100 Greatest Jazz Icons

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Take Five
The Dave Brubeck Quartet5:25
2So What
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-02)
recording engineer:
Fred Plaut (am 1959-03-02)
Produzent(in):
Irving Townsend
alto saxophone:
Cannonball Adderley (am 1959-03-02)
Klavier:
Bill Evans (pianist) (am 1959-03-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-03-02)
Tenorsaxophon:
John Coltrane (am 1959-03-02)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1959-03-02)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-02)
Remix von:
So What (stereo) von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (am 1959-03-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4.259:23
3Round Midnight
Thelonious Monk3:11
4St. Thomas
recording of:
St. Thomas
Komponist(in):
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins Quartet with Tommy Flanagan & Max Roach6:47
5Blue Train
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Klavier:
Kenny Drew (am 1957-09-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1957-09-15)
Posaune:
Curtis Fuller (am 1957-09-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1957-09-15)
Tenorsaxophon:
John Coltrane (am 1957-09-15)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1957-09-15)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten
recording of:
Blue Train (am 1957-09-15)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane9:56
6The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz, João Gilberto & Astrud Gilberto5:20
7Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:53
8Moanin'
Art Blakey9:31
9FeverPeggy Lee3:20
10A House Is Not a Home
Bill Evans4:37
11Stolen Moments
recording engineer:
Rudy van Gelder (am 1961-02-23)
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
alto saxophone und flute:
Eric Dolphy (am 1961-02-23)
alto saxophone und Tenorsaxophon:
Oliver Nelson (saxophone, arranger, composer) (am 1961-02-23)
baritone saxophone:
George Barrow (am 1961-02-23)
Klavier:
Bill Evans (pianist) (am 1961-02-23)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1961-02-23)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1961-02-23)
Trompete:
Freddie Hubbard (am 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (am 1961-02-23)
Komponist(in):
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Noslen Music Company (Oliver Nelson)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oliver Nelson8:47
12Work Song
alto saxophone:
Cannonball Adderley (am 1960-03-29)
Klavier:
Barry Harris (Jazz pianist) (am 1960-03-29)
Kontrabass:
Sam Jones (US jazz bassist) (am 1960-03-29)
Kornett:
Nat Adderley (am 1960-03-29)
Schlagzeug:
Louis Hayes (am 1960-03-29)
phonographisches Urheberrecht (℗) von:
Mastercorp Pty Ltd (in 2011)
recording of:
Work Song (lyrics added by Oscar Brown Jr.) (am 1960-03-29)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
Cannonball Adderley5:08
13Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:18
14Sing, Sing, Sing (with a Swing)
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman and His Orchestra5:02
15In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller and His Orchestra3:37
16Every We Say Goodbye
Brian Dee, Bobby Worth, Tommy Whittle, Jimmy Richardson & Maxine Daniels2:26
17Take the a Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
The Duke Ellington Orchestra3:04
18Yardbird Suite
recording of:
Yardbird Suite (instrumental version) (am 1946-03-28)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
Charlie Parker2:52
19Sugar
recording engineer:
Rudy van Gelder (in 1970-11)
Produzent(in):
Creed Taylor
Conga:
Richard Landrum (in 1970-11)
E-Gitarre [guitar]:
George Benson (jazz guitarist/singer) (in 1970-11)
Hammond-Orgel [organ]:
Butch Cornell (in 1970-11)
Hybrid-Piano:
Lonnie L. Smith, Jr. (in 1970-11)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (in 1970-11)
Schlagzeug:
Bill Kaye (jazz drummer) (in 1970-11)
Tenorsaxophon:
Stanley Turrentine (in 1970-11)
Trompete:
Freddie Hubbard (in 1970-11)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (in 1970-11)
recording of:
Sugar (in 1970-11)
Komponist(in):
Stanley Turrentine
Stanley Turrentine10:03
20Sweet Georgia Brown
recording of:
Sweet Georgia Brown
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Oscar Peterson Trio3:02
21L-O-V-E
Techniker(in):
Ryan Robinson (engineer)
Mix:
Joel Iwataki
assistierendes Editing:
Sam Zeines
vocals:
Nat King Cole (am 1964-06-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-03)
recording of:
L‐O‐V‐E (am 1964-06-03)
Texter:
Milton Gabler
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Nat King Cole52:35
22Stormy Weather
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Billie Holiday3:44
23They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Dizzy Gillespie3:45
24Mad About the Boy
Dinah Washington2:51
25Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-16)
flute:
Herbie Mann (am 1954-12-16)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-16)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-16)
Saxophon und Tenorsaxophon:
Paul Quinichette (am 1954-12-16)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-16)
Trompete:
Clifford Brown (trumpet) (am 1954-12-16)
Sologesang:
Sarah Vaughan
vocals:
Sarah Vaughan (am 1954-12-16)
conductor:
Ernie Wilkins (am 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-12-16)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:58
26Sound and Sense (Remastered)
Roy Ayers6:42
27Night Hawk
recording engineer:
Rudy van Gelder (am 1960-12-30)
Produzent(in):
Esmond Edwards
Klavier:
Tommy Flanagan (am 1960-12-30)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (am 1960-12-30)
Schlagzeug:
Gus Johnson (drums) (am 1960-12-30)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1960-12-30) und Coleman Hawkins (am 1960-12-30)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1960-12-30)
Coleman Hawkins10:30
28Someone to Watch Over Me
Benny Carter2:43
29It Was a Very Good Year
Wes Montgomery3:43
30Taxi War Dance
Count Basie2:49
31Caravan
Buddy Rich9:41
32Comin' Home Baby
Mel Tormé2:45
33My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:20
34Manha de Carnaval (Remastered 2005)Dexter Gordon8:26
35Moonlight in Vermont
Gerry Mulligan Art Farmer Quartet3:58
36Poinciana
Klavier:
Ahmad Jamal (in 2016-07)
instrumental recording of:
Poinciana (Song of the Tree) (in 2016-07)
Texter:
Buddy Bernier (in 1936)
Komponist(in):
Nat Simon (in 1936)
Ahmad Jamal4:28
37The Very Thought of You
Shirley Horn5:14
38The Man I Love
recording engineer:
Rudy van Gelder (am 1958-05-14)
Produzent(in):
Alfred Lion
E-Gitarre [guitar]:
Kenny Burrell (am 1958-05-14)
Klavier:
Duke Jordan (am 1958-05-14)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (am 1958-05-14)
Schlagzeug:
Art Blakey (am 1958-05-14)
Trompete:
Louis Smith (US jazz trumpeter) (am 1958-05-14)
aufgenommen bei:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, Vereinigte Staaten (am 1958-05-14)
cover recording of:
The Man I Love (am 1958-05-14)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
instrumental recording of:
The Man I Love (am 1958-05-14)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Kenny Burrell6:47
39Quintessence
alto saxophone:
Phil Woods (US jazz woodwind player)
Quincy Jones and His Orchestra4:22
40Sarah Jane
Ramsey Lewis4:30
41Butterfly
Courtney Pine & Omar3:57
42Bulbs
Produzent(in):
Gil Evans (Canadian–American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (am 1961-10-10)
Klavier:
Cecil Taylor (am 1961-10-10)
Kontrabass [bass]:
Henry Grimes (US free jazz bassist) (am 1961-10-10)
Schlagzeug:
Sunny Murray (am 1961-10-10)
Tenorsaxophon:
Archie Shepp (am 1961-10-10)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1961-10-10)
recording of:
Bulbs (am 1961-10-10)
Komponist(in):
Cecil Taylor
Gil Evans6:52
43I Got Rhythm
Cleo Laine2:49
44Black Narcissus
recording engineer:
George Sawtelle
Produzent(in):
Orrin Keepnews
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1969-05-29)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 1969-05-29)
Schlagzeug:
Jack DeJohnette (am 1969-05-29)
Tenorsaxophon:
Joe Henderson (US jazz tenor saxophonist) (am 1969-05-29)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1969-05-29)
Joe Henderson4:52
45That's Right
Woody Herman and His Orchestra3:05
46All of Me (Remastered 2019)
Erroll Garner2:25
47Night Train
recorded in:
New York, New York, Vereinigte Staaten (am 1959-04-13)
Produzent(in):
Sidney Frey
alto saxophone:
Ed Pazant (am 1959-04-13) und Bobby Plater (am 1959-04-13)
baritone saxophone:
Lonnie Shaw (am 1959-04-13)
Bass:
Lawrence Burgan (am 1959-04-13)
Gitarre:
William Mackel (am 1959-04-13)
Klavier:
Wade Legge (am 1959-04-13)
Posaune:
Lou Blackburn (am 1959-04-13), Wade Marcus (am 1959-04-13) und Clarence Watson (am 1959-04-13)
Tenorsaxophon:
Herman Green (Memphis jazz musician) (am 1959-04-13) und Andrew McGhee (am 1959-04-13)
Trompete:
Donald Byrd (American jazz trumpeter) (am 1959-04-13), Cat Anderson (am 1959-04-13), Dave Gonzales (trumpet) (am 1959-04-13), Arthur Hoyle (am 1959-04-13), Ed Mullens (am 1959-04-13) und Eddie Williams (trumpet) (am 1959-04-13)
Vibraphon:
Lionel Hampton (am 1959-04-13)
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (am 1959-04-13)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Lionel Hampton3:04
48Goodbye Pork Pie Hat
recording of:
Goodbye Pork Pie Hat (Roland Kirk lyrics)
Texter:
Roland Kirk
Komponist(in):
Charles Mingus
Version von:
Goodbye Pork Pie Hat (instrumental)
Charles Mingus4:48
49They Can't Take That Away From Me
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-29)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-29)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Art Tatum4:46
50I'll See You in My DreamsDjango Reinhardt2:33
51The Sidewinder
recording of:
The Sidewinder
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:04
52When It's Sleepy Down South
Techniker(in):
Tim Geelan
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
BMG Studio A in Theater District, New York, New York, Vereinigte Staaten (von 1987-09 bis 1990-08)
Wynton Marsalis5:10
53Hey Laura
assistierende(r) Techniker(in):
Owen Mulholland (engineer) und Ted Tuthill
Techniker(in):
Jay Newland (producer, engineer and mixer)
Partner-Produzent(in):
Kamau Kenyatta
Produzent(in):
Brian Bacchus (producer, consultant A&R)
Mix:
Jay Newland (producer, engineer and mixer) (von 2013-04 bis 2013-05)
Bass:
Aaron James (Bassist)
Hammond-Orgel [Hammond B3 organ]:
Glenn Patscha
Klavier:
Chip Crawford
Schlagzeug:
Emanuel Harrold
vocals:
Gregory Porter
Blechblasinstrumente [horns] arranger:
Kamau Kenyatta
aufgenommen bei:
Sear Sound in New York, New York, Vereinigte Staaten (von 2013-03-28 bis 2013-03-30, am 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, Vereinigte Staaten (von 2013-04 bis 2013-05)
recording of:
Hey Laura
Texter und Komponist(in):
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta und Gregory Porter
Gregory Porter3:19
54Let's Face the Music and Dance
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Diana Krall5:18
55I Should Care
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
vocals:
Julie London (in 1955-08)
cover recording of:
I Should Care (in 1955-08)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:17
56They Say It's Wonderful
Jimmy Scott4:07
57These Are the Days
Jamie Cullum3:21
58There Will Never Be Another You
The Lester Young — Teddy Wilson Quartet3:28
59Matrix
Chick Corea6:30
60Where Do You Start
cover recording of:
Where Do You Start
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music und Spirit Two Music Crescendo
Brad Mehldau Trio4:06
61Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (am 1964-06-09), Bill Hughes (trombone) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Frank Sinatra & Count Basie and His Orchestra42:32
62Soho Soul
Tubby Hayes with Clark Terry8:05
63Come Away With Me
assistierende(r) Techniker(in):
Dick Kondas
Techniker(in):
Jay Newland (producer, engineer and mixer)
Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland (producer, engineer and mixer)
Akustikgitarre:
Jesse Harris
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer)
E-Gitarre:
Adam Levy (jazz guitarist)
Klavier und Sologesang:
Norah Jones
Schlagzeug:
Dan Rieser
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Come Away With Me
Texter und Komponist(in):
Norah Jones
Norah Jones3.83:18
64Namely You
recording of:
Namely You
Texter:
Johnny Mercer (in 1956)
Komponist(in):
Gene de Paul (in 1956)
Max Roach2:47
65Maiden Voyage
recording engineer:
Rudy van Gelder (am 1965-03-17)
Produzent(in):
Alfred Lion und Michael Cuscuna (in 1999: Aufgabe: Reissue produced by)
Bass:
Ron Carter (US jazz double-bassist) (am 1965-03-17)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1965-03-17)
Schlagzeug:
Tony Williams (American jazz drummer) (am 1965-03-17)
Tenorsaxophon:
George Coleman (US jazz saxophonist) (am 1965-03-17)
Trompete:
Freddie Hubbard (am 1965-03-17)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1965-03-17)
recording of:
Maiden Voyage (am 1965-03-17)
Komponist(in):
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:57
66Footprints (Remastered)
recording of:
Footprints
Komponist(in):
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:30
67I Remember Clifford
recording engineer:
Rudy van Gelder (am 1957-03-24)
Produzent(in):
Alfred Lion
alto saxophone und flute:
Gigi Gryce (am 1957-03-24)
Klavier:
Wynton Kelly (am 1957-03-24)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1957-03-24)
Schlagzeug:
Charlie Persip (American jazz drummer) (am 1957-03-24)
Tenorsaxophon:
Benny Golson (American jazz saxophonist and composer) (am 1957-03-24)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-03-24)
recording of:
I Remember Clifford (am 1957-03-24)
Texter:
Jon Hendricks
Komponist(in):
Benny Golson (American jazz saxophonist and composer)
Version von:
I Remember Clifford (instrumental original)
Lee Morgan7:09
68Alfie
Produzent(in):
Creed Taylor
Bass:
Ronnie Boykins (am 1967-05-02)
Holzblasinstrumente:
Roland Kirk (am 1967-05-02)
Klavier:
Lonnie Liston Smith (am 1967-05-02)
Schlagzeug:
Grady Tate (am 1967-05-02)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1967-05-02)
instrumental recording of:
Alfie (am 1967-05-02)
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Alfie (1966 film)
Rahsaan Roland Kirk2:55
69Bye Bye Blackbird
Bill Henderson3:05
70Song for My Father
recording of:
Song for My Father (instrumental) (am 1964-10-26)
Komponist(in):
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver7:18
71At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:02
72Ain't Misbehavin'
Gitarre:
Irving Ashby (am 1943-01-23)
Klavier:
Fats Waller (in 1943, am 1943-01-23)
Kontrabass:
Slam Stewart (am 1943-01-23)
Posaune:
Alton Moore (am 1943-01-23) und Slim Moore (trombonist linked to Fats Waller) (am 1943-01-23)
Rohrblattinstrumente:
Gene Porter (40s west coast jazz cat) (am 1943-01-23)
Schlagzeug:
Zutty Singleton (am 1943-01-23)
Trompete:
Benny Carter (am 1943-01-23)
vocals:
Fats Waller (am 1943-01-23)
Bearbeitung von:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) von “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (am 1943-01-23)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Fats Waller and His Rhythm4:01
73B the Beguine
Artie Shaw and His Orchestra3:15
74Beyond the MiragePaco de Lucía, Al Di Meola & John McLaughlin6:10
75When Sunny Gets Blue
Klavier:
McCoy Tyner (jazz pianist) (am 1963-06-04)
Kontrabass:
Jimmy Garrison (am 1963-06-04)
Schlagzeug:
Albert “Tootie” Heath (am 1963-06-04)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-06-04)
instrumental recording of:
When Sunny Gets Blue (am 1963-06-04)
Texter:
Jack Segal (US songwriter)
Verfasser(in):
Fisher und Segal (US songwriter)
Komponist(in):
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
McCoy Tyner4:42
76Heather
Billy Cobham8:41
77It Ain't Necessarily So
Mary Lou Williams4:41
78Bouncin' With Bud
recording engineer:
Doug Hawkins (sound engineer)
Produzent(in):
Alfred Lion
Klavier:
Bud Powell (am 1949-08-08)
Kontrabass:
Tommy Potter (am 1949-08-08)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1949-08-08)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1949-08-08)
Trompete:
Fats Navarro (am 1949-08-08)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1949-08-08)
recording of:
Bouncing With Bud (am 1949-08-08)
Komponist(in):
Bud Powell
Bud Powell3:03
79All the Things You Are
Pat Metheny8:26
80Return Expedition
Techniker(in):
Tamoo Suzuki (in 1990-11)
Produzent(in):
Stanley Jordan
Gitarre:
Stanley Jordan (in 1990-11)
aufgenommen bei:
Blue Note Tokyo in Minami-Aoyama, Minato (Minato-ku), Tokyo, Japan (von 1990-11-07 bis 1990-11-09)
mixed at:
Studio Vincent
Stanley Jordan15:27
81The Best Is Yet to Come
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
Ernie Altschuler
Bass:
Hal Gaylor (Canadian bassist)
Klavier:
Ralph Sharon
Schlagzeug:
William "Billy" Exiner
Tenorsaxophon:
Al Cohn
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
The Right to Love
Verfasser(in):
Gene Lees und Lalo Schifrin (pianist & composer)
Tony Bennett3:40
82Am I Blue?
recording engineer:
Rudy van Gelder (am 1963-05-16)
Produzent(in):
Alfred Lion
Gitarre:
Grant Green (jazz guitarist) (am 1963-05-16)
Orgel:
John Patton (am 1963-05-16)
Schlagzeug:
Ben Dixon (Jazz drummer) (am 1963-05-16)
Tenorsaxophon:
Joe Henderson (US jazz tenor saxophonist) (am 1963-05-16)
Trompete:
Johnny Coles (US jazz trumpeter) (am 1963-05-16)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-05-16)
cover recording of:
Am I Blue? (am 1963-05-16)
Texter:
Grant Clarke
Komponist(in):
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Grant Green6:57
83Autumn Nocturne
recording engineer:
Rudy van Gelder (am 1958-07-28)
Produzent(in):
Alfred Lion
alto saxophone:
Lou Donaldson (am 1958-07-28)
Conga:
Ray Barretto (am 1958-07-28)
Klavier:
Herman Foster (am 1958-07-28)
Kontrabass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (am 1958-07-28)
Schlagzeug:
Dave Bailey (US jazz drummer) (am 1958-07-28)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-07-28)
recording of:
Autumn Nocturne (am 1958-07-28)
Texter:
Kim Gannon
Komponist(in):
Josef Myrow
Lou Donaldson4:55
84Thunder Walk
George Benson4:43
85Patricia
Art Pepper3:38
86Down
The Robert Glasper Trio5:22
87Dance Me to the End of Love
cover recording of:
Dance Me to the End of Love
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Madeleine Peyroux3:58
88Almost Like Being in Love
Nancy Wilson1:46
89Astral Traveling
Techniker(in):
Bill Szymczyk
Produzent(in):
Ed Michel und Bill Szymczyk
Bass und Zimbel:
Cecil McBee (am 1970-11-25)
Geige / Violine:
Michael White (American jazz violinist) (am 1970-11-25)
Glocken:
Clifford Jarvis (am 1970-11-25) und Pharoah Sanders (US jazz saxophonist) (am 1970-11-25)
Hybrid-Piano, Klanghölzer / Claves und Klavier:
Lonnie Liston Smith (am 1970-11-25)
Maracas / Rumba-Rasseln und Schlagzeug:
Clifford Jarvis (am 1970-11-25)
Perkussion:
Clifford Jarvis (am 1970-11-25), Cecil McBee (am 1970-11-25), Pharoah Sanders (US jazz saxophonist) (am 1970-11-25), Lonnie Liston Smith (am 1970-11-25) und Michael White (American jazz violinist) (am 1970-11-25)
Sopransaxophon und Tenorsaxophon:
Pharoah Sanders (US jazz saxophonist) (am 1970-11-25)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-11-25)
recording of:
Astral Traveling (am 1970-11-25)
Komponist(in):
Lonnie Liston Smith
Pharoah Sanders5:50
90Lonely Woman
Ornette Coleman5:00
91Journey in Satchidananda
recording engineer:
Roy Musgnug und Orville O'Brien (audio engineer)
Produzent(in):
Alice Coltrane und Ed Michel
Bass:
Cecil McBee (am 1970-11-08)
Glocken und Tamburin:
Majid Shabazz (am 1970-11-08)
Klavier:
Alice Coltrane (am 1970-11-08)
Perkussion und Sopransaxophon:
Pharoah Sanders (US jazz saxophonist) (am 1970-11-08)
Schlagzeug:
Rashied Ali (jazz drummer) (am 1970-11-08)
Tambura:
Tulsi (am 1970-11-08)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
aufgenommen bei:
The Coltrane Home Studio in Dix Hills, New York, Vereinigte Staaten (am 1970-11-08)
recording of:
Journey in Satchidananda (am 1970-11-08)
Komponist(in):
Alice Coltrane
publisher:
Jowcol Music
Alice Coltrane & Pharoah Sanders6:37
92Door of the Cosmos
Sun Ra9:00
93Brown Rice
recording engineer:
Kurt Munkacsi
aufgenommen bei:
The Basement Recording Studio in Brooklyn, New York, New York, Vereinigte Staaten
recording of:
Brown Rice
Komponist(in):
Don Cherry (jazz trumpeter)
publisher:
Eternal River Music (publisher for Don Cherry)
Don Cherry5:14
94Birdland
assistierende(r) Techniker(in):
Jerry Hudgins und Brian Risner
Techniker(in):
Ron Malo
assistierende(r) Produzent(in):
Wayne Shorter (US jazz saxophonist and composer)
Koproduzent(in):
Jaco Pastorius
Produzent(in):
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) und Joe Zawinul (jazz and fusion keyboard player)
Analoger Synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
Analoger Synthesizer [Oberheim Polyphonic], Flügel [acoustic piano] und melodica:
Joe Zawinul (jazz and fusion keyboard player) (von 1976 bis 1977)
E-Bass [bass] und Mandocello:
Jaco Pastorius (von 1976 bis 1977)
Schlagzeug:
Alex Acuña (von 1976 bis 1977)
Sopransaxophon und Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (von 1976 bis 1977)
Tamburin:
Manolo Badrena (von 1976 bis 1977)
vocals:
Jaco Pastorius (von 1976 bis 1977) und Joe Zawinul (jazz and fusion keyboard player) (von 1976 bis 1977)
Orchestrator(in):
Joe Zawinul (jazz and fusion keyboard player)
aufgenommen bei:
Devonshire Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976 bis 1977)
recording of:
Birdland (instrumental) (von 1976 bis 1977)
Komponist(in):
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:59
95So Far Away
Techniker(in) und Mix:
Ray Bardani
Koproduzent(in):
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician)
alto saxophone:
David Sanborn
Bass und Keyboard:
Marcus Miller (jazz musician)
Conga und Perkussion:
Paulinho da Costa (Brazilian percussionist)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Marcus Miller (jazz musician) und G.E. Smith
Hybrid-Piano:
Ricky Peterson (American keyboardist)
Schlagzeug:
Vinnie Colaiuta (drummer)
aufgenommen bei und mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
So Far Away
Komponist(in):
David Sanborn
David Sanborn5:20
96Sneakin' Up Behind You
Produzent(in):
Randy Brecker
alto saxophone:
Dave Sanborn (in 1975-01)
E-Bass:
Will Lee (US jazz/rock bassist) (in 1975-01)
Flügelhorn und Trompete:
Randy Brecker (in 1975-01)
Gitarre:
Bob Mann (US session guitarist) (in 1975-01)
Keyboard:
Don Grolnick (in 1975-01)
Perkussion:
Ralph MacDonald (in 1975-01)
Schlagzeug:
Harvey Mason (jazz drummer) (in 1975-01)
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) (in 1975-01)
zusätzlich Schlagzeug:
Christopher Parker (American drummer) (in 1975-01)
vocals:
Will Lee (US jazz/rock bassist) (in 1975-01)
aufgenommen bei:
Secret Sound (New York) in New York, New York, Vereinigte Staaten (in 1975-01)
The Brecker Brothers4:55
97Winelight
Grover Washington, Jr.7:33
98Expansions
phonographisches Urheberrecht (℗) von:
Flying Dutchman Productions, Ltd. (vom 1975 bis heute)
recording of:
Expansions
Komponist(in):
Lonnie Liston Smith
publisher:
10 Music Ltd., Cosmic Echoes Publishing Co., Famous Chappell, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
Lonnie Liston Smith & The Cosmic Echoes36:06
99Don't Go Lose It Baby
Hugh Masekela6:51
100What a Wonderful World
recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong2:20

Nennungen