| # | Title | Rating | Length |
|---|
| 1 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: I. Ouvertüre | | 2:12 |
| 2 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: II. Aria (Duetto Sopran, Bass) „Mer hahn en neue Oberkeet“ | | 0:40 |
| 3 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: III. Recitativo (Sopran, Bass) „Nu, Mieke, gib dein Guschel immer her“- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:01 |
| 4 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: IV. Aria (Sopran) „Ach, es schmeckt doch gar zu gut“ | | 0:58 |
| 5 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: V. Recitativo (Bass) „Der Herr ist gut“ | | 0:26 |
| 6 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VI. Aria (Bass) „Ach, Herr Schösser, geht nicht gar zu schlimm“- bass vocals:
- Thomas Quasthoff (in 1996-05)
- orchestra:
- Bach‐Collegium Stuttgart (in 1996-05)
- conductor:
- Helmuth Rilling (in 1996-05)
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:09 |
| 7 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VII. Recitativo (Sopran) „Es bleibt dabei“ | | 0:24 |
| 8 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: VIII. Aria (Sopran) „Unser trefflicher, lieber Kammerherr“- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- is based on:
- Folia
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:37 |
| 9 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: IX. Recitativo (Sopran, Bass) „Er hilft uns allen, alt und jung“- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:37 |
| 10 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: X. Aria (Sopran) „Das ist galant“ | | 1:19 |
| 11 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XI. Recitativo (Bass) „Und unsre gnädge Frau“ | | 0:48 |
| 12 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XII. Aria (Bass) „Fünfzig Taler bares Geld“ | | 0:52 |
| 13 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIII. Recitativo (Sopran) „Im Ernst ein Wort“ | | 0:24 |
| 14 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIV. Aria (Sopran) „Klein‐Zschocher müsse“ | | 5:59 |
| 15 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XV. Recitativo (Bass) „Das ist zu klug vor dich“ | | 0:24 |
| 16 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVI. Aria (Bass) „Es nehme zehntausend Dukaten“ | | 0:44 |
| 17 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVII. Recitativo (Sopran) „Das klingt zu liederlich“ | | 0:24 |
| 18 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XVIII. Aria (Sopran) „Gib, Schöne, viel Söhne“- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:30 |
| 19 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XIX. Recitativo (Bass) „Du hast wohl recht“ | | 0:20 |
| 20 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XX. Aria (Bass) „Dein Wachstum sei feste und lache vor Lust“ | | 5:36 |
| 21 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXI. Recitativo (Sopran, Bass) „Und damit sei es auch genug“- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:20 |
| 22 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXII. Aria (Sopran) „Und daß ihrs alle wißt“ | | 0:46 |
| 23 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXIII. Recitativo (Sopran, Bass) „Mein Schatz! erraten“- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:35 |
| 24 | Kantate, BWV 212 „Mer hahn en neue Oberkeet“: XXIV. Chor (Sopran, Bass) „Wir gehn nun, wo der Tudelsack“- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:06 |
| 25 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: I. Chorus „Laßt uns sorgen, laßt uns wachen“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 4:59 |
| 26 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: II. Recitativo (Alt) „Und wo? Wo ist die rechte Bahn“- alto vocals:
- Ingeborg Danz
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 0:44 |
| 27 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: III. Aria (Sopran) „Schlafe, mein liebster“- soprano vocals:
- Sibylla Rubens
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 8:56 |
| 28 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: IV. Recitativo (Sopran, Tenor) „Auf! folge meiner Bahn“- soprano vocals:
- Sibylla Rubens
- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 1:08 |
| 29 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: V. Aria (Alt, Alt) „Treues Echo dieser Orten“- alto vocals:
- Ingeborg Danz
- alto vocals [Echo]:
- Constanze Schumacher
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 4:43 |
| 30 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VI. Recitativo (Tenor) „Mein hoffnungsvoller Held“- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 0:54 |
| 31 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VII. Aria (Tenor) „Auf meinen Flügeln sollst du schweben“- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 4:39 |
| 32 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: VIII. Recitativo (Tenor) „Die weiche Wollust locket zwar“- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 0:39 |
| 33 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: IX. Aria (Alt) „Ich will dich nicht hören“- alto vocals:
- Ingeborg Danz
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 4:14 |
| 34 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: X. Recitativo (Alt, Tenor) „Geliebte Tugend, du allein“- alto vocals:
- Ingeborg Danz
- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 0:46 |
| 35 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XI. Aria (Duetto Alt, Tenor) „Ich bin deine“- alto vocals:
- Ingeborg Danz
- tenor vocals:
- Marcus Ullmann
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 6:47 |
| 36 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XII. Recitativo accompagnato (Bass) „Schaut, Götter, dieses ist ein Bild“- bass vocals:
- Andreas Schmidt
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 1:15 |
| 37 | Kantate, BWV 213 „Laßt uns sorgen, laßt uns wachen“: XIII. Chorus „Lust der Völker, Lust der Deinen“- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-09)
- recording of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XIII. Chorus "Lust der Völker, Lust der Deinen" (in 1999-09)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-09-05)
- composed in:
- Leipzig, Sachsen , Germany (in 1733)
- composer:
- Johann Sebastian Bach (in 1733)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
| | 2:57 |
Play on ListenBrainz