The Complete Hooked on Classics Collection

~ Release by Louis Clark conducting The Royal Philharmonic Orchestra (see all versions of this release, 2 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Also Sprach Zarathustra
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer)
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Louis Clark & The Royal Philharmonic Orchestra1:13
2Hooked on Classics (Part 3)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
3 Marches militaires, op. 51, D. 733
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 733)
medley including a recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 21 in A major: Amoroso – Presto
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
medley including a recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Hooked on Classics, Part 3
arranger:
Louis Clark
medley of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
medley of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
medley of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
medley of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
medley of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
medley of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
medley of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
medley of:
Pictures at an Exhibition: Promenade (unspecified promenade)
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 21 in A major: Amoroso – Presto
medley of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
medley of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
medley of:
3 Marches militaires, op. 51, D. 733
medley of:
Chopiniana, op. 46: I. Polonaise
medley of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
medley of:
Lohengrin, WWV 75: Akt III. Vorspiel
medley including a recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
medley including a recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
medley including a recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
is based on:
Pictures at an Exhibition (original piano version)
medley including a recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 3)
part of:
Polonaises, op. 40
medley including a recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
medley including a recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
medley including a recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
medley including a recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
medley including a instrumental recording of:
The Cradle Song (Brahms’ Lullaby)
composer:
Johannes Brahms (German composer)
translator:
Natalia Macfarren
translated version of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
medley including a recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Louis Clark & The Royal Philharmonic Orchestra6:02
3Hooked on a SongLouis Clark & The Royal Philharmonic Orchestra5:11
4Can't Stop the Classics (Part 2)Louis Clark & The Royal Philharmonic Orchestra6:32
5Hooked on Mendelssohn
solo violin:
Barry Griffiths (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
medley including a recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Louis Clark & The Royal Philharmonic Orchestra4:25
6Hooked on Baroque
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
medley including a recording of:
Concerto for Flute, Strings and Continuo in G major: I. Spiritoso
composer:
Giovanni Battista Pergolesi (composer)
part of:
Concerto for Flute, Strings and Continuo in G major
medley including a recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
medley including a recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
arrangement of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
medley including a recording of:
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (catch‐all for arrangements)
medley including a recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
medley including a recording of:
Flute Concerto in G major
composer:
Giuseppe Tartini (Italian composer)
medley including a recording of:
Recorder Sonata in C major, HWV 365, op. 1 no. 7: IV. A tempo di gavotta
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Recorder Sonata in C major, op. 1 no. 7, HWV 365
medley including a recording of:
Sonata for Flute and Basso Continuo in D major
composer:
Leonardo Vinci (Italian opera composer)
medley including a recording of:
Sonata for Flute and Continuo in E minor, BWV 1034
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Bach-Werke-Verzeichnis (number: BWV 1034)
medley including a recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1017)
medley including a recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
medley including a recording of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3: I. Ouverture
composer:
Georg Philipp Telemann (composer)
part of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3
Louis Clark & The Royal Philharmonic Orchestra4:24
7Hooked on Marching
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer)
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
medley including a recording of:
Cavalry of the Clouds
composer:
Kenneth J. Alford
medley including a recording of:
Imperial Echoes (march for band, Hume)
composer:
Arnold Safroni (in 1913)
arranger:
James Ord Hume (in 1928)
arrangement of:
Imperial Echoes
medley including a recording of:
King Cotton
composer:
John Philip Sousa (conductor and composer) (in 1895)
medley including a recording of:
Officer of the Day
composer:
Robert Browne Hall (brass band composer)
medley including a recording of:
The British Grenadiers
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
medley including a recording of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle)
composer:
J. F. Wagner (in 1893)
medley including a recording of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle)
composer:
J. F. Wagner (in 1893)
Louis Clark & The Royal Philharmonic Orchestra3:14
8A Night at the Opera
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Carmen : « Votre toast » (Air du toréador) (catch-all for arrangements)
composer:
Georges Bizet (French composer)
arrangement of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
medley including a recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
medley including a recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
medley including a recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rule, Britannia!
lyricist:
James Thomson (Scottish poet, 1700-1748) (in 1740)
composer:
Thomas Arne (composer)
part of:
Roud Folk Song Index (number: 10790)
part of:
Alfred: Act III
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley including a recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
Louis Clark & The Royal Philharmonic Orchestra6:05
9Hooked on TchaikovskyLouis Clark & The Royal Philharmonic Orchestra5:29
10Hooked on Romance
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
medley including a recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Hooked on Romance
arranger:
Louis Clark
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
medley of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
medley of:
Liebesträume, S. 541
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
medley of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
medley of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
medley of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
medley of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Classic 100: Piano (2025) (number: 36) and The Music of Liszt (number: S. 541)
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
medley including a recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley including a recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Classic 100: Piano (2004) (number: 1) and Classic 100: Piano (2025) (number: 2)
part of:
Two Piano Sonatas, op. 27
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Louis Clark & The Royal Philharmonic Orchestra6:42
11Hooked on America
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
recording of:
Hooked on America
arranger:
Louis Clark
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
Camptown Races
medley of:
An American in Paris
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto)
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
medley of:
Poor Old Joe
medley of:
Dixie
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
Louis Clark & The Royal Philharmonic Orchestra4:08
12Hooked on Rodgers & Hammerstein
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer)
producer:
Jeff Jarratt (producer) and Don Reedman (producer)
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
chorus master:
Eugene Danks
arranger:
Louis Clark
medley including a instrumental recording of:
Do‐Re‐Mi (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
The Sound of Music (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
June Is Bustin’ Out All Over (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Carousel (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
Oklahoma
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Oklahoma
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
The Farmer and the Cowman
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a instrumental recording of:
There Is Nothin’ Like a Dame (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
Louis Clark & The Royal Philharmonic Orchestra3:40
13Hooked on a Can CanLouis Clark & The Royal Philharmonic Orchestra4:58