The Concerto Collection

~ Release by Jacqueline du Pré (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Cello Concerto No. 1 in C major, H. 7b No. 1: I. Moderato
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn9:32
2Cello Concerto No. 1 in C major, H. 7b No. 1: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn9:43
3Cello Concerto No. 1 in C major, H. 7b No. 1: III. Allegro molto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-17)
orchestra:
English Chamber Orchestra (on 1967-04-17)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-17)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto (on 1967-04-17)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn6:52
4Cello Concerto No. 2 in D major, H. 7b No. 2: I. Allegro moderato
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: I. Allegro moderato (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn16:41
5Cello Concerto No. 2 in D major, H. 7b No. 2: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: II. Adagio (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn7:09
6Cello Concerto No. 2 in D major, H. 7b No. 2: III. Rondo: Allegro
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn6:02
7Cello Concerto in B flat major (arr. Grützmacher): I. Allegro moderato
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: I. Allegro moderato (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: I. Allegro moderato (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini9:28
8Cello Concerto in B flat major (arr. Grützmacher): II. Adagio non troppo
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: II. Adagio non troppo (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini6:54
9Cello Concerto in B flat major (arr. Grützmacher): III. Rondo: Allegro
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-04-24)
orchestra:
English Chamber Orchestra (on 1967-04-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1967-04-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1967-04-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-24)
recording of:
Cello Concerto in B-flat major, G. 482: III. Rondo: Allegro (Grützmacher version) (on 1967-04-24)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: III. Rondo: Allegro (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini6:20
2▼CD
#TitleArtistRatingLength
1Cello Concerto in A minor, Op. 129: I. Nicht zu schnell
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann12:20
2Cello Concerto in A minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann4:39
3Cello Concerto in A minor, Op. 129: III. Serh lebhaft - Kadenz - Tempo I
cello:
Jacqueline du Pré (cellist) (from 1968-04-08 until 1968-05-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-08 until 1968-05-11)
conductor:
Daniel Barenboim (pianist and conductor) (from 1968-04-08 until 1968-05-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-08 until 1968-05-11)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (Concerto for Cello and Orchestra in A minor, Op. 129: III. Sehr lebhaft) (from 1968-04-08 until 1968-05-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann8:36
4Cello Concerto No. 1 in A minor, Op. 33: I. Allegro non troppo
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint‐Saëns5:47
5Cello Concerto No. 1 in A minor, Op. 33: II. Allegretto con moto
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint‐Saëns6:40
6Cello Concerto No. 1 in A minor, Op. 33: III. Allegro non troppo
cello:
Jacqueline du Pré (cellist) (on 1968-09-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-09-24)
conductor:
Daniel Barenboim (pianist and conductor) (on 1968-09-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-24)
recording of:
Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro (on 1968-09-24)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
Camille Saint‐Saëns7:58
7Cello Concerto in G minor: I. Allegro
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: I. Allegro (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn7:39
8Cello Concerto in G minor: II. Adagio
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: II. Adagio (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn9:00
9Cello Concerto in G minor: III. Allegro non tanto
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1968-09-20)
harpsichord [harpsichord continuo]:
Valda Aveling (pianist, harpsichordist and clavichordist) (on 1968-09-20)
orchestra:
London Symphony Orchestra (on 1968-09-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1968-09-20)
balance engineer:
Allen Stagg (on 1968-09-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-09-20)
recording of:
Concerto for Violoncello, Strings and Harpsichord in G minor: III. Allegro non tanto (on 1968-09-20)
composer:
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period))
part of:
Concerto for Violoncello, Strings and Harpsichord in G minor
Georg Matthias Monn6:18
3▼CD
#TitleArtistRatingLength
1Cello Concerto in B minor, Op. 104: I. Allegro
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák15:27
2Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák13:18
3Cello Concerto in B minor, Op. 104: III. Finale: Allegro moderato
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (on 1970-11-11)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák13:40
4Silent Woods, for cello & orchestra, Op. 68 No. 5
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (on 1970-11-11)
orchestra:
Chicago Symphony Orchestra (on 1970-11-11)
conductor:
Daniel Barenboim (pianist and conductor) (on 1970-11-11)
balance engineer:
Taylor Carson (engineer) (on 1970-11-11)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1970-11-11)
recording of:
Klid (Silent Woods) for Cello and Orchestra, op. 68 no. 5 (on 1970-11-11)
composer:
Antonín Dvořák (composer) (on 1893-10-28)
dedicated to:
Hanuš Wihan
premiered at:
[concert] (1894-12-16)
part of:
Works of Antonín Dvořák by opus number (number: op. 65/5) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 182)
orchestration of:
Ze Šumavy, op. 68, B. 133: č. 5. Klid (Lento e molto cantabile) (From the Bohemian Forest, op. 68, B. 133: no. 5. Silent Woods (Lento e molto cantabile), for four-hand piano)
Antonín Dvořák6:51
5Cello Concerto, RT vii No. 7: I. Lento
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius1:01
6Cello Concerto, RT vii No. 7: II. Con moto tranquillo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius6:18
7Cello Concerto, RT vii No. 7: III. Lento
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:35
8Cello Concerto, RT vii No. 7: IV. Con moto tranquillo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius1:59
9Cello Concerto, RT vii No. 7: V. Allegramente
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1965-01-12 until 1965-01-14)
orchestra:
Royal Philharmonic Orchestra (from 1965-01-12 until 1965-01-14)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-01-12 until 1965-01-14)
balance engineer:
Neville Boyling (engineer) (from 1965-01-12 until 1965-01-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-01-12 until 1965-01-14)
partial recording of:
Concerto for Cello and Orchestra, RT vii/7 (from 1965-01-12 until 1965-01-14)
composer:
Frederick Delius (English composer) (in 1921)
premiered by:
Александр Баржанский (Russian cellist) (in 1923-01)
Frederick Delius7:43
4▼CD
#TitleArtistRatingLength
1Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar8:02
2Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar4:34
3Cello Concerto in E minor, Op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:15
4Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar12:29
5Don Quixote, Op. 35: Introduction
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: I. Introduction (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:02
6Don Quixote, Op. 35: Theme: The Knight of The Mournful Countenance
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:13
7Don Quixote, Op. 35: Variation I: The Adventure with the Windmills
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:03
8Don Quixote, Op. 35: Variation II: The Battle with the Sheep
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:42
9Don Quixote, Op. 35: Variation III: Discourse Between Knight and Squire
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:20
10Don Quixote, Op. 35: Variation IV: The Adventure with the Pilgrims
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
11Don Quixote, Op. 35: Variation V: The Knight's Vigil
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:54
12Don Quixote, Op. 35: Variation VI: The Meeting with Dulcinea
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:22
13Don Quixote, Op. 35: Variation VII: The Ride through the Air
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
14Don Quixote, Op. 35: Variation VIII: The Voyage in the Enchanted Boat
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:57
15Don Quixote, Op. 35: Variation IX: The Combat with the Two Magicians
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:11
16Don Quixote, Op. 35: Variation X: The Defeat of Don Quixote
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:20
17Don Quixote, Op. 35: Finale: Don Quixote's Death
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:49

Credits

Release group

includes:Haydn: Cello Concertos / Boccherini: Cello Concerto by Haydn (composer), Boccherini (Italian composer); Jacqueline du Pré (cellist), Daniel Barenboim (pianist and conductor), Sir John Barbirolli (conductor and cellist)