Ich mag keinen Jazz, aber das gefällt mir

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Take Five
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck53:00
2Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis with The Gil Evans Orchestra53:20
3Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller Orchestra13:44
4Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong & His All‐Stars3.53:22
5Someday My Prince Will Come
Herbie Hancock4:37
6The Girl From Ipanema
Klazz Brothers & Cuba Percussion26:07
7The Night Has a Thousand Eyes
instrumental recording of:
The Night Has a Thousand Eyes
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, Volume I)
Sonny Rollins3:33
8Nuages
double bass:
Pierre Michelot (in 1953-03)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1953-03)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1953-03)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1953-03)
recording of:
Nuages (instrumental) (in 1953-03)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
recording of:
Nuages (with lyrics)
lyricist:
Jacques Larue (French lyricist)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
Colgems-EMI Music Inc.
version of:
Nuages (instrumental)
Django Reinhardt33:17
9One O'Clock Jump
Count Basie Octet2:54
10Robbins' Nest
recorded in:
Hollywood, Los Angeles, California, United States (on 1951-07-02)
double bass:
John Simmons (bassist) (on 1951-07-02)
drums (drum set):
Shadow Wilson (on 1951-07-02)
piano:
Erroll Garner (on 1951-07-02)
instrumental recording of:
Robbins’ Nest (on 1951-07-02)
composer:
Illinois Jacquet (in 1947) and Sir Charles Thompson (jazz) (in 1947)
Erroll Garner3:21
11Satin Doll
instrumental recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Duke Ellington2:43
12Autumn Leaves
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Ahmad Jamal2:40
13Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
Sarah Vaughan2:33
14Good Bait
recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dizzy Gillespie3:03
15The Man I Love
Sidney Bechet2:47
16Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Lionel Hampton3:11
17'round Midnight
piano:
Thelonious Monk (on 1968-11-19)
edit of:
’Round Midnight (studio, 1968-11-19, solo piano, includes false start) by Thelonious Monk
recording of:
’Round Midnight (on 1968-11-19)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:52
18Misty
Stan Getz5:27
19Take the a Train
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
double bass:
Eddie Jones (US jazz double bassist) (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sam Woodyard (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1961-07-06)
solo piano:
Billy Strayhorn (on 1961-07-06)
solo tenor saxophone:
Paul Gonsalves (on 1961-07-06) and Budd Johnson (on 1961-07-06)
solo trumpet:
Sonny Cohn (on 1961-07-06) and Ray Nance (on 1961-07-06)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (jazz trombonist) (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Willie Cook (US jazz trumpeter) (on 1961-07-06), Andrew “Fats” Ford (trumpeter) (on 1961-07-06), Lennie Johnson (trumpet) (on 1961-07-06), Thad Jones (American jazz trumpeter) (on 1961-07-06), Ed Mullens (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (led by Mercer Ellington) (on 1961-07-06)
recording of:
Take the “A” Train (original instrumental version) (on 1961-07-06)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Count Basie & Duke Ellington3:51
20Get Out of Town
Caroline Henderson3:29
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