Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1CD: Sacred Cantatas: BWV 1-3
2CD: Sacred Cantatas: BWV 4-6
3CD: Sacred Cantatas: BWV 7-9
4CD: Sacred Cantatas: BWV 10-12
5CD: Sacred Cantatas: BWV 13, 14, 16
6CD: Sacred Cantatas: BWV 17-19
7CD: Sacred Cantatas: BWV 20-21
8CD: Sacred Cantatas: BWV 22-25
9CD: Sacred Cantatas: BWV 26-29
10CD: Sacred Cantatas: BWV 30-31
11CD: Sacred Cantatas: BWV 32-34
12CD: Sacred Cantatas: BWV 35-36
13CD: Sacred Cantatas: BWV 37-40
14CD: Sacred Cantatas: BWV 41-43
15CD: Sacred Cantatas: BWV 44-47
16CD: Sacred Cantatas: BWV 48-51
17CD: Sacred Cantatas: BWV 52, 54-56
18CD: Sacred Cantatas: BWV 57-60
19CD: Sacred Cantatas: BWV 61-63
20CD: Sacred Cantatas: BWV 64-66
21CD: Sacred Cantatas: BWV 67-69a
22CD: Sacred Cantatas: BWV 70-73
23CD: Sacred Cantatas: BWV 74-75
24CD: Sacred Cantatas: BWV 76-78
25CD: Sacred Cantatas: BWV 79-82
26CD: Sacred Cantatas: BWV 83-86
27CD: Sacred Cantats BWV 87-90
28CD: Sacred Cantatas BWV 91-93
29CD: Sacred Cantatas BWV 94-96
30CD: Sacred Cantatas BWV 97-99
31CD
32CD
33CD
34CD
35CD
36CD
37CD
38CD
39CD
40CD
41CD
42CD
43CD
44CD
45CD
#TitleRatingLength
1Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: I. Chor. Herz und Mund und Tat und Leben
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:50
2Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: II. Recitativo (tenor). Gebenedeiter Mund
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:15
3Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: III. Aria (alto). Schäme dich, o Seele, nicht
alto vocals:
Stefan Rampf (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:05
4Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: IV. Recitativo (bass). Verstockung kann Gewaltige verblenden
bass vocals:
Thomas Hampson (baritone) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:40
5Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: V. Aria (soprano). Bereite dir, Jesu, noch itzo die Bahn
choir vocals:
Kinderchor Bad Tölz
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
5:04
6Cantata, BWV 147 "Herz und Mund und Tat und Leben," Prima Parte: VI. Choral (coro). Wohl mir, daß ich Jesum habe
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
soprano vocals:
Barbara Bonney (soprano) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:39
7Cantata, BWV 147 "Herz und Mund und Tat und Leben," Seconda Parte: VII. Aria (tenor). Hilf, Jesu, hilf, daß ich auch
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:25
8Cantata, BWV 147 "Herz und Mund und Tat und Leben," Seconda Parte: VIII. Recitativo (alto). Der höchsten Allmacht Wunderhand
alto vocals:
Stefan Rampf (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:24
9Cantata, BWV 147 "Herz und Mund und Tat und Leben," Seconda Parte: IX. Aria (bass). Ich will von Jesu Wundern singen
bass vocals:
Thomas Hampson (baritone) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:38
10Cantata, BWV 147 "Herz und Mund und Tat und Leben," Seconda Parte: X. Choral (coro). Jesus bleibet meine Freude
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:48
11Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," I. Concerto. Bringet dem Herrn Ehre seines Namens
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (from 1983-01 until 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
3:57
12Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," II. Aria (tenor). Ich eile, die Lehren des Lebens zu hören
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (from 1983-01 until 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
5:11
13Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," III. Recitativo (alto). So wie der Hirsch nach frischem Wasser schreit
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (from 1983-01 until 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
1:40
14Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," IV. Aria (alto). Mund und Herze steht dir offen
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (from 1983-01 until 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
5:18
15Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," V. Recitativo (tenor). Bleib auch, mein Gott, in mir
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (from 1983-01 until 1984-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
0:39
16Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," VI. Choral (coro). Amen zu aller Stund
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1984-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1984-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1984-04)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1984-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1984-04)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (from 1983-01 until 1984-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 29)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
1:05
17Cantata, BWV 149 "Man singet mit Freuden vom Sieg," I. Chor. Man singet mit Freuden vom Sieg
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
4:31
18Cantata, BWV 149 "Man singet mit Freuden vom Sieg," II. Aria (bass). Kraft und Stärke sei gesungen
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
2:53
19Cantata, BWV 149 "Man singet mit Freuden vom Sieg," III. Recitativo (alto). Ich fürchte mich vor tausend Feinden nicht
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
0:44
20Cantata, BWV 149 "Man singet mit Freuden vom Sieg," IV. Aria (soprano). Gottes Engel weichen nie
treble vocals:
Sebastian Hennig (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
5:18
21Cantata, BWV 149 "Man singet mit Freuden vom Sieg," V. Recitativo (tenor). Ich danke dir, mein lieber Gott
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
0:36
22Cantata, BWV 149 "Man singet mit Freuden vom Sieg," VI. Aria (Duetto) (alto, tenor). Seid wachsam, ihr heiligen Wächter
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
3:40
23Cantata, BWV 149 "Man singet mit Freuden vom Sieg," VII. Choral (coro). Ach Herr, laß dein lieb Engelein
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1984-01)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 155)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
1:42
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Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)
Discogs:https://www.discogs.com/release/23209139 [info]
ASIN:US: B00001IV8B [info]
discography entry:http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]