Sublime (10th anniversary edition / deluxe edition)

~ Release by Sublime (see all versions of this release, 19 available)

Annotation

Countries excluded (Deezer + Spotify)

(As of 2023-12-14).

  • Eastern Europe: 🇧🇾 Belarus (by)
  • Western Africa: 🇧🇫 Burkina Faso (bf)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Central Asia: 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇳🇵 Nepal (np)
  • South-Eastern Asia: 🇧🇳 Brunei (bn)
Annotation last modified on 2023-12-14 22:24 UTC.

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1Trenchtown Rock
engineer and mixer:
Michael "Miguel" Happoldt (in 1991)
producer:
Michael "Miguel" Happoldt and Bradley Nowell
cover recording of:
Trenchtown Rock
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
1:41
2Doin’ Time
drum machine programming:
Marshall Goodman
programming:
Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made] and lead vocals:
Bradley Nowell (from 1996-02 until 1996-05)
sampler and turntable:
Marshall Goodman
background vocals:
Michael "Miguel" Happoldt
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
(You Gotta) Fight for Your Right (To Party) by Beastie Boys and Summertime (mono) by Herbie Mann
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
44:12
3Wrong Way
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
trombone:
Jon Blondell
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
music videos:
Wrong Way by Sublime (ska punk)
recording of:
Wrong Way
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Big Salty Tears
is based on:
It’s Up to You
4.52:16
4Paddle Out
engineer and mixer:
Eddie Ashworth
producer:
Michael "Miguel" Happoldt and Bradley Nowell
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at and mixed at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
recording of:
Paddle Out
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
51:15
5What I Got
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
acoustic guitar [lead]:
Michael "Miguel" Happoldt
organ:
David Kahne
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Have Your Ass Home by 11:00 by Richard Pryor, It’s a New Day by Skull Snaps and Life Is… Too $hort by Too $hort
music videos:
What I Got (Official Video) by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 81)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
4.42:51
6Pawn Shop
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
organ:
Michael "Miguel" Happoldt
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Pawn Shop
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
War Deh Round a John Shop
56:06
7April 29, 1992 (Miami)
programming:
Dave Aron (mix engineer) and Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
other instruments:
Michael "Miguel" Happoldt
piano:
David Kahne
saxophone:
Todd Forman
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Give Me My Share (live, 1982-02-10: Aces Disco, St. Thomas, Jamaica) by Jah Rubel, La Di‐Da‐Di by Doug E. Fresh and M.C. Ricky D (earlier name of hip hop MC Slick Rick), Shook Ones, Part I by Mobb Deep (QB hip hop duo Prodigy & Havoc) and The Original Gangster of Hip Hop by Just‐Ice
recording of:
April 29, 1992
composer:
Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell
is based on:
Burn Hollywood Burn
is based on:
One Eight Seven
53:53
8Santeria
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
music videos:
Santeria by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 253)
recording of:
Santeria
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lincoln Highway Dub
53:03
9Seed
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Seed
composer:
Sublime (ska punk)
is based on:
Mr. Moto
52:10
10Jailhouse
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
cover recording of:
Jailhouse
writer:
Clement “Coxsone” Dodd, Neville Livingston and Bob Marley (Jamaican reggae artist)
54:53
11Caress Me Down
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
organ:
David Kahne
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
recording of:
Caress Me Down
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
53:32
12The Ballad of Johnny Butt
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
effects [space echo]:
Michael "Miguel" Happoldt
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
cover recording of:
The Ballad of Johnny Butt
writer:
Mike Davis (Secret Hate vocalist), Kevin Roach (Secret Hate) and Rick Selga
52:12
13Under My Voodoo
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Under My Voodoo
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
43:26
14Burritos
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Burritos
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
revision of:
Fighting Blindly
53:55
15Same in the End
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Same in the End
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
4.352:37
16Get Ready
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
percussion and turntable and sampler:
Marshall Goodman
slide guitar:
Paul Leary
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Get Ready
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
44:51
17What I Got (reprise)
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
acoustic guitar:
Bradley Nowell (from 1996-02 until 1996-05)
acoustic guitar [lead]:
Michael "Miguel" Happoldt
bass [synth]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [lead]:
Paul Leary
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
recording of:
What I Got (reprise)
lyricist and composer:
Bradley Nowell
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
53:01
18Garden Grove
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
effects [space echo]:
Michael "Miguel" Happoldt
sampler and turntable:
Marshall Goodman
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
samples:
[Lou dog barking] by Nowell’s King Louie (Bradley Nowell’s dalmatian) & Bradley Nowell, Five Nights of Bleeding (for Leroy Harris) by Poet and the Roots (Reggae band), Funky Worm by Ohio Players and Girls by Beastie Boys
recording of:
Garden Grove
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Ninja Mi Ninja
54:21
2▼Digital Media
#TitleArtistRatingLength
1I Love My Dog
recording of:
I Love My Dog (Sublime)
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
I Luv I Jah
Sublime4:20
2Superstar Punani
engineer:
Stuart Sullivan (producer, recording engineer) (in 1996)
producer:
Paul Leary
mixer:
Paul Leary and Stuart Sullivan (producer, recording engineer)
recording of:
Superstar Punani
writer:
Sublime (ska punk)
Sublime3:16
3April 29th, 1992 (Leary)
engineer:
Stuart Sullivan (producer, recording engineer) (in 1996)
producer and mixer:
Paul Leary
turntable:
Marshall Goodman
background vocals:
Michael "Miguel" Happoldt
lead vocals:
Bradley Nowell
recording of:
April 29, 1992
composer:
Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell
is based on:
Burn Hollywood Burn
is based on:
One Eight Seven
Sublime3:46
4Saw Red (acoustic version)
recording of:
Saw Red (Sublime)
lyricist and composer:
Bradley Nowell
is based on:
She's Mine
Sublime2:39
5Little District (acoustic version)
engineer:
Stuart Sullivan (producer, recording engineer) (in 1995)
producer:
Paul Leary (in 1995)
acoustic guitar and lead vocals:
Bradley Nowell (in 1995)
cover recording of:
Little District
lyricist and composer:
Eric “Monty” Morris (ska)
Sublime1:55
6Zimbabwe (acoustic version)
cover recording of:
Zimbabwe (Bob Marley)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
Sublime2:41
7What I Got (alternate version)
edit of:
What I Got (demo) by Sublime (ska punk)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
Sublime2:39
8Doin’ Time (Uptown dub)
recording engineer:
Stuart Sullivan (producer, recording engineer) (in 1996)
engineer and mixer:
Eddie Ashworth (in 1997)
producer:
Michael "Miguel" Happoldt and Paul Leary
effects [space echo]:
Michael "Miguel" Happoldt
keyboard:
Isaiah “Ikey” Owens
saxophone:
Tim Wu
recorded at:
Pedernales Studio in Spicewood, Texas, United States (in 1996)
mixed at:
Total Access Recording in Redondo Beach, California, United States
engineered at:
Total Access Recording in Redondo Beach, California, United States (in 1997)
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Sublime3:47
9Doin’ Time (Eerie Splendor remix)
engineer, producer and mixer:
Jez Colin and Sean Perry (production / remixer)
guest vocals:
Mad Lion
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Sublime & Mad Lion55:16
10Doin’ Time (remixed by Wyclef Jean)
remixer:
Wyclef Jean (Haitian rapper, musician and actor)
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Sublime3:52
11Doin’ Time (remixed by Marshall Arts)
producer:
Field Marshall
remixer:
Marshall Arts
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Sublime & The Pharcyde54:11
12Doin’ Time (Marshall Arts instrumental version)
instrumental recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Sublime4:12
13April 29th, 1992 (Miami) (instrumental version)
instrumental recording of:
April 29, 1992
composer:
Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell
is based on:
Burn Hollywood Burn
is based on:
One Eight Seven
Sublime3:54
14Caress Me Down (instrumental version)
instrumental recording of:
Caress Me Down
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
Sublime3:32
15What I Got (instrumental version)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
Sublime2:52

Credits

Release

copyrighted (©) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006)
phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1996)
purchase for download:https://mora.jp/package/43000006/00602567665717/ [info]
stream for free:https://open.spotify.com/album/4UEqnonZLE8BNYyk6HnjGA [info]
https://www.deezer.com/album/62555922 [info]