Good Morning Vietnam

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Individual barcodes:
disk 1: 8711539052171
disk 2: 8711539052188
disk 3: 8711539052195

Annotation last modified on 2017-08-06 20:48 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Rock & Roll, Part 1
recording of:
Rock and Roll, Part 1
writer:
Gary Glitter and Mike Leander
publisher:
MCA Music Ltd.
Gary Glitter4.153:00
2Blackberry Way
recording of:
Blackberry Way
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. and Essex Music International, Inc. (in 1968)
The Move3:33
3(Your Love Keeps Liftin’ Me) Higher and Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson, Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson4.82:58
4Stoned Out of My Mind
recording of:
Stoned Out of My Mind
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites3:04
5Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flowerpot Men3:34
6She’s Not There
recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies2:24
7Almost Cut My Hair (live)
live recording of:
Almost Cut My Hair
lyricist and composer:
David Crosby
publisher:
Guerilla Music and Stay Straight Music (from 1970 to present)
David Crosby5:21
8The Weight
recording of:
The Weight
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4:35
9Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:30
10Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:00
11Universal Soldier
recording of:
The Universal Soldier
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
cover recording of:
The Universal Soldier
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
Donovan42:13
12Free the People
cover recording of:
Free the People
lyricist and composer:
Barbara Keith
publisher:
EMI Feist Catalog Inc.
Melanie3:46
13Bad Bad Leroy Brown
vocals:
Jim Croce (on 1972-06-02)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
recording of:
Bad, Bad Leroy Brown (on 1972-06-02)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:01
14Heroes and Villains
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3:38
15Tossin’ and Turnin’
recording of:
Tossing and Turning
composer:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
EMI Virgin Music Publishing Australia P/L
Ivy League2:27
16I Fought the Law
phonographic copyright (℗) by:
Chess (US label) (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 175)
cover recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bobby Fuller Four4.352:19
17A Salty Dog
recording of:
A Salty Dog
lyricist:
Keith Reid
composer:
Gary Brooker
Procol Harum4:31
18Turn Back the Hands of Time
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 51)
recording of:
Turn Back the Hands of Time
writer:
Jack Daniels (soul/blues/funk producer and songwriter) and Bonnie Thompson (songwriter)
Tyrone Davis2:39
19Sympathy
recording of:
Sympathy
writer:
Mark Ashton (songwriter?), Graham Field, Steve Gould (English singer, bassist and guitarist) and Dave Kaffinetti
publisher:
Bienstock Publishing Company (ASCAP affiliated), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Intro (publisher), Meisel (publisher), Quartet Music Inc. and R & M Music Productions, Inc.
Steve Rowland & The Family Dogg3:20
20Something’s Gotten Hold of My Heart
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Gene Pitney3:37
2▼CD
#TitleArtistRatingLength
1Ball of Confusion (That’s What the World Is Today)
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks and Paul Williams (member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Agate Music
The Temptations54:07
2Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:51
3(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:07
4I Get Around
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Al Jardine (on 1964-04-02)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1964-04-02)
electric bass guitar [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (on 1964-04-02) and Ray Pohlman (on 1964-04-02)
electric guitar:
Carl Wilson (Beach Boys) (on 1964-04-02)
Hammond organ [Hammond B3 organ], harpsichord, piano and background vocals and lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1964-04-02)
percussion [rim with thin stick] and timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (on 1964-04-02)
background vocals:
Al Jardine (on 1964-04-02), Carl Wilson (Beach Boys) (on 1964-04-02) and Dennis Wilson (Beach Boys) (on 1964-04-02)
bass vocals and lead vocals:
Mike Love (Beach Boys) (on 1964-04-02)
lead vocals:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (on 1964-04-02)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys4.62:14
5Spooky
producer:
Buddy Buie
recording of:
Spooky
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Classics IV52:50
6Colours
recording of:
Colours
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Songs of Peer, Ltd. (ASCAP)
Donovan2:46
7Honky Tonk Women
cover recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
Mick Jagger (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Ike & Tina Turner43:10
8Fireball
engineer:
Louis Austin (engineering), Martin Birch and Alan O’Duffy
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1970-09 until 1971-06)
electric bass guitar:
Roger Glover (from 1970-09 until 1971-06)
electric guitar:
Ritchie Blackmore (from 1970-09 until 1971-06)
Hammond organ:
Jon Lord (from 1970-09 until 1971-06)
lead vocals:
Ian Gillan (from 1970-09 until 1971-06)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1971)
recording of:
Fireball (from 1970-09 until 1971-06)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
Deep Purple4.23:22
9Up on Cripple Creek
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
recording of:
Up on Cripple Creek
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner/Chappell Music, Inc.
The Band4.64:31
10I Got a Name
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar [rhythm guitar] and piano:
Tommy West
percussion:
George Devens
background vocals:
Jim Croce, Maury Muehleisen and Tommy West
vocals:
Jim Croce (on 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
Saja Music Co. (publisher) (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-06)
recording of:
I Got a Name (on 1973-06-06)
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:10
11Soldier Boy
recording of:
Soldier Boy
writer:
Luther Dixon, Bob Elgin, Florence Greenberg and Kay Rogers
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
12San Francisco Nights
recording of:
San Franciscan Nights
writer:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch and John Weider
Eric Burdon3:51
13Jenny Take a Ride!
arranger:
Bob Crewe
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
medley including a recording of:
C. C. Rider (Jerry Lee Lewis version)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
See See Rider Blues
recording of:
Jenny Take a Ride
writer:
Bob Crewe and Enotris Johnson
composer:
Richard Wayne Penniman
medley including a recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Mitch Ryder3:23
14It’s a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band4:11
15Don't Call Us, We’ll Call You
recording of:
Don’t Call Us, We’ll Call You
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Jerry Corbetta
Sugarloaf53:21
16Hooked on a Feeling
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1968)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
B.J. Thomas52:46
17(For God’s Sake) Give More Power to the People
recording of:
(For God’s Sake) Give More Power to the People
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc.
The Chi‐Lites52:59
18Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:10
19Who Do You Love
bass:
David Freiberg
guitar:
John Cipollina and Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live partial cover recording of:
Who Do You Love? (in 1968)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Quicksilver Messenger Service43:34
20When Johnny Comes Marching Home
recording of:
When Johnny Comes Marching Home (trad.)
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
Joe Tex2:47
3▼CD
#TitleArtistRatingLength
1A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:58
2He’s Gonna Step on You Again
recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
John Kongos4:16
3On the Road Again
recording of:
On the Road Again
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) and United Partnership Ltd.
Canned Heat5:03
4It’s in His Kiss
recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Betty Everett2:11
5Games People Play
vocals:
Joe South (in 1968)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:35
6Time of the Season
engineer:
Geoff Emerick (British recording engineer) and Peter Vince (engineer, producer)
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass guitar:
Chris White (UK bassist for The Zombies) (in 1967-08)
drums (drum set):
Hugh Grundy (in 1967-08)
guitar:
Paul Atkinson (in 1967-08)
mellotron, organ and piano:
Rod Argent (in 1967-08)
background vocals:
Rod Argent (in 1967-08) and Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 349)
recording of:
Time of the Season (in 1967-08)
lyricist and composer:
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. and Mainstay Music, Inc. (in 1968)
The Zombies4.53:30
7Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan2:56
8Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:04
9Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.452:55
10He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
live cover recording of:
He Ain’t Heavy, He’s My Brother
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
He Ain’t Heavy, He’s My Brother
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:15
11I Just Can’t Help Believing
cover recording of:
I Just Can’t Help Believin’
writer:
Barry Mann and Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
B.J. Thomas2:59
12River Deep, Mountain High
recording of:
River Deep – Mountain High
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3:28
13Flowers in the Rain
recording of:
Flowers in the Rain
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:21
14Tell It Like It Is
producer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Alvin “Red” Tyler (American jazz saxophonist)
recorded at:
Jazz City Studios in New Orleans, Louisiana, United States (in 1966)
recording of:
Tell It Like It Is (in 1966)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville4.352:40
15If I Were a Carpenter
recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Bobby Darin2:21
16Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:27
17Five O’Clock World
recording of:
Five O’Clock World
lyricist and composer:
Allen Reynolds
The Vogues2:19
18Bring It on Home to Me
recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
The Animals2:44
19God Only Knows
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys2:49
20Give Up Your Guns
recording of:
Give Up Your Guns (epic narrative about escaped bank robber)
writer:
Holmes and Jordan (co-writer of Give Up Your Guns for The Buoys)
The Buoys4:15

Credits

Release

design:Studio van Dijken (ICT, media and graphic design studio)
manufactured by, distributed by and marketed by:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyrighted (©) by and phonographic copyright (℗) by:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 2002)
licensed from:Bobby Darin Testamentary Trust
BR Music Copyrights BV
Brunswick International Ltd.
Del-Fi Records Inc.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Fragile Records Ltd.
Heritage Entertainment, Inc.
Janus Records Inc.
Marquis Enterprises Ltd
Nestshare Ltd.
Pet Rock Records (American sub-label of King Biscuit Flower Hour)
Red Bullet (Dutch independent label)
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
Snapper Music
Sunny Records (US latin label, 80s/90s)
The Product Exchange
Tree Productions (US, Sony‐related)
Discogs:https://www.discogs.com/release/7147504 [info]
ASIN:DE: B000086EMB [info]
other databases:https://www.musik-sammler.de/release/1345525/ [info]