rachmaninoff2:51
14Suite de Pelléas et Mélisande, op. 80: III. Sicilienne
solo cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
recording of:
Sicilienne, op. 78 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Sicilienne, op. 78 (original; for cello and piano)
Gabriel Fauré3:36
15Cello Concerto in E minor, op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
16Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
17Cello Concerto in E minor, op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:16
18Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:21
19Arpeggione Sonata in A minor, D. 821: II. Adagio
recording engineer:
Andreas Ruge (from 2004-02-23 until 2004-02-26)
producer:
Andreas Ruge
cello:
Natalie Clein (cellist) (from 2004-02-23 until 2004-02-26)
piano:
Charles Owen (British pianist) (from 2004-02-23 until 2004-02-26)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 2004-02-23 until 2004-02-26)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: II. Adagio (from 2004-02-23 until 2004-02-26)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert4:11
20Cello Suite no. 3 in C major, BWV 1009: I. Prelude
cello:
Paul Tortelier (cellist)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:34
21Cello Concerto in B minor, RV 424: I. Allegro non molto
cello:
Han‐na Chang (South Korean conductor and cellist) (in 2008-06)
orchestra:
London Chamber Orchestra (in 2008-06)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 2008-06)
recording of:
Concerto for Cello in B minor, RV 424: I. Allegro non molto (in 2008-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Cello in B minor, RV 424
Antonio Vivaldi3:55
22Cello Concerto in B minor, RV 424: II. Largo
cello:
Han‐na Chang (South Korean conductor and cellist) (in 2008-06)
orchestra:
London Chamber Orchestra (in 2008-06)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 2008-06)
recording of:
Concerto for Cello in B minor, RV 424: II. Largo (in 2008-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Cello in B minor, RV 424
Antonio Vivaldi2:45
23El cant dels ocells
cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (from 2006-12-03 until 2006-12-06)
recording of:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
composer:
[traditional] (special purpose artist)
cello arranger:
Pau Casals (cellist, aka Pablo Casals)
publisher:
Tetra Music Corp.
arrangement of:
El cant dels ocells
Pau Casals4:40
243 Mélodies, op. 7: No. 1. Après un rêve
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Douglas Boyd (oboist and conductor)
concertmaster:
Deborah Nemtanu (French violinist)
recording of:
Après un rêve, op. 7 no. 1 (for cello and orchestra, Büsser)
composer:
Gabriel Fauré (French composer)
arranger:
Henri Büsser (French composer, organist, conductor)
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:28
25Cello Concerto in A minor, op. 129: II. Langsam
cello:
Gautier Capuçon (cellist)
orchestra:
Chamber Orchestra of Europe
conductor:
Bernard Haitink (conductor)
live recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann4:05
26Suite for Left Hand Piano and Strings, op. 23: IV. Lied. Schlicht und innig
cello:
Edgar Moreau (cellist)
piano:
Jérémie Moreau (pianist)
violin:
David Moreau and Raphaëlle Moreau (violinist)
recording of:
Suite for Two Violins, Cello and Piano Left Hand, op. 23: IV. Lied. Schlicht und innig. Nicht zu langsam
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Suite for Two Violins, Cello and Piano Left Hand, op. 23
Erich Wolfgang Korngold4:24
27Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1968-05-20 until 1968-08-18)
piano:
Daniel Barenboim (pianist and conductor) (from 1968-05-20 until 1968-08-18)
balance engineer:
Neville Boyling (engineer) (from 1968-05-20 until 1968-08-18) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1968-05-20 until 1968-08-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1968 to present)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-05-20 until 1968-08-18)
recording of:
Sonata no. 2 for Cello and Piano in F major, op. 99: IV. Allegro molto (from 1968-05-20 until 1968-08-18)
composer:
Johannes Brahms (German composer) (in 1886)
part of:
Sonata for Piano and Cello no. 2 in F major, op. 99 (Cello Sonata no. 2 in F major, op. 99)
Johannes Brahms4:42
28Song Without Words in D major, op. 109, MWV Q34
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
balance engineer:
Neville Boyling (engineer) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Lied ohne Worte, op. 109 (Song Without Words, op. 109, original for cello and piano) (from 1962-07-15 until 1962-07-16)
composer:
Felix Mendelssohn (composer) (in 1845)
part of:
Works of Felix Mendelssohn by opus number (number: op. 109) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV Q 34)
Felix Mendelssohn5:34
29The Leftovers: She Remembers
recording engineer:
Jin Choi
producer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist)
piano:
Jérôme Ducros (pianist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Adrien Perruchon (conductor/timpanist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2020)
recording of:
She Remembers
composer:
Max Richter (German pianist and score composer)
Max Richter3:34
30Titanic: Theme
cello:
The 12 Cellists of the Berliner Philharmoniker
double bass:
Esko Laine (double bass player)
conductor:
Esko Laine (double bass player)
arranger:
Wilhelm Kaiser-Lindemann
instrumental cover recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
partial recording of:
Titanic
composer:
James Horner (American score composer)
James Horner4:47
3120 Cantos Populares Españoles: No. 6. Granadina, Chant d'Espagne pour violoncelle et piano
cello:
Paul Tortelier (cellist)
piano:
John Newmark (Canadian pianist)
recording of:
Chants d'Espagne: Granadina (for cello and piano)
composer:
Joaquín Nin y Castellanos
arrangement of:
20 cantos populares españoles: No. 7. Granadina
part of:
Chants d'Espagne (for cello and piano)
Joaquin Nin2:21
32Suite bergamasque, L. 82: III. Clair de lune
producer:
Lawrance Collingwood
cello:
Mstislav Rostropovich (cellist/conductor) (from 1957-04-26 until 1957-04-27)
piano:
Alexandre Dedyukhin (pianist) (from 1957-04-26 until 1957-04-27)
instruments arranger and arranger:
Alexandre Roelens
balance engineer:
Neville Boyling (engineer) (from 1957-04-26 until 1957-04-27)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-04-26 until 1957-04-27)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune, pour violon et piano (for violin and piano, Roelens) (from 1957-04-26 until 1957-04-27)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arranger:
Alexandre Roelens
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
recording of:
Suite bergamasque: Clair de lune (for cello and piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:50
33Cello Sonata in G minor, op. 65: III. Largo
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1971-12-10 until 1971-12-11)
piano:
Daniel Barenboim (pianist and conductor) (from 1971-12-10 until 1971-12-11)
balance engineer:
Neville Boyling (engineer) (from 1971-12-10 until 1971-12-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-12-10 until 1971-12-11)
recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo (from 1971-12-10 until 1971-12-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
recording of:
Sonata for Cello and Piano in G minor, op. 65
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 65)
Frédéric Chopin4:00
34Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto - Trio
recorded in:
London (Greater London), England, United Kingdom (in 1968-04)
producer:
Christopher Nupen (music documentary filmmaker)
cello:
Jacqueline du Pré (cellist) (in 1968-04)
piano:
Daniel Barenboim (pianist and conductor) (in 1968-04)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1968-04)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi menuetto (in 1968-04)
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms5:39
35Cello Concerto: I. Lento
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius1:01
36Cello Concerto: II. Con moto tranquillo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius6:19
37Cello Concerto: III. Lento
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:36
38Cello Concerto: IV. Con moto tranquillo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius2:00
39Cello Concerto: V. Allegramente
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:45
40From the Bohemian Forest, op. 68: No. 5. Silent Woods, B. 182
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Klid (Silent Woods) for Cello and Orchestra, op. 68 no. 5 (on 1970-11-11)
composer:
Antonín Dvořák (composer) (on 1893-10-28)
dedicated to:
Hanuš Wihan
premiered at:
[concert] (1894-12-16)
part of:
Works of Antonín Dvořák by opus number (number: op. 65/5) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 182)
orchestration of:
Ze Šumavy, op. 68, B. 133: č. 5. Klid (Lento e molto cantabile) (From the Bohemian Forest, op. 68, B. 133: no. 5. Silent Woods (Lento e molto cantabile), for four-hand piano)
Antonín Dvořák6:47
41Adagio for Strings, op. 11
sound engineer:
Jin Choi
producer and mixer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre national de Bretagne
conductor:
Johanna Malangré (conductor)
recorded at:
Couvent des Jacobins (Couvent des Jacobins) in Rennes, Ille-et-Vilaine, Bretagne (Brittany), France (from 2021-11-11 until 2021-11-14)
recording of:
Adagio for Strings (catch‐all for arrangements) (from 2021-11-11 until 2021-11-14)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber8:16
42Barcarolle (From Les contes d’Hoffmann)
recording engineer:
Jin Choi (engineer) (from 2023-01-02 until 2023-01-05)
producer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist) (from 2023-01-02 until 2023-01-05)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03) (from 2023-01-02 until 2023-01-05)
conductor:
Lionel Bringuier (conductor, cellist and pianist) (from 2023-01-02 until 2023-01-05)
arranger:
Jérôme Ducros (pianist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2023)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2023-01-02 until 2023-01-05)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements) (from 2023-01-02 until 2023-01-05)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:42
43Nocturne no. 21 in C minor, op. posth.
producer:
Martin Sauer (engineer/producer)
cello:
Edgar Moreau (cellist) (from 2024-04-17 until 2024-04-21)
piano:
David Kadouch (French pianist) (from 2024-04-17 until 2024-04-21)
recorded at:
Orchesterhaus Kriens in Luzern (Canton of Lucerne), Switzerland (from 2024-04-17 until 2024-04-21)
recording of:
Nocturne no. 21 in C minor, op. posth. 2 no. 8, B. 108, KK IVb/8 (from 2024-04-17 until 2024-04-21)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1837)
Frédéric Chopin3:25
44Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (in 1981-11)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn56:01
45In Moonlight
producer:
Andrew Keener (engineer/editor/producer)
cello:
Natalie Clein (cellist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2007)
recording of:
In Moonlight (for cello and orchestra, arr. Julian Milone)
composer:
Edward Elgar (composer)
arranger:
Julian Milone (violinist and composer)
arrangement of:
In Moonlight
Edward Elgar3:16
46Cello Sonata in A minor, op. 36: II. Andante molto tranquillo
producer:
Andrew Keener (engineer/editor/producer)
cello:
Truls Mørk (Norwegian cellist) (from 1993-07-26 until 1993-07-28)
piano:
Jean‐Yves Thibaudet (pianist) (from 1993-07-26 until 1993-07-28)
balance engineer:
Arne Akselberg (from 1993-07-26 until 1993-07-28)
recorded at:
Ski Hall (Torgveien) in Norway (from 1993-07-26 until 1993-07-28)
recording of:
Sonata for Cello and Piano in A minor, op. 36: II. Andante molto tranquillo (from 1993-07-26 until 1993-07-28)
composer:
Edvard Grieg (composer) (in 1883)
part of:
Sonata for Cello and Piano in A minor, op. 36
Edvard Grieg6:43
47Chansons grises: No. 5. L'heure exquise
cello:
Julian Lloyd Webber (cellist)
piano:
John Lenehan (classical pianist)
recording of:
Chansons grises: No. 5. L'Heure exquise
lyricist:
Paul Verlaine (French poet)
composer:
Reynaldo Hahn (composer)
publisher:
Heugel
part of:
Chansons grises
recording of:
L’Heure exquise (catch-all for arrangements)
composer:
Reynaldo Hahn (composer)
arrangement of:
Chansons grises: No. 5. L'Heure exquise
Reynaldo Hahn3:58
486 Pieces, op. 19: No. 4. Nocturne
cello and solo cello:
Han‐na Chang (South Korean conductor and cellist)
flute:
Daniel Pailthorpe (flautist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
recording of:
Nocturne in D minor, TH 64, ČW 349 (for cello and small orchestra)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1873)
arranger:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1888)
premiered at:
Home of Marie de Benardaky in Paris, Île-de-France, France (on 1888-02-28)
part of:
The Tchaikovsky Handbook (number: TH 64) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 349)
orchestration of:
6 Pieces, op. 19 no. 4: Nocturne in C-sharp minor (for piano)
Pyotr Ilyich Tchaikovsky5:17
49The Fair at Sorochyntsi: Gopak
cello:
János Starker (Hungarian-American cellist)
piano:
Gerald Moore (pianist)
recording of:
Gopak (for cello and piano, Stutschewsky)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
יהויכין סטוצ׳בסקי (Joachim Stutschewsky, Ukrainian-Israeli cellist and composer)
arrangement of:
The Fair at Sorochintsï: Hopak
Modest Mussorgsky1:54
50Salut d'amour, op. 12
cello:
Edgar Moreau (cellist) (from 2013-09-02 until 2013-09-05)
piano:
Pierre-Yves Hodique (from 2013-09-02 until 2013-09-05)
recording of:
Salut d’amour, op. 12 (catch-all for arrangements) (from 2013-09-02 until 2013-09-05)
composer:
Edward Elgar (composer) (in 1888)
arrangement of:
Salut d’amour, op. 12 (for violin and piano)
Edward Elgar2:53
51Thaïs: Act 2: Méditation
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Douglas Boyd (oboist and conductor)
concertmaster:
Deborah Nemtanu (French violinist)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet6:12
52Kinderszenen, op. 15: No. 7. Träumerei
cello:
Paul Tortelier (cellist)
piano:
John Newmark (Canadian pianist)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements)
composer:
Robert Schumann (German classical composer) (in 1838)
arrangement of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Robert Schumann3:27
53Cello Sonata no. 3 in A major, op. 69: III. (a) Adagio cantabile
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-12-19 until 1965-12-23)
piano:
Stephen Bishop-Kovacevich (classical pianist, aka Stephen Bishop) (from 1965-12-19 until 1965-12-23)
balance engineer:
Neville Boyling (engineer) (from 1965-12-19 until 1965-12-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-12-19 until 1965-12-23)
recording of:
Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace (from 1965-12-19 until 1965-12-23)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Sonata for Cello and Piano no. 3 in A major, op. 69
Ludwig van Beethoven2:08
54Cello Sonata no. 3 in A major, op. 69: III. (b) Allegro vivace
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-12-19 until 1965-12-23)
piano:
Stephen Bishop-Kovacevich (classical pianist, aka Stephen Bishop) (from 1965-12-19 until 1965-12-23)
balance engineer:
Neville Boyling (engineer) (from 1965-12-19 until 1965-12-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-12-19 until 1965-12-23)
recording of:
Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace (from 1965-12-19 until 1965-12-23)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Sonata for Cello and Piano no. 3 in A major, op. 69
Ludwig van Beethoven6:52
55Lakmé: Act 1: Duo des fleurs
cello:
Gautier Capuçon (cellist)
instruments:
Capucelli
recording of:
Lakmé: Flower Duet (catch-all for arrangements)
composer:
Léo Delibes (French composer)
arrangement of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
Léo Delibes4:50
56Cello Sonata no. 6 in C major, G. 6: II. Largo assai
cello:
Steven Isserlis (cellist) (in 1988-11)
harpsichord:
Maggie Cole (harpsichordist) (in 1988-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-11)
recording of:
Sonata for Cello Solo and Basso Continuo no. 6 in C major, G 6: II. Largo assai
composer:
Luigi Boccherini (Italian composer)
part of:
Sonata for Cello Solo and Basso Continuo no. 6 in C major, G 6
Luigi Boccherini3:05
57Cello Concerto in A minor, op. 22: II. Andante sostenuto
engineer:
Mike Clements (engineer) (in 1988)
cello:
Ralph Kirshbaum (cellist) (in 1988)
orchestra:
Scottish Chamber Orchestra (in 1988)
conductor:
Jukka‐Pekka Saraste (conductor) (in 1988)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom (in 1988)
recording of:
Cello Concerto, op. 22: II. Andante sostenuto (in 1988)
composer:
Samuel Barber (American composer) (from 1945-01 until 1945-11-27)
part of:
Cello Concerto, op. 22
Samuel Barber7:47
58Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio
cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: II. Adagio
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn5:57
59Élégie, op. 24
producer:
Suvi Raj Grubb and Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1969-04)
cello:
Jacqueline du Pré (cellist) (on 1969-04-01)
piano:
Gerald Moore (pianist) (on 1969-04-01)
balance engineer:
Stuart Eltham (engineer) (on 1969-04-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-04-01)
recording of:
Élégie, op. 24 (for cello and piano) (on 1969-04-01)
composer:
Gabriel Fauré (French composer) (in 1883)
part of:
Works of Gabriel Fauré by opus number (number: op. 24)
Gabriel Fauré6:43
60Waltz no. 3 in A minor, op. 34 no. 2
cello:
Truls Mørk (Norwegian cellist)
grand piano:
Kathryn Stott (pianist)
recorded at:
Østre Fredrikstad kirke in Fredrikstad, Østfold, Norway (from 2006-09-21 until 2006-09-23)
recording of:
Waltz no. 3 in A minor, op. 34 no. 2 (catch‐all for arrangements)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
arrangement of:
Waltz no. 3 in A minor, op. 34 no. 2
Frédéric Chopin6:28
6114 Romances, op. 34: No. 14. Vocalise
solo cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff7:32
62String Quartet no. 1 in G minor, op. 27: II. Romanze
producer:
Jørn Pedersen
cello:
Truls Mørk (Norwegian cellist) (from 2000-10-03 until 2000-10-04)
viola:
Lars Anders Tomter (violist) (from 2000-10-03 until 2000-10-04)
violin [violin I]:
Sølve Sigerland (violinist) (from 2000-10-03 until 2000-10-04)
violin [violin II]:
Atle Sponberg (violinist) (from 2000-10-03 until 2000-10-04)
balance engineer:
Arne Akselberg (from 2000-10-03 until 2000-10-04)
recorded at:
Sofienberg Kirke in Oslo, Norway (from 2000-10-03 until 2000-10-04)
recording of:
String Quartet in G minor, op. 27: II. Romanze: Andantino - Allegro agitato (from 2000-10-03 until 2000-10-04)
composer:
Edvard Grieg (composer)
part of:
String Quartet in G minor, op. 27
Edvard Grieg6:25
63Adiós Nonino
cello:
Die 12 Cellisten der Berliner Philharmoniker (in 2000-01)
arranger:
Julio Medaglio
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
recording of:
Adiós Nonino (catch-all for arrangements) (in 2000-01)
composer:
Astor Piazzolla (composer and bandoneón player) (in 1959-10)
arrangement of:
Adiós Nonino (original instrumental version)
Astor Piazzolla4:52
643 Preludes: No. 2. Andante con moto "Blue Lullaby"
cello:
Die 12 Cellisten der Berliner Philharmoniker (in 2002-01)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (catch-all for arrangements) (in 2002-01)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
George Gershwin5:07
65Andante cantabile for Cello and Orchestra (After String Quartet no. 1, op. 11)
cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (from 2006-12-11 until 2006-12-14)
recording of:
Andante cantabile, TH 63, ČW 348 (for cello and string orchestra)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1888)
premiered at:
Home of Marie de Benardaky in Paris, Île-de-France, France (on 1888-02-28)
part of:
The Tchaikovsky Handbook (number: TH 63) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 348)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky8:34
66Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. Poco adagio
sound engineer:
Jin Choi
producer and mixer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre national de Bretagne
conductor:
Johanna Malangré (conductor)
recorded at:
Couvent des Jacobins (Couvent des Jacobins) in Rennes, Ille-et-Vilaine, Bretagne (Brittany), France (from 2021-11-11 until 2021-11-14)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (catch‐all for arrangements)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
arrangement of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
Antonín Dvořák5:14
67Kol Nidrei, op. 47
cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
London Symphony Orchestra
conductor:
Mstislav Rostropovich (cellist/conductor)
recording of:
Kol Nidrei, op. 47
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch12:36
68Double Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo
cello:
Gautier Capuçon (cellist)
violin:
Renaud Capuçon (violinist)
orchestra:
Gustav Mahler Jugendorchester
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms8:39
69Rusalka, op. 114, B. 203: Act 1: Song to the Moon
cello:
Edgar Moreau (cellist)
piano:
Jérémie Moreau (pianist)
recording of:
Rusalka, op. 114: Song to the Moon (catch-all for arrangements)
composer:
Antonín Dvořák (composer)
arrangement of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Antonín Dvořák6:42
70Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-12-19 until 1965-12-23)
piano:
Stephen Bishop-Kovacevich (classical pianist, aka Stephen Bishop) (from 1965-12-19 until 1965-12-23)
balance engineer:
Neville Boyling (engineer) (from 1965-12-19 until 1965-12-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-12-19 until 1965-12-23)
recording of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto (from 1965-12-19 until 1965-12-23)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2
Ludwig van Beethoven10:50
71Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (from 1977-04-29 until 1977-05-01)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák12:59
72Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato
producer:
David Mottley (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1977-04-29 until 1977-05-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1977-04-29 until 1977-05-01)
conductor:
Carlo Maria Giulini (conductor) (from 1977-04-29 until 1977-05-01)
balance engineer:
Neville Boyling (engineer) (from 1977-04-29 until 1977-05-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-29 until 1977-05-01)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (from 1977-04-29 until 1977-05-01)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák13:53