The Queen of Swing: All the Hits and More 1929-1947

~ Release by Mildred Bailey (see all versions of this release, 1 available)

Tracklist

1▼CD-R
#TitleArtistRatingLength
1What Kind o’ Man Is You
recorded in:
New York, New York, United States (on 1929-10-05)
alto saxophone:
Bernard Daly (on 1929-10-05) and Charles Strickfaden (on 1929-10-05)
celesta and piano:
Hoagy Carmichael (on 1929-10-05)
clarinet and tenor saxophone:
Irving Friedman (on 1929-10-05)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1929-10-05)
double bass:
Mike Trafficante (on 1929-10-05)
drums (drum set):
George Marsh (early jazz drummer) (on 1929-10-05)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1929-10-05)
trombone:
Bill Rank (on 1929-10-05)
trumpet:
Charlie Margulis (on 1929-10-05)
violin:
Henry Whiteman (on 1929-10-05)
vocals:
Mildred Bailey (on 1929-10-05)
recording of:
What Kind O' Man Is You (on 1929-10-05)
lyricist and composer:
Hoagy Carmichael
Eddie Lang's Orchestra with Mildred Bailey3:25
2I Like to Do Things for You
recorded in:
New York, New York, United States (on 1930-05-08)
alto saxophone:
Charles Strickfaden (on 1930-05-08) and Frankie Trumbauer (on 1930-05-08)
bass saxophone:
Min Leibrook (on 1930-05-08)
clarinet and tenor saxophone:
Irving Friedman (on 1930-05-08)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1930-05-08)
drums (drum set):
George Marsh (early jazz drummer) (on 1930-05-08)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1930-05-08)
piano:
Roy Bargy (pianist) (on 1930-05-08)
tenor saxophone [c-melody]:
Frankie Trumbauer (on 1930-05-08)
trombone:
Bill Rank (on 1930-05-08)
trumpet:
Harry "Goldie" Goldfield (on 1930-05-08)
violin:
Matty Malneck (on 1930-05-08)
vocals:
Mildred Bailey (on 1930-05-08) and Smith Ballew (on 1930-05-08)
recording of:
I Like to Do Things for You (on 1930-05-08)
lyricist:
Jack Yellen
composer:
Milton Ager
Frankie Trumbauer & His Orchestra with Mildred Bailey3:26
3Travellin’ All Alone
recorded in:
Chicago, Illinois, United States (on 1931-01-12)
alto saxophone:
Eddie Pollack (on 1931-01-12)
banjo:
Wilbur Gorham (on 1931-01-12)
clarinet:
Jimmie Noone (on 1931-01-12)
drums (drum set):
Johnny Wells (on 1931-01-12)
piano:
Zinky Cohn (on 1931-01-12)
tuba:
Bill Newton (US jazz bassist and tuba player, 1920s/30s) (on 1931-01-12)
vocals:
Mildred Bailey (on 1931-01-12)
Jimmie Noone’s Apex Club Orchestra with Mildred Bailey2:51
4You Call It Madness
recorded in:
New York, New York, United States (on 1931-01-12)
alto saxophone:
Glen Gray (on 1931-01-12) and Clarence Hutchenrider (on 1931-01-12)
clarinet:
Clarence Hutchenrider (on 1931-01-12)
double bass:
Stanley Dennis (on 1931-01-12)
drums (drum set):
Tony Briglia (on 1931-01-12)
guitar:
Gene Gifford (on 1931-01-12)
piano:
Joe Hall (US jazz pianist, swing era) (on 1931-01-12)
tenor saxophone:
Pat Davis (on 1931-01-12) and Kenny Sargent (on 1931-01-12)
trombone:
Pee Wee Hunt (on 1931-01-12) and Billy Rauch (US jazz trombonist) (on 1931-01-12)
trumpet:
Bo Ashford (jazz trumpet) (on 1931-01-12), Bobby Jones (Jazz trumpeter) (on 1931-01-12) and Joe Hostetter (on 1931-09-15)
violin:
Mel Jenssen (US jazz violinist) (on 1931-01-12)
vocals:
Mildred Bailey (on 1931-09-15)
arranger:
Gene Gifford
recording of:
You Call It Madness (But I Call It Love) (on 1931-09-15)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
Glen Gray & The Casa Loma Orchestra with Mildred Bailey3:08
5When It’s Sleepy Time Down South
recorded in:
Chicago, Illinois, United States (on 1931-10-04)
vocals:
Mildred Bailey (on 1931-10-04)
orchestra:
Paul Whiteman & His Orchestra (on 1931-10-04)
recording of:
When It’s Sleepy Time Down South (on 1931-10-04)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Paul Whiteman & His Orchestra3:22
6Georgia on My Mind
recorded in:
Chicago, Illinois, United States (on 1931-10-04)
clarinet:
Ray McDermott (on 1931-11-24)
double bass:
Pierre Olker (on 1931-11-24)
guitar:
Fritz Ciccone (US jazz guitarist) (on 1931-11-24)
piano:
Roy Bargy (pianist) (on 1931-11-24)
trumpet:
Nat Natoli (on 1931-11-24)
violin:
Matt Malneck (on 1931-11-24)
vocals:
Mildred Bailey (on 1931-11-24)
recording of:
Georgia on My Mind (on 1931-11-24)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Mildred Bailey3:24
7All of Me
recorded in:
Chicago, Illinois, United States (on 1931-12-01)
vocals:
Mildred Bailey (on 1931-12-01)
orchestra:
Paul Whiteman & His Orchestra (on 1931-12-01)
recording of:
All of Me (on 1931-12-01)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Paul Whiteman & His Orchestra43:19
8I’ll Never Be the Same
recorded in:
New York, New York, United States (on 1932-08-11)
alto saxophone:
Chester Hazlett (on 1932-08-11), John "Bullet" Cordaro (on 1932-08-11) and Charles Strickfaden (on 1932-08-11)
baritone saxophone:
Charles Strickfaden (on 1932-08-11)
bass clarinet:
Chester Hazlett (on 1932-08-11)
clarinet:
John "Bullet" Cordaro (on 1932-08-11) and Fud Livingston (on 1932-08-11)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1932-08-11)
double bass:
Art Miller (on 1932-08-11)
drums (drum set):
Herb Quigley (on 1932-08-11)
guitar:
Mike Pingitore (on 1932-08-11)
piano:
Roy Bargy (pianist)
tenor saxophone:
Fud Livingston (on 1932-08-11)
trombone:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Vincent Grande (trombonist) (on 1932-08-11) and Bill Rank (on 1932-08-11)
trumpet:
Harry "Goldie" Goldfield (on 1932-08-11) and Nat Natoli (on 1932-08-11)
violin:
Kurt Dieterle (on 1932-08-11), Matty Malneck (on 1932-08-11), Mischa Russell (violinist) (on 1932-08-11) and Harry Struble (on 1932-08-11)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Red McKenzie (on 1932-08-11) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1932-08-11)
conductor:
Paul Whiteman (on 1932-08-11)
arranger:
Roy Bargy (pianist)
recording of:
I’ll Never Be the Same (on 1932-08-11)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Paul Whiteman & His Orchestra3:16
9We Just Couldn’t Say Goodbye
recorded in:
New York, New York, United States (on 1932-08-11)
alto saxophone:
Chester Hazlett (on 1932-08-11), John "Bullet" Cordaro (on 1932-08-11) and Charles Strickfaden (on 1932-08-11)
baritone saxophone:
Charles Strickfaden (on 1932-08-11)
bass clarinet:
Chester Hazlett (on 1932-08-11)
clarinet:
John "Bullet" Cordaro (on 1932-08-11) and Fud Livingston (on 1932-08-11)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1932-08-11)
double bass:
Art Miller (on 1932-08-11)
drums (drum set):
Herb Quigley (on 1932-08-11)
guitar:
Mike Pingitore (on 1932-08-11)
piano:
Roy Bargy (pianist)
tenor saxophone:
Fud Livingston (on 1932-08-11)
trombone:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Vincent Grande (trombonist) (on 1932-08-11) and Bill Rank (on 1932-08-11)
trumpet:
Harry "Goldie" Goldfield (on 1932-08-11) and Nat Natoli (on 1932-08-11)
violin:
Kurt Dieterle (on 1932-08-11), Matty Malneck (on 1932-08-11), Mischa Russell (violinist) (on 1932-08-11) and Harry Struble (on 1932-08-11)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Red McKenzie (on 1932-08-11) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1932-08-11)
conductor:
Paul Whiteman (on 1932-08-11)
arranger:
Roy Bargy (pianist)
recording of:
We Just Couldn’t Say Goodbye (on 1932-08-11)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Callicoon Music and Words & Music, Inc. (US work publisher)
Paul Whiteman & His Orchestra3:18
10Lazy Bones
alto saxophone:
Larry Binyon (on 1933-06-06)
clarinet:
Larry Binyon (on 1933-06-06) and Jimmy Dorsey (on 1933-06-06)
double bass:
Artie Bernstein (on 1933-06-06)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-06-06)
guitar:
Dick McDonough (on 1933-06-06)
piano:
Fulton McGrath (on 1933-06-06)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-06-06)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-06-06)
trumpet:
Bunny Berigan (on 1933-06-06) and Manny Klein (on 1933-06-06)
vocals:
Mildred Bailey (on 1933-06-06)
arranger:
Glenn Miller (jazz band leader)
recording of:
Lazy Bones (on 1933-06-06)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
Mildred Bailey with The Dorsey Brothers Orchestra3:05
11Shoutin’ in the Amen Corner
alto saxophone:
Larry Binyon (on 1933-09-05)
clarinet:
Larry Binyon (on 1933-09-05) and Jimmy Dorsey (on 1933-09-05)
double bass:
Artie Bernstein (on 1933-09-05)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-09-05)
guitar:
Dick McDonough (on 1933-09-05)
piano:
Fulton McGrath (on 1933-09-05)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-09-05)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-09-05)
trumpet:
Bunny Berigan (on 1933-09-05) and Manny Klein (on 1933-09-05)
vocals:
Mildred Bailey (on 1933-09-05)
arranger:
Glenn Miller (jazz band leader)
recording of:
Shoutin' in the Amen Corner (on 1933-09-05)
lyricist:
Andy Razaf
composer:
Danny Small
Mildred Bailey with The Dorsey Brothers Orchestra2:53
12Doin’ the Uptown Lowdown
alto saxophone:
Larry Binyon (on 1933-10-17)
clarinet:
Larry Binyon (on 1933-10-17) and Jimmy Dorsey (on 1933-10-17)
double bass:
Artie Bernstein (on 1933-10-17)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-10-17)
guitar:
Dick McDonough (on 1933-10-17)
piano:
Fulton McGrath (on 1933-10-17)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-10-17)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-10-17)
trumpet:
Bunny Berigan (on 1933-10-17) and Manny Klein (on 1933-10-17)
vocals:
Mildred Bailey (on 1933-10-17)
arranger:
Glenn Miller (jazz band leader)
recording of:
Doin’ the Uptown Lowdown (on 1933-10-17)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
arranger:
Randy Woltz
Mildred Bailey with The Dorsey Brothers Orchestra2:50
13Heat Wave
vocals:
Mildred Bailey (on 1933-10-28)
orchestra:
Glen Gray & The Casa Loma Orchestra (on 1933-10-28)
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”) (on 1933-10-28)
lyricist and composer:
Irving Berlin (in 1933)
Glen Gray & The Casa Loma Orchestra2:45
14Ol’ Pappy
recorded in:
New York, New York, United States (on 1934-02-02)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1934-02-02)
double bass:
Artie Bernstein (on 1934-02-02)
drums (drum set):
Gene Krupa (on 1934-02-02)
guitar:
Dick McDonough (on 1934-02-02)
piano:
Arthur Schutt (on 1934-02-02)
tenor saxophone:
Coleman Hawkins (on 1934-02-02)
trombone:
Sonny Lee (jazz trombonist) (on 1934-02-02)
trumpet:
Manny Klein (on 1934-02-02) and Charlie Margulis (on 1934-02-02)
vocals:
Mildred Bailey (on 1934-02-02)
arranger:
George Bassman and Arthur Schutt
recording of:
Ol’ Pappy (on 1934-02-02)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
Benny Goodman & His Orchestra3:12
15When Day Is Done
recorded in:
New York, New York, United States (on 1935-09-20)
double bass:
Artie Bernstein (on 1935-09-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1935-09-20)
guitar:
Dick McDonough (on 1935-09-20)
piano:
Teddy Wilson (on 1935-09-20)
tenor saxophone:
Chu Berry (on 1935-09-20)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1935-09-20)
xylophone:
Red Norvo (on 1935-09-20)
vocals:
Mildred Bailey (on 1935-09-20)
recording of:
When Day Is Done (on 1935-09-20)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Mildred Bailey & Her Swing Band3:29
16Willow Tree
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Willow Tree (on 1935-12-06)
lyricist:
Andy Razaf
composer:
Fats Waller
Mildred Bailey & Her Alley Cats3:25
17Squeeze Me
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Squeeze Me (on 1935-12-06)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Mildred Bailey & Her Alley Cats3:02
18Down‐Hearted Blues
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Down Hearted Blues (on 1935-12-06)
lyricist:
Alberta Hunter (in 1922)
composer:
Lovie Austin (in 1922)
Mildred Bailey & Her Alley Cats3:22
19A Porter’s Love Song
recorded in:
New York, New York, United States (on 1936-08-26)
alto saxophone:
Hank D'Amico (on 1936-08-26), Slats Long (on 1936-08-26) and Frank Simeone (on 1936-08-26)
clarinet:
Hank D'Amico (on 1936-08-26) and Slats Long (on 1936-08-26)
double bass:
Pete Peterson (jazz bassist) (on 1936-08-26)
drums (drum set):
Maurice Purtill (on 1936-08-26)
guitar:
Dave Barbour (on 1936-08-26)
piano:
Joe Liss (on 1936-08-26)
tenor saxophone:
Herbie Haymer (on 1936-08-26)
trombone:
Al Mastren (on 1936-08-26) and Leo Moran (on 1936-08-26)
trumpet:
Bill Hyland (on 1936-08-26), Eddie Meyers (on 1936-08-26) and Stew Pletcher (on 1936-08-26)
xylophone:
Red Norvo (on 1936-08-26)
vocals:
Mildred Bailey (on 1936-08-26)
arranger:
Eddie Sauter
recording of:
A Porter's Love Song to a Chambermaid (on 1936-08-26)
lyricist:
Andy Razaf
composer:
James P. Johnson
Red Norvo & His Orchestra3:15
20It Can Happen to You
recorded in:
New York, New York, United States (on 1936-10-19)
alto saxophone:
Hank D'Amico (on 1936-10-19), Slats Long (on 1936-10-19) and Frank Simeone (on 1936-10-19)
clarinet:
Hank D'Amico (on 1936-10-19) and Slats Long (on 1936-10-19)
double bass:
Pete Peterson (jazz bassist) (on 1936-10-19)
drums (drum set):
Maurice Purtill (on 1936-10-19)
guitar:
Dave Barbour (on 1936-10-19)
piano:
Joe Liss (on 1936-10-19)
tenor saxophone:
Herbie Haymer (on 1936-10-19)
trombone:
Al Mastren (on 1936-10-19) and Leo Moran (on 1936-10-19)
trumpet:
Bill Hyland (on 1936-10-19), Eddie Meyers (on 1936-10-19) and Stew Pletcher (on 1936-10-19)
xylophone:
Red Norvo (on 1936-10-19)
vocals:
Mildred Bailey (on 1936-10-19)
arranger:
Eddie Sauter
Red Norvo & His Orchestra3:10
21For Sentimental Reasons
recorded in:
New York, New York, United States (on 1936-11-09)
clarinet:
Artie Shaw (on 1936-11-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1936-11-09)
drums (drum set):
Cozy Cole (on 1936-11-09)
guitar:
Dave Barbour (on 1936-11-09)
piano:
Teddy Wilson (on 1936-11-09)
tenor saxophone:
Francis Love (on 1936-11-09)
trumpet:
Ziggy Elman (on 1936-11-09)
vocals:
Mildred Bailey (on 1936-11-09)
arranger:
Eddie Sauter
recording of:
For Sentimental Reasons (on 1936-11-09)
lyricist:
Edward Heyman and Al Sherman (Tin Pan Alley songwriter)
composer:
Abner Silver
publisher:
Chappell & Co., Inc. (USA)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mildred Bailey & Her Orchestra3:10
22More Than You Know
recorded in:
New York, New York, United States (on 1936-11-09)
clarinet:
Artie Shaw (on 1936-11-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1936-11-09)
drums (drum set):
Cozy Cole (on 1936-11-09)
guitar:
Dave Barbour (on 1936-11-09)
piano:
Teddy Wilson (on 1936-11-09)
tenor saxophone:
Francis Love (on 1936-11-09)
trumpet:
Ziggy Elman (on 1936-11-09)
vocals:
Mildred Bailey (on 1936-11-09)
arranger:
Eddie Sauter
recording of:
More Than You Know (on 1936-11-09)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Mildred Bailey & Her Orchestra3:16
23I’ve Got My Love to Keep Me Warm
recorded in:
Chicago, Illinois, United States (on 1937-01-08)
alto saxophone:
Frank Simeone (on 1937-01-08)
clarinet:
Hank D'Amico (on 1937-01-08)
double bass:
Pete Peterson (jazz bassist) (on 1937-01-08)
drums (drum set):
Maurice Purtill (on 1937-01-08)
guitar:
Dave Barbour (on 1937-01-08)
piano:
Joe Liss (on 1937-01-08)
tenor saxophone:
Herbie Haymer (on 1937-01-08)
trombone:
Al Mastren (on 1937-01-08)
trumpet:
Bill Hyland (on 1937-01-08), Louis Mucci (trumpetist) (on 1937-01-08) and Stew Pletcher (on 1937-01-08)
xylophone:
Red Norvo (on 1937-01-08)
vocals:
Mildred Bailey (on 1937-01-08)
arranger:
Eddie Sauter
recording of:
I’ve Got My Love to Keep Me Warm (on 1937-01-08)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Red Norvo & His Orchestra2:55
2▶CD-R
3▶CD-R