The Concerto Collection

~ Release by Jacqueline du Pré (see all versions of this release, 1 available)

Tracklist

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1Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar8:02
2Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar4:34
3Cello Concerto in E minor, Op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:15
4Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar12:29
5Don Quixote, Op. 35: Introduction
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: I. Introduction (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:02
6Don Quixote, Op. 35: Theme: The Knight of The Mournful Countenance
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:13
7Don Quixote, Op. 35: Variation I: The Adventure with the Windmills
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:03
8Don Quixote, Op. 35: Variation II: The Battle with the Sheep
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:42
9Don Quixote, Op. 35: Variation III: Discourse Between Knight and Squire
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:20
10Don Quixote, Op. 35: Variation IV: The Adventure with the Pilgrims
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
11Don Quixote, Op. 35: Variation V: The Knight's Vigil
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:54
12Don Quixote, Op. 35: Variation VI: The Meeting with Dulcinea
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:22
13Don Quixote, Op. 35: Variation VII: The Ride through the Air
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
14Don Quixote, Op. 35: Variation VIII: The Voyage in the Enchanted Boat
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:57
15Don Quixote, Op. 35: Variation IX: The Combat with the Two Magicians
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:11
16Don Quixote, Op. 35: Variation X: The Defeat of Don Quixote
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:20
17Don Quixote, Op. 35: Finale: Don Quixote's Death
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:49

Credits

Release group

includes:Haydn: Cello Concertos / Boccherini: Cello Concerto by Haydn (composer), Boccherini (Italian composer); Jacqueline du Pré (cellist), Daniel Barenboim (pianist and conductor), Sir John Barbirolli (conductor and cellist)