Good Morning Vietnam

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Individual barcodes:
disk 1: 8711539052171
disk 2: 8711539052188
disk 3: 8711539052195

Annotation last modified on 2017-08-06 20:48 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Ball of Confusion (That’s What the World Is Today)
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks and Paul Williams (member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Agate Music
The Temptations54:07
2Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:51
3(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:07
4I Get Around
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Al Jardine (on 1964-04-02)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1964-04-02)
electric bass guitar [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (on 1964-04-02) and Ray Pohlman (on 1964-04-02)
electric guitar:
Carl Wilson (Beach Boys) (on 1964-04-02)
Hammond organ [Hammond B3 organ], harpsichord, piano and background vocals and lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1964-04-02)
percussion [rim with thin stick] and timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (on 1964-04-02)
background vocals:
Al Jardine (on 1964-04-02), Carl Wilson (Beach Boys) (on 1964-04-02) and Dennis Wilson (Beach Boys) (on 1964-04-02)
bass vocals and lead vocals:
Mike Love (Beach Boys) (on 1964-04-02)
lead vocals:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (on 1964-04-02)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys4.62:14
5Spooky
producer:
Buddy Buie
recording of:
Spooky
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Classics IV52:50
6Colours
recording of:
Colours
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Songs of Peer, Ltd. (ASCAP)
Donovan2:46
7Honky Tonk Women
cover recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
Mick Jagger (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Ike & Tina Turner43:10
8Fireball
engineer:
Louis Austin (engineering), Martin Birch and Alan O’Duffy
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1970-09 until 1971-06)
electric bass guitar:
Roger Glover (from 1970-09 until 1971-06)
electric guitar:
Ritchie Blackmore (from 1970-09 until 1971-06)
Hammond organ:
Jon Lord (from 1970-09 until 1971-06)
lead vocals:
Ian Gillan (from 1970-09 until 1971-06)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1971)
recording of:
Fireball (from 1970-09 until 1971-06)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
Deep Purple4.23:22
9Up on Cripple Creek
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
recording of:
Up on Cripple Creek
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner/Chappell Music, Inc.
The Band4.64:31
10I Got a Name
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar [rhythm guitar] and piano:
Tommy West
percussion:
George Devens
background vocals:
Jim Croce, Maury Muehleisen and Tommy West
vocals:
Jim Croce (on 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
Saja Music Co. (publisher) (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-06)
recording of:
I Got a Name (on 1973-06-06)
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:10
11Soldier Boy
recording of:
Soldier Boy
writer:
Luther Dixon, Bob Elgin, Florence Greenberg and Kay Rogers
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
12San Francisco NightsEric Burdon3:51
13Jenny Take a Ride!
arranger:
Bob Crewe
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
medley including a recording of:
C. C. Rider (Jerry Lee Lewis version)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
See See Rider Blues
recording of:
Jenny Take a Ride
writer:
Bob Crewe and Enotris Johnson
composer:
Richard Wayne Penniman
medley including a recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Mitch Ryder3:23
14It’s a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band4:11
15Don't Call Us, We’ll Call You
recording of:
Don’t Call Us, We’ll Call You
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Jerry Corbetta
Sugarloaf53:21
16Hooked on a Feeling
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1968)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
B.J. Thomas52:46
17(For God’s Sake) Give More Power to the PeopleThe Chi‐Lites52:59
18Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:10
19Who Do You Love
bass:
David Freiberg
guitar:
John Cipollina and Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live partial cover recording of:
Who Do You Love? (in 1968)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Quicksilver Messenger Service43:34
20When Johnny Comes Marching Home
recording of:
When Johnny Comes Marching Home (trad.)
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
Joe Tex2:47
3CD

Credits

Release

design:Studio van Dijken (ICT, media and graphic design studio)
manufactured by, distributed by and marketed by:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyrighted (©) by and phonographic copyright (℗) by:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 2002)
licensed from:Bobby Darin Testamentary Trust
BR Music Copyrights BV
Brunswick International Ltd.
Del-Fi Records Inc.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Fragile Records Ltd.
Heritage Entertainment, Inc.
Janus Records Inc.
Marquis Enterprises Ltd
Nestshare Ltd.
Pet Rock Records (American sub-label of King Biscuit Flower Hour)
Red Bullet (Dutch independent label)
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
Snapper Music
Sunny Records (US latin label, 80s/90s)
The Product Exchange
Tree Productions (US, Sony‐related)
Discogs:https://www.discogs.com/release/7147504 [info]
ASIN:DE: B000086EMB [info]
other databases:https://www.musik-sammler.de/release/1345525/ [info]