Ballads & Blues

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Waited for You
producer:
Alfred Lion
bass and double bass [bass]:
Percy Heath (on 1953-04-20)
drums (drum set):
Art Blakey (on 1953-04-20)
piano:
Gil Coggins (US jazz pianist) (on 1953-04-20)
tenor saxophone:
Jimmy Heath (on 1953-04-20)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-04-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-04-20)
phonographic copyright (℗) by:
Blue Note
recorded at:
WOR Studios in New York, New York, United States (on 1953-04-20)
recording of:
I Waited for You (on 1953-04-20)
writer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
3:32
2Yesterday
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
bass and double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
instrumental recording of:
Yesterdays (on 1952-05-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:47
3One for Daddy‐O
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1997, in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
One for Daddy‐O (on 1958-03-09)
composer:
Nat Adderley
8:28
4Moon Dreams
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1950-03-09)
baritone saxophone:
Gerry Mulligan (on 1950-03-09)
double bass:
Al McKibbon (double bassist) (on 1950-03-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-03-09)
French horn:
Gunther Schuller (US horn player, conductor, composer) (on 1950-03-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1950-03-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1950-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-03-09)
tuba:
Bill Barber (Jazz tuba player) (on 1950-03-09)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
engineered at:
WOR Studios in New York, New York, United States (on 1950-03-09)
recording of:
Moon Dreams (on 1950-03-09)
composer:
Chummy MacGregor and Johnny Mercer
43:20
5How Deep Is the Ocean
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
instrumental recording of:
How Deep Is the Ocean? (on 1952-05-09)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How Deep Is the Ocean? (on 1952-05-09)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:41
6Weirdo
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
recording of:
Weirdo (on 1954-03-06)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4:46
7Enigma
bass:
Percy Heath (on 1953-04-20)
drums (drum set):
Art Blakey (on 1953-04-20)
piano:
Gil Coggins (US jazz pianist) (on 1953-04-20)
tenor saxophone:
Jimmy Heath (on 1953-04-20)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1953-04-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-04-20)
phonographic copyright (℗) by:
Blue Note
recorded at:
WOR Studios in New York, New York, United States (on 1953-04-20)
recording of:
Enigma (on 1953-04-20)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
TRO-Folkways Music Publishers, Inc.
3:25
8It Never Entered My Mind
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-03-06)
instrumental cover recording of:
It Never Entered My Mind (on 1954-03-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:04
9Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
510:59