The 21st Century Guide to King Crimson, Volume 1: 1969–1974

~ Release by King Crimson (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.27:24
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:05
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
4.058:48
4Moonchild
partial recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:38
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:28
6Peace – A Theme
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Peace: A Theme (from 1970-01 until 1970-04)
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
3.51:15
7Cat Food
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
mixer:
Robert Fripp
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cat Food (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
E.G. Music Inc. and UMG Music Publishing Ltd
3.754:52
8Groon
producer:
Robert Fripp and Peter Sinfield
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Groon
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
3:32
9Cadence and Cascade
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar and celesta:
Robert Fripp (from 1970-01 until 1970-04)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
flute:
Mel Collins (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Gordon Haskell (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cadence and Cascade (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
34:38
10In the Wake of Poseidon (instrumental edit)
bass:
Peter Giles (in 1970)
drums (drum set):
Michael Giles (in 1970)
guitar and mellotron:
Robert Fripp (in 1970)
vocals:
Greg Lake (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1970)
instrumental recording of:
In the Wake of Poseidon (section) (in 1970)
lyricist:
Peter Sinfield
composer:
Robert Fripp
part of:
In the Wake of Poseidon (including Libra’s Theme)
4:03
11Ladies of the Road
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar and lead vocals:
Boz (English musician)
cornet:
Marc Charig
drums (drum set), membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
piano:
Keith Tippett
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Ladies of the Road
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
35:30
12Sailor’s Tale (abridged)
recording of:
Sailor’s Tale
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
7:19
13Islands (instrumental edit)
bass:
Boz Burrell (English musician) (in 1971)
cornet:
Marc Charig (in 1971)
drums (drum set):
Ian Wallace (drummer, ex‐King Crimson) (in 1971)
keyboard:
Robert Fripp (in 1971)
oboe:
Robin Miller (oboist) (in 1971)
saxophone:
Mel Collins (in 1971)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1971)
instrumental recording of:
Islands (in 1971)
lyricist:
Peter Sinfield
composer:
Robert Fripp
5:31
14Tuning Up
0:49
15Bolero
6:25
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