The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▼CD: Vol 13. Cantatas CD 2
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1Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: I. Aria (Sopran) „O heilges Geist‐ und Wasserbad“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
3:45
2Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: II. Recitativo (Bass) „Die sündige Geburt verdammter Adamserben“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
1:36
3Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: III. Aria (Alt) „Jesu, der aus großer Liebe“
alto vocals:
Alyce Rogers (American mezzo-soprano, contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:04
4Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: IV. Recitativo (Bass) „Ich habe ja, mein Seelenbräutigam“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:14
5Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: V. Aria (Tenor) „Jesu, meines Todes Tod“
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:39
6Kantate, BWV 165 „O heilges Geist‐ und Wasserbad“: VI. Choral „Sein Wort, sein Tauf, sein Nachtmahl“
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
0:43
7Kantate, BWV 166 „Wo gehest du hin“: I. Aria (Bass) „Wo gehst du hin?“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
1:58
8Kantate, BWV 166 „Wo gehest du hin“: II. Aria (Tenor) „Ich will an den Himmel denken“
vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
6:05
9Kantate, BWV 166 „Wo gehest du hin“: III. Choral (Coro Sopran) „Ich bitte dich, Herr Jesu Christ“
soprano vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
3:16
10Kantate, BWV 166 „Wo gehest du hin“: IV. Recitativo (Bass) „Gleichwie die Regenwasser bald verfließen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:58
11Kantate, BWV 166 „Wo gehest du hin“: V. Aria (Alt) „Man nehme sich in acht“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
3:28
12Kantate, BWV 166 „Wo gehest du hin“: VI. Choral „Wer weiß, wie nahe mir mein Ende“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:58
13Kantate, BWV 167 „Ihr Menschen, rühmet Gottes Liebe“: I. Aria (Tenor) „Ihr Menschen, rühmet Gottes Liebe“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
4:29
14Kantate, BWV 167 „Ihr Menschen, rühmet Gottes Liebe“: II. Recitativo (Alt) „Gelobet sei der Herr Gott Israel“
alto vocals:
Helrun Gardow (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:59
15Kantate, BWV 167 „Ihr Menschen, rühmet Gottes Liebe“: III. Aria (Duetto Sopran, Alt) „Gottes Wort, das trüget nicht“
alto vocals:
Helrun Gardow (German mezzo-soprano)
soprano vocals:
Kathrin Graf (Swiss soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
6:44
16Kantate, BWV 167 „Ihr Menschen, rühmet Gottes Liebe“: IV. Recitativo (Bass) „Des Weibes Samen kam“
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
1:29
17Kantate, BWV 167 „Ihr Menschen, rühmet Gottes Liebe“: V. Choral „Sei Lob und Preis mit Ehren“
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Gramann (in 1530)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
3:20
18Kantate, BWV 168 „Tue Rechnung! Donnerwort“: I. Aria (Bass) „Tue Rechnung, Donnerwort“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
4:04
19Kantate, BWV 168 „Tue Rechnung! Donnerwort“: II. Recitativo (Tenor) „Es ist nur fremdes Gut“
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:13
20Kantate, BWV 168 „Tue Rechnung! Donnerwort“: III. Aria (Tenor) „Kapital und Interessen“
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
3:55
21Kantate, BWV 168 „Tue Rechnung! Donnerwort“: IV. Recitativo (Bass) „Jedoch, erschrocknes Herz“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:03
22Kantate, BWV 168 „Tue Rechnung! Donnerwort“: V. Aria (Sopran, Alt) „Herz, zerreiß des Mammons Kette“
alto vocals:
Verena Gohl (Swiss contralto)
soprano vocals:
Nancy Burns (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
2:56
23Kantate, BWV 168 „Tue Rechnung! Donnerwort“: VI. Choral „Stärk mich mit deinem Freudengeist“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
1:17
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 2
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3