Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1CD: Sacred Cantatas: BWV 1-3
2CD: Sacred Cantatas: BWV 4-6
3CD: Sacred Cantatas: BWV 7-9
4CD: Sacred Cantatas: BWV 10-12
5CD: Sacred Cantatas: BWV 13, 14, 16
6CD: Sacred Cantatas: BWV 17-19
7CD: Sacred Cantatas: BWV 20-21
8CD: Sacred Cantatas: BWV 22-25
9CD: Sacred Cantatas: BWV 26-29
10CD: Sacred Cantatas: BWV 30-31
11CD: Sacred Cantatas: BWV 32-34
12CD: Sacred Cantatas: BWV 35-36
13CD: Sacred Cantatas: BWV 37-40
14CD: Sacred Cantatas: BWV 41-43
15CD: Sacred Cantatas: BWV 44-47
16CD: Sacred Cantatas: BWV 48-51
17CD: Sacred Cantatas: BWV 52, 54-56
18CD: Sacred Cantatas: BWV 57-60
19CD: Sacred Cantatas: BWV 61-63
20CD: Sacred Cantatas: BWV 64-66
21CD: Sacred Cantatas: BWV 67-69a
22CD: Sacred Cantatas: BWV 70-73
23CD: Sacred Cantatas: BWV 74-75
24CD: Sacred Cantatas: BWV 76-78
25CD: Sacred Cantatas: BWV 79-82
26CD: Sacred Cantatas: BWV 83-86
27CD: Sacred Cantats BWV 87-90
28CD: Sacred Cantatas BWV 91-93
29CD: Sacred Cantatas BWV 94-96
30CD: Sacred Cantatas BWV 97-99
31CD
32CD
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#TitleRatingLength
1Cantata, BWV 158 "Der Friede sei mit dir," I. Recitativo (bass). Der Friede sei mit dir
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:49
2Cantata, BWV 158 "Der Friede sei mit dir," II. Aria-Choral (bass, soprano). Welt ade! ich bin dein müde
bass vocals:
Max van Egmond (bass-baritone)
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
7:05
3Cantata, BWV 158 "Der Friede sei mit dir," III. Recitativo (bass). Nun Herr, regiere meinen Sinn
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:36
4Cantata, BWV 158 "Der Friede sei mit dir," IV. Choral (coro). Hier ist das rechte Osterlamm
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:16
5Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," I. Arioso-Recitativo (bass, alto). Sehet! Komm, schaue doch, mein Sinn
alto vocals:
Paul Esswood (countertenor)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
2:59
6Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," II. Aria-Choral (alto, soprano). Ich folge dir nach
alto vocals:
Paul Esswood (countertenor)
treble vocals:
Tobias Eiwanger
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:15
7Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," III. Recitativo (tenor). Nun will ich mich, mein Jesu
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:05
8Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," IV. Aria (bass). Es ist vollbracht
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:16
9Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," V. Choral (coro). Jesu, deine Passion
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:17
10Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:43
11Cantata, BWV 161 "Komm, du süße Todesstunde," II. Recitativo (tenor). Welt, deine Lust ist Last
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:53
12Cantata, BWV 161 "Komm, du süße Todesstunde," III. Aria (tenor). Mein Verlangen
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:06
13Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:17
14Cantata, BWV 161 "Komm, du süße Todesstunde," V. Coro. Wenn es meines Gottes Wille
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:07
15Cantata, BWV 161 "Komm, du süße Todesstunde," VI. Choral (coro). Der Leib zwar in der Erden
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:12
16Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:44
17Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," II. Recitativo (tenor). O großes Hochzeitfest
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:24
18Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," III. Aria (soprano). Jesu, Brunnquell aller Gnaden
treble vocals:
Tobias Eiwanger (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:25
19Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:35
20Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:22
21Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," VI. Choral (coro). Ach, ich habe schon erblicket
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:06
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Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)
Discogs:https://www.discogs.com/release/23209139 [info]
ASIN:US: B00001IV8B [info]
discography entry:http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]