The 21st Century Guide to King Crimson, Volume 1: 1969–1974

~ Release by King Crimson (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.27:24
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:05
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
4.058:48
4Moonchild
partial recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:38
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:28
6Peace – A Theme
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Peace: A Theme (from 1970-01 until 1970-04)
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
3.51:15
7Cat Food
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
mixer:
Robert Fripp
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cat Food (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
E.G. Music Inc. and UMG Music Publishing Ltd
3.754:52
8Groon
producer:
Robert Fripp and Peter Sinfield
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Groon
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
3:32
9Cadence and Cascade
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar and celesta:
Robert Fripp (from 1970-01 until 1970-04)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
flute:
Mel Collins (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Gordon Haskell (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cadence and Cascade (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
34:38
10In the Wake of Poseidon (instrumental edit)
bass:
Peter Giles (in 1970)
drums (drum set):
Michael Giles (in 1970)
guitar and mellotron:
Robert Fripp (in 1970)
vocals:
Greg Lake (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (in 1970)
instrumental recording of:
In the Wake of Poseidon (section) (in 1970)
lyricist:
Peter Sinfield
composer:
Robert Fripp
part of:
In the Wake of Poseidon (including Libra’s Theme)
4:03
11Ladies of the Road
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar and lead vocals:
Boz (English musician)
cornet:
Marc Charig
drums (drum set), membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
piano:
Keith Tippett
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Ladies of the Road
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
35:30
12Sailor’s Tale (abridged)
recording of:
Sailor’s Tale
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
7:19
13Islands (instrumental edit)
bass:
Boz Burrell (English musician) (in 1971)
cornet:
Marc Charig (in 1971)
drums (drum set):
Ian Wallace (drummer, ex‐King Crimson) (in 1971)
keyboard:
Robert Fripp (in 1971)
oboe:
Robin Miller (oboist) (in 1971)
saxophone:
Mel Collins (in 1971)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1971)
instrumental recording of:
Islands (in 1971)
lyricist:
Peter Sinfield
composer:
Robert Fripp
5:31
14Tuning Up
0:49
15Bolero
6:25
2▼CD
#TitleRatingLength
1The Court of the Crimson King
recorded at:
Fillmore West in San Francisco, California, United States (on 1969-12-14)
live recording of:
The Court of the Crimson King (suite) (on 1969-12-14)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:55
2A Man, a City
recorded at:
Fillmore East in East Village, New York, New York, United States (on 1969-11-21)
live recording of:
A Man, a City (on 1969-11-21)
dedicated to:
New York, New York, United States
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:10
321st Century Schizoid Man
recorded at:
Fillmore East in East Village, New York, New York, United States (on 1969-11-21)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1969-11-21)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:31
4Get Thy Bearings
recorded at:
Redcar Jazz Club in Redcar, North Yorkshire, England, United Kingdom (on 1969-09-07)
live cover recording of:
Get Thy Bearings (on 1969-09-07)
lyricist and composer:
Donovan Philips Leitch (Scottish singer, songwriter and guitarist)
10:54
5Mars
recorded at:
Fillmore West in San Francisco, California, United States (on 1969-12-13)
cover recording of:
The Planets, op. 32: I. Mars, the Bringer of War (on 1969-12-13)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
6:41
6Pictures of a City
recorded at:
Summit Studios in Denver, Colorado, United States (on 1972-03-12)
recording of:
Pictures of a City (including 42nd at Treadmill) (on 1972-03-12)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
revision of:
A Man, a City
8:45
7The Letters
recorded at:
Plymouth Guildhall in Plymouth, England, United Kingdom (on 1971-05-11)
recording of:
The Letters (on 1971-05-11)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
revision of:
Drop In
4:29
8The Sailor’s Tale
recorded at:
The Baseball Park (Jacksonville, FL, USA) in Jacksonville, Florida, United States (on 1972-02-26)
recording of:
Sailor’s Tale (on 1972-02-26)
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
4:49
9Groon
recorded at:
State Armory (Wilmington, DE, USA) in Wilmington, Delaware, United States (on 1972-02-11)
recording of:
Groon (on 1972-02-11)
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
6:44
1021st Century Schizoid Man (instrumental)
recorded at:
State Armory (Wilmington, DE, USA) in Wilmington, Delaware, United States (on 1972-02-11)
live instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1972-02-11)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
9:47
3▼CD
#TitleRatingLength
1Larks’ Tongues in Aspic, Part I (abridged)
recording of:
Larks’ Tongues in Aspic, Part One
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp, Jamie Muir and John Wetton
publisher:
E.G. Music Ltd. (publisher) (in 1973)
part of:
Larks’ Tongues in Aspic (number: 1)
revision of:
A Peacemaking Stint Unrolls
10:46
2Book of Saturday
engineer:
Andy Hendriksen and Nick Ryan (1970s engineer)
producer:
King Crimson
bass guitar:
John Wetton
guitar:
Robert Fripp
violin:
David Cross (King Crimson violinist)
vocals:
John Wetton
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Book of Saturday (from 1973-01 until 1973-02)
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1973)
2:52
3Easy Money
engineer:
Nick Ryan (1970s engineer)
producer:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Easy Money (from 1973-01 until 1973-02)
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1973)
8:01
4Larks’ Tongues in Aspic, Part II
engineer:
Nick Ryan (1970s engineer)
producer:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1973-01 until 1973-02)
recording of:
Larks’ Tongues in Aspic, Part Two (from 1973-01 until 1973-02)
composer:
Robert Fripp
publisher:
E.G. Music Ltd. (publisher) (in 1973)
part of:
Larks’ Tongues in Aspic (number: 2)
7:12
5The Night Watch
recording of:
The Night Watch
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
publisher:
BMG Songs Ltd.
4:41
6The Great Deceiver
engineer:
George Chkiantz
producer:
King Crimson
bass:
John Wetton
drums (drum set):
Bill Bruford
guitar and mellotron:
Robert Fripp
keyboard, viola and violin:
David Cross (King Crimson violinist)
vocals:
John Wetton
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1974-01)
recording of:
The Great Deceiver
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
44:02
7Fracture
producer:
King Crimson
bass:
John Wetton
drums (drum set) and other vocals [whoop]:
Bill Bruford
guitar and mellotron:
Robert Fripp
keyboard, viola and violin:
David Cross (King Crimson violinist)
recording of:
Fracture
composer:
Robert Fripp
411:12
8Starless (abridged)
engineer:
George Chkiantz
producer:
King Crimson
bass guitar:
John Wetton
guitar and keyboard [keyboards]:
Robert Fripp
percussion:
Bill Bruford
soprano saxophone:
Mel Collins
vocals:
John Wetton
recorded at:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Starless
lyricist:
Richard Palmer‐James (guitarist and lyricist) and John Wetton
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
publisher:
BMG Songs Ltd. and Universal Music Careers
4:36
9Red
recording engineer:
George Chkiantz and Rod Thear
assistant engineer:
Rod Thear
engineer:
George Chkiantz
producer:
King Crimson
bass guitar:
John Wetton (from 1974-07 until 1974-08)
cello:
Marc Charig (from 1974-07 until 1974-08)
drums (drum set) and percussion:
Bill Bruford (from 1974-07 until 1974-08)
guitar and mellotron:
Robert Fripp (from 1974-07 until 1974-08)
vocals:
John Wetton (from 1974-07 until 1974-08)
arranger:
King Crimson
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1974-07 until 1974-08)
recording of:
Red (from 1974-07 until 1974-08)
composer:
Robert Fripp
4.656:16
10Fallen Angel
engineer:
George Chkiantz
producer:
King Crimson
bass guitar:
John Wetton
cornet:
Mark Charig
guitar and keyboard [keyboards]:
Robert Fripp
oboe:
Robin Miller (oboist)
percussion:
Bill Bruford
vocals:
John Wetton
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Fallen Angel
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
live recording of:
Fallen Angel
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
6:03
11One More Red Nightmare
recording engineer:
George Chkiantz and Rod Thear
assistant engineer:
Rod Thear
engineer:
George Chkiantz
producer:
King Crimson
bass guitar:
John Wetton (from 1974-07 until 1974-08)
drums (drum set) and percussion:
Bill Bruford (from 1974-07 until 1974-08)
guitar and mellotron:
Robert Fripp (from 1974-07 until 1974-08)
vocals:
John Wetton (from 1974-07 until 1974-08)
arranger:
King Crimson
recorded at:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (from 1974-07 until 1974-08) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1974-07 until 1974-08)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1974-07 until 1974-08)
recording of:
One More Red Nightmare (from 1974-07 until 1974-08)
lyricist:
John Wetton
composer:
Robert Fripp and John Wetton
57:07
4▼CD
#TitleRatingLength
1Asbury Park
recording engineer:
George Chkiantz
producer:
King Crimson
recorded at:
Casino Arena in Asbury Park, New Jersey, United States (on 1974-06-28)
7:00
2The Talking Drum
recorded at:
Benedum Center for the Performing Arts in Pittsburgh, Pennsylvania, United States (on 1974-04-29)
live recording of:
The Talking Drum (on 1974-04-29)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp, Jamie Muir and John Wetton
publisher:
E.G. Music Ltd. (publisher) (in 1973)
recording of:
The Talking Drum
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp, Jamie Muir and John Wetton
publisher:
E.G. Music Ltd. (publisher) (in 1973)
5:46
3Larks’ Tongues in Aspic, Part Two
recorded at:
Casino Arena in Asbury Park, New Jersey, United States (on 1974-06-28)
live recording of:
Larks’ Tongues in Aspic, Part Two (on 1974-06-28)
composer:
Robert Fripp
publisher:
E.G. Music Ltd. (publisher) (in 1973)
part of:
Larks’ Tongues in Aspic (number: 2)
6:29
4Lament
recorded at:
Casino Arena in Asbury Park, New Jersey, United States (on 1974-06-28)
live recording of:
Lament (on 1974-06-28)
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
recording of:
Lament
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
4:18
5We’ll Let You Know / Improv: Augsburg
5:22
6Exiles (abridged)
recorded at:
Casino Arena in Asbury Park, New Jersey, United States (on 1974-06-28)
live recording of:
Exiles (on 1974-06-28)
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
David Cross (King Crimson violinist), Robert Fripp and Richard Palmer‐James (guitarist and lyricist)
publisher:
E.G. Music Ltd. (publisher) (in 1973)
recording of:
Exiles
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
David Cross (King Crimson violinist), Robert Fripp and Richard Palmer‐James (guitarist and lyricist)
publisher:
E.G. Music Ltd. (publisher) (in 1973)
5:52
7Easy Money
live recording of:
Easy Money
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1973)
recording of:
Easy Money
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Robert Fripp and John Wetton
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1973)
9:12
8Providence
recorded at:
Providence Performing Arts Center in Providence, Rhode Island, United States (on 1974-06-30)
live recording of:
Providence (on 1974-06-30)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
recording of:
Providence
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
10:01
9Starless and Bible Black
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1973-11-23)
live recording of:
Starless and Bible Black (on 1973-11-23)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
recording of:
Starless and Bible Black
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
9:23
1021st Century Schizoid Man
recording engineer:
George Chkiantz
producer:
King Crimson
recorded at:
Palace Theatre in Providence, Rhode Island, United States (on 1974-06-30)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1974-06-30)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
8:16
11Trio
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1973-11-23)
live recording of:
Trio (King Crimson improv) (on 1973-11-23)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
recording of:
Trio (King Crimson improv)
composer:
Bill Bruford, David Cross (King Crimson violinist), Robert Fripp and John Wetton
5:49