Sublime (10th anniversary edition / deluxe edition)

~ Release by Sublime (see all versions of this release, 19 available)

Annotation

Countries excluded (Deezer + Spotify)

(As of 2023-12-14).

Eastern Europe: 🇧🇾 Belarus (by)
Western Africa: 🇧🇫 Burkina Faso (bf)
Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Central Asia: 🇺🇿 Uzbekistan (uz)
Southern Asia: 🇳🇵 Nepal (np)
South-Eastern Asia: 🇧🇳 Brunei (bn)

Annotation last modified on 2023-12-14 22:24 UTC.

Tracklist

1▶Digital Media

2▼Digital Media
#	Title	Artist	Rating	Length
1	I Love My Dog recording of: I Love My Dog (Sublime) writer: Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime) is based on: I Luv I Jah	Sublime		4:20
2	Superstar Punani engineer: Stuart Sullivan (producer, recording engineer) (in 1996) producer: Paul Leary mixer: Paul Leary and Stuart Sullivan (producer, recording engineer) recording of: Superstar Punani writer: Sublime (ska punk)	Sublime		3:16
3	April 29th, 1992 (Leary) engineer: Stuart Sullivan (producer, recording engineer) (in 1996) producer and mixer: Paul Leary turntable: Marshall Goodman background vocals: Michael "Miguel" Happoldt lead vocals: Bradley Nowell recording of: April 29, 1992 composer: Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell is based on: Burn Hollywood Burn is based on: One Eight Seven	Sublime		3:46
4	Saw Red (acoustic version) recording of: Saw Red (Sublime) lyricist and composer: Bradley Nowell is based on: She's Mine	Sublime		2:39
5	Little District (acoustic version) engineer: Stuart Sullivan (producer, recording engineer) (in 1995) producer: Paul Leary (in 1995) acoustic guitar and lead vocals: Bradley Nowell (in 1995) cover recording of: Little District lyricist and composer: Eric “Monty” Morris (ska)	Sublime		1:55
6	Zimbabwe (acoustic version) cover recording of: Zimbabwe (Bob Marley) composer: Bob Marley (Jamaican reggae artist) publisher: Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)	Sublime		2:41
7	What I Got (alternate version) edit of: What I Got (demo) by Sublime (ska punk) recording of: What I Got lyricist: Bradley Nowell composer: Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime) is based on: Lady Madonna is based on: Life Is… Too Short is based on: Loving is based on: My Mom Smokes Pot is based on: Nappy Heads revision of: What I Got (reprise)	Sublime		2:39
8	Doin’ Time (Uptown dub) recording engineer: Stuart Sullivan (producer, recording engineer) (in 1996) engineer and mixer: Eddie Ashworth (in 1997) producer: Michael "Miguel" Happoldt and Paul Leary effects [space echo]: Michael "Miguel" Happoldt keyboard: Isaiah “Ikey” Owens saxophone: Tim Wu recorded at: Pedernales Studio in Spicewood, Texas, United States (in 1996) mixed at: Total Access Recording in Redondo Beach, California, United States engineered at: Total Access Recording in Redondo Beach, California, United States (in 1997) recording of: Doin’ Time writer: Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records) is based on: Summertime (American songbook standard from 1935 opera Porgy and Bess) quotes lyrics from: Summertime (American songbook standard from 1935 opera Porgy and Bess)	Sublime		3:47
9	Doin’ Time (Eerie Splendor remix) engineer, producer and mixer: Jez Colin and Sean Perry (production / remixer) guest vocals: Mad Lion recording of: Doin’ Time writer: Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records) is based on: Summertime (American songbook standard from 1935 opera Porgy and Bess) quotes lyrics from: Summertime (American songbook standard from 1935 opera Porgy and Bess)	Sublime & Mad Lion	5	5:16
10	Doin’ Time (remixed by Wyclef Jean) remixer: Wyclef Jean (Haitian rapper, musician and actor) recording of: Doin’ Time writer: Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records) is based on: Summertime (American songbook standard from 1935 opera Porgy and Bess) quotes lyrics from: Summertime (American songbook standard from 1935 opera Porgy and Bess)	Sublime		3:52
11	Doin’ Time (remixed by Marshall Arts) producer: Field Marshall remixer: Marshall Arts recording of: Doin’ Time writer: Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records) is based on: Summertime (American songbook standard from 1935 opera Porgy and Bess) quotes lyrics from: Summertime (American songbook standard from 1935 opera Porgy and Bess)	Sublime & The Pharcyde	5	4:11
12	Doin’ Time (Marshall Arts instrumental version) instrumental recording of: Doin’ Time writer: Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records) is based on: Summertime (American songbook standard from 1935 opera Porgy and Bess) quotes lyrics from: Summertime (American songbook standard from 1935 opera Porgy and Bess)	Sublime		4:12
13	April 29th, 1992 (Miami) (instrumental version) instrumental recording of: April 29, 1992 composer: Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell is based on: Burn Hollywood Burn is based on: One Eight Seven	Sublime		3:54
14	Caress Me Down (instrumental version) instrumental recording of: Caress Me Down writer: Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)	Sublime		3:32
15	What I Got (instrumental version) recording of: What I Got lyricist: Bradley Nowell composer: Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime) is based on: Lady Madonna is based on: Life Is… Too Short is based on: Loving is based on: My Mom Smokes Pot is based on: Nappy Heads revision of: What I Got (reprise)	Sublime		2:52

Credits

Release

copyrighted (©) by:	UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006)
phonographic copyright (℗) by:	UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1996)

purchase for download:	https://mora.jp/package/43000006/00602567665717/ [info]
stream for free:	https://open.spotify.com/album/4UEqnonZLE8BNYyk6HnjGA [info] https://www.deezer.com/album/62555922 [info]

Release group

part of:	Jaguaro: One Hundred Albums You Should Remove From Your Collection Immediately (number: 91) (order: 93)

Discogs:	https://www.discogs.com/master/158333 [info]
other databases:	http://www.musik-sammler.de/album/46852 [info] https://rateyourmusic.com/release/album/sublime/sublime/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000186009 [info]
Wikidata:	Q2757513 [info]

Play on ListenBrainz

Release information

Barcode:: 602567665717
Format:: 2×Digital Media
Length:: 1:53:10

Additional details

Type:: Album
Packaging:: None
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Gasoline Alley

Release events

2018-05-04

Release group rating

4.4 (see all ratings)

External links

Release group external links

Editing

Collections

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Last updated on 2025-04-07 12:20 UTC