Back In New York

~ Release by Scott Hamilton with Bill Charlap, Kenny Washington & Peter Washington (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1What Is This Thing Called Love
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:14
2Wonder Why
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Wonder Why (Rich, Young and Pretty)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
8:25
3Blue 'n' Boogie
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Blue ’n’ Boogie
composer:
Dizzy Gillespie and Frank Paparelli
6:10
4I've Grown Accustomed to Her Face
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
5:11
5Lullaby of the Leaves
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Lullaby of the Leaves
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
8:07
6Fine and Dandy
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Fine and Dandy
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
6:15
7Bouncing With Bud
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Bouncing With Bud
composer:
Bud Powell
5:53
8Love Letters
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
7:06
9This Is Always
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
5:30
10I've Just Seen Her
assistant recording engineer:
Bill Moss (US engineer)
double bass:
Peter Washington (American jazz double bassist)
drums (drum set):
Kenny Washington (drums)
piano:
Bill Charlap
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 2004-09-09 until 2004-09-10)
recording of:
I've Just Seen Her (from "All American")
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
8:11

Credits

Release

art direction:Abbey Anna (art direction)
liner notes:Peter Straub (musician, liner notes editor)
mixer:Phil Edwards (recording engineer)
producer:Scott Hamilton (jazz tenor saxophonist)
recording engineer:Jim Czak (engineer, owner of NOLA Recording Studios)
mastering:George Horn (mastering engineer)
copyrighted (©) by:Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records)
phonographic copyright (℗) by:Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) (from 2005 to present)
Discogs:https://www.discogs.com/release/9336763 [info]