The Queen of Swing: All the Hits and More 1929-1947

~ Release by Mildred Bailey (see all versions of this release, 1 available)

Tracklist

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1▼CD-R
#TitleArtistRatingLength
1What Kind o’ Man Is You
recorded in:
New York, New York, United States (on 1929-10-05)
alto saxophone:
Bernard Daly (on 1929-10-05) and Charles Strickfaden (on 1929-10-05)
celesta and piano:
Hoagy Carmichael (on 1929-10-05)
clarinet and tenor saxophone:
Irving Friedman (on 1929-10-05)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1929-10-05)
double bass:
Mike Trafficante (on 1929-10-05)
drums (drum set):
George Marsh (early jazz drummer) (on 1929-10-05)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1929-10-05)
trombone:
Bill Rank (on 1929-10-05)
trumpet:
Charlie Margulis (on 1929-10-05)
violin:
Henry Whiteman (on 1929-10-05)
vocals:
Mildred Bailey (on 1929-10-05)
recording of:
What Kind O' Man Is You (on 1929-10-05)
lyricist and composer:
Hoagy Carmichael
Eddie Lang's Orchestra with Mildred Bailey3:25
2I Like to Do Things for You
recorded in:
New York, New York, United States (on 1930-05-08)
alto saxophone:
Charles Strickfaden (on 1930-05-08) and Frankie Trumbauer (on 1930-05-08)
bass saxophone:
Min Leibrook (on 1930-05-08)
clarinet and tenor saxophone:
Irving Friedman (on 1930-05-08)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1930-05-08)
drums (drum set):
George Marsh (early jazz drummer) (on 1930-05-08)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1930-05-08)
piano:
Roy Bargy (pianist) (on 1930-05-08)
tenor saxophone [c-melody]:
Frankie Trumbauer (on 1930-05-08)
trombone:
Bill Rank (on 1930-05-08)
trumpet:
Harry "Goldie" Goldfield (on 1930-05-08)
violin:
Matty Malneck (on 1930-05-08)
vocals:
Mildred Bailey (on 1930-05-08) and Smith Ballew (on 1930-05-08)
recording of:
I Like to Do Things for You (on 1930-05-08)
lyricist:
Jack Yellen
composer:
Milton Ager
Frankie Trumbauer & His Orchestra with Mildred Bailey3:26
3Travellin’ All Alone
recorded in:
Chicago, Illinois, United States (on 1931-01-12)
alto saxophone:
Eddie Pollack (on 1931-01-12)
banjo:
Wilbur Gorham (on 1931-01-12)
clarinet:
Jimmie Noone (on 1931-01-12)
drums (drum set):
Johnny Wells (on 1931-01-12)
piano:
Zinky Cohn (on 1931-01-12)
tuba:
Bill Newton (US jazz bassist and tuba player, 1920s/30s) (on 1931-01-12)
vocals:
Mildred Bailey (on 1931-01-12)
Jimmie Noone’s Apex Club Orchestra with Mildred Bailey2:51
4You Call It Madness
recorded in:
New York, New York, United States (on 1931-01-12)
alto saxophone:
Glen Gray (on 1931-01-12) and Clarence Hutchenrider (on 1931-01-12)
clarinet:
Clarence Hutchenrider (on 1931-01-12)
double bass:
Stanley Dennis (on 1931-01-12)
drums (drum set):
Tony Briglia (on 1931-01-12)
guitar:
Gene Gifford (on 1931-01-12)
piano:
Joe Hall (US jazz pianist, swing era) (on 1931-01-12)
tenor saxophone:
Pat Davis (on 1931-01-12) and Kenny Sargent (on 1931-01-12)
trombone:
Pee Wee Hunt (on 1931-01-12) and Billy Rauch (US jazz trombonist) (on 1931-01-12)
trumpet:
Bo Ashford (jazz trumpet) (on 1931-01-12), Bobby Jones (Jazz trumpeter) (on 1931-01-12) and Joe Hostetter (on 1931-09-15)
violin:
Mel Jenssen (US jazz violinist) (on 1931-01-12)
vocals:
Mildred Bailey (on 1931-09-15)
arranger:
Gene Gifford
recording of:
You Call It Madness (But I Call It Love) (on 1931-09-15)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
Glen Gray & The Casa Loma Orchestra with Mildred Bailey3:08
5When It’s Sleepy Time Down South
recorded in:
Chicago, Illinois, United States (on 1931-10-04)
vocals:
Mildred Bailey (on 1931-10-04)
orchestra:
Paul Whiteman & His Orchestra (on 1931-10-04)
recording of:
When It’s Sleepy Time Down South (on 1931-10-04)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Paul Whiteman & His Orchestra3:22
6Georgia on My Mind
recorded in:
Chicago, Illinois, United States (on 1931-10-04)
clarinet:
Ray McDermott (on 1931-11-24)
double bass:
Pierre Olker (on 1931-11-24)
guitar:
Fritz Ciccone (US jazz guitarist) (on 1931-11-24)
piano:
Roy Bargy (pianist) (on 1931-11-24)
trumpet:
Nat Natoli (on 1931-11-24)
violin:
Matt Malneck (on 1931-11-24)
vocals:
Mildred Bailey (on 1931-11-24)
recording of:
Georgia on My Mind (on 1931-11-24)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Mildred Bailey3:24
7All of Me
recorded in:
Chicago, Illinois, United States (on 1931-12-01)
vocals:
Mildred Bailey (on 1931-12-01)
orchestra:
Paul Whiteman & His Orchestra (on 1931-12-01)
recording of:
All of Me (on 1931-12-01)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Paul Whiteman & His Orchestra43:19
8I’ll Never Be the Same
recorded in:
New York, New York, United States (on 1932-08-11)
alto saxophone:
Chester Hazlett (on 1932-08-11), John "Bullet" Cordaro (on 1932-08-11) and Charles Strickfaden (on 1932-08-11)
baritone saxophone:
Charles Strickfaden (on 1932-08-11)
bass clarinet:
Chester Hazlett (on 1932-08-11)
clarinet:
John "Bullet" Cordaro (on 1932-08-11) and Fud Livingston (on 1932-08-11)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1932-08-11)
double bass:
Art Miller (on 1932-08-11)
drums (drum set):
Herb Quigley (on 1932-08-11)
guitar:
Mike Pingitore (on 1932-08-11)
piano:
Roy Bargy (pianist)
tenor saxophone:
Fud Livingston (on 1932-08-11)
trombone:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Vincent Grande (trombonist) (on 1932-08-11) and Bill Rank (on 1932-08-11)
trumpet:
Harry "Goldie" Goldfield (on 1932-08-11) and Nat Natoli (on 1932-08-11)
violin:
Kurt Dieterle (on 1932-08-11), Matty Malneck (on 1932-08-11), Mischa Russell (violinist) (on 1932-08-11) and Harry Struble (on 1932-08-11)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Red McKenzie (on 1932-08-11) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1932-08-11)
conductor:
Paul Whiteman (on 1932-08-11)
arranger:
Roy Bargy (pianist)
recording of:
I’ll Never Be the Same (on 1932-08-11)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Paul Whiteman & His Orchestra3:16
9We Just Couldn’t Say Goodbye
recorded in:
New York, New York, United States (on 1932-08-11)
alto saxophone:
Chester Hazlett (on 1932-08-11), John "Bullet" Cordaro (on 1932-08-11) and Charles Strickfaden (on 1932-08-11)
baritone saxophone:
Charles Strickfaden (on 1932-08-11)
bass clarinet:
Chester Hazlett (on 1932-08-11)
clarinet:
John "Bullet" Cordaro (on 1932-08-11) and Fud Livingston (on 1932-08-11)
cornet:
Andy Secrest (American jazz trumpeter/cornetist) (on 1932-08-11)
double bass:
Art Miller (on 1932-08-11)
drums (drum set):
Herb Quigley (on 1932-08-11)
guitar:
Mike Pingitore (on 1932-08-11)
piano:
Roy Bargy (pianist)
tenor saxophone:
Fud Livingston (on 1932-08-11)
trombone:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Vincent Grande (trombonist) (on 1932-08-11) and Bill Rank (on 1932-08-11)
trumpet:
Harry "Goldie" Goldfield (on 1932-08-11) and Nat Natoli (on 1932-08-11)
violin:
Kurt Dieterle (on 1932-08-11), Matty Malneck (on 1932-08-11), Mischa Russell (violinist) (on 1932-08-11) and Harry Struble (on 1932-08-11)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1932-08-11), Red McKenzie (on 1932-08-11) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1932-08-11)
conductor:
Paul Whiteman (on 1932-08-11)
arranger:
Roy Bargy (pianist)
recording of:
We Just Couldn’t Say Goodbye (on 1932-08-11)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Callicoon Music and Words & Music, Inc. (US work publisher)
Paul Whiteman & His Orchestra3:18
10Lazy Bones
alto saxophone:
Larry Binyon (on 1933-06-06)
clarinet:
Larry Binyon (on 1933-06-06) and Jimmy Dorsey (on 1933-06-06)
double bass:
Artie Bernstein (on 1933-06-06)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-06-06)
guitar:
Dick McDonough (on 1933-06-06)
piano:
Fulton McGrath (on 1933-06-06)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-06-06)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-06-06)
trumpet:
Bunny Berigan (on 1933-06-06) and Manny Klein (on 1933-06-06)
vocals:
Mildred Bailey (on 1933-06-06)
arranger:
Glenn Miller (jazz band leader)
recording of:
Lazy Bones (on 1933-06-06)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
Mildred Bailey with The Dorsey Brothers Orchestra3:05
11Shoutin’ in the Amen Corner
alto saxophone:
Larry Binyon (on 1933-09-05)
clarinet:
Larry Binyon (on 1933-09-05) and Jimmy Dorsey (on 1933-09-05)
double bass:
Artie Bernstein (on 1933-09-05)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-09-05)
guitar:
Dick McDonough (on 1933-09-05)
piano:
Fulton McGrath (on 1933-09-05)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-09-05)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-09-05)
trumpet:
Bunny Berigan (on 1933-09-05) and Manny Klein (on 1933-09-05)
vocals:
Mildred Bailey (on 1933-09-05)
arranger:
Glenn Miller (jazz band leader)
recording of:
Shoutin' in the Amen Corner (on 1933-09-05)
lyricist:
Andy Razaf
composer:
Danny Small
Mildred Bailey with The Dorsey Brothers Orchestra2:53
12Doin’ the Uptown Lowdown
alto saxophone:
Larry Binyon (on 1933-10-17)
clarinet:
Larry Binyon (on 1933-10-17) and Jimmy Dorsey (on 1933-10-17)
double bass:
Artie Bernstein (on 1933-10-17)
drums (drum set):
Stan King (Big band-era drummer) (on 1933-10-17)
guitar:
Dick McDonough (on 1933-10-17)
piano:
Fulton McGrath (on 1933-10-17)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1933-10-17)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1933-10-17)
trumpet:
Bunny Berigan (on 1933-10-17) and Manny Klein (on 1933-10-17)
vocals:
Mildred Bailey (on 1933-10-17)
arranger:
Glenn Miller (jazz band leader)
recording of:
Doin’ the Uptown Lowdown (on 1933-10-17)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
arranger:
Randy Woltz
Mildred Bailey with The Dorsey Brothers Orchestra2:50
13Heat Wave
vocals:
Mildred Bailey (on 1933-10-28)
orchestra:
Glen Gray & The Casa Loma Orchestra (on 1933-10-28)
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”) (on 1933-10-28)
lyricist and composer:
Irving Berlin (in 1933)
Glen Gray & The Casa Loma Orchestra2:45
14Ol’ Pappy
recorded in:
New York, New York, United States (on 1934-02-02)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1934-02-02)
double bass:
Artie Bernstein (on 1934-02-02)
drums (drum set):
Gene Krupa (on 1934-02-02)
guitar:
Dick McDonough (on 1934-02-02)
piano:
Arthur Schutt (on 1934-02-02)
tenor saxophone:
Coleman Hawkins (on 1934-02-02)
trombone:
Sonny Lee (jazz trombonist) (on 1934-02-02)
trumpet:
Manny Klein (on 1934-02-02) and Charlie Margulis (on 1934-02-02)
vocals:
Mildred Bailey (on 1934-02-02)
arranger:
George Bassman and Arthur Schutt
recording of:
Ol’ Pappy (on 1934-02-02)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
Benny Goodman & His Orchestra3:12
15When Day Is Done
recorded in:
New York, New York, United States (on 1935-09-20)
double bass:
Artie Bernstein (on 1935-09-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1935-09-20)
guitar:
Dick McDonough (on 1935-09-20)
piano:
Teddy Wilson (on 1935-09-20)
tenor saxophone:
Chu Berry (on 1935-09-20)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1935-09-20)
xylophone:
Red Norvo (on 1935-09-20)
vocals:
Mildred Bailey (on 1935-09-20)
recording of:
When Day Is Done (on 1935-09-20)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Mildred Bailey & Her Swing Band3:29
16Willow Tree
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Willow Tree (on 1935-12-06)
lyricist:
Andy Razaf
composer:
Fats Waller
Mildred Bailey & Her Alley Cats3:25
17Squeeze Me
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Squeeze Me (on 1935-12-06)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Mildred Bailey & Her Alley Cats3:02
18Down‐Hearted Blues
recorded in:
New York, New York, United States (on 1935-12-06)
alto saxophone:
Johnny Hodges (on 1935-12-06)
double bass:
Grachan Moncur (bassist) (on 1935-12-06)
piano:
Teddy Wilson (on 1935-12-06)
trumpet:
Bunny Berigan (on 1935-12-06)
vocals:
Mildred Bailey (on 1935-12-06)
recording of:
Down Hearted Blues (on 1935-12-06)
lyricist:
Alberta Hunter (in 1922)
composer:
Lovie Austin (in 1922)
Mildred Bailey & Her Alley Cats3:22
19A Porter’s Love Song
recorded in:
New York, New York, United States (on 1936-08-26)
alto saxophone:
Hank D'Amico (on 1936-08-26), Slats Long (on 1936-08-26) and Frank Simeone (on 1936-08-26)
clarinet:
Hank D'Amico (on 1936-08-26) and Slats Long (on 1936-08-26)
double bass:
Pete Peterson (jazz bassist) (on 1936-08-26)
drums (drum set):
Maurice Purtill (on 1936-08-26)
guitar:
Dave Barbour (on 1936-08-26)
piano:
Joe Liss (on 1936-08-26)
tenor saxophone:
Herbie Haymer (on 1936-08-26)
trombone:
Al Mastren (on 1936-08-26) and Leo Moran (on 1936-08-26)
trumpet:
Bill Hyland (on 1936-08-26), Eddie Meyers (on 1936-08-26) and Stew Pletcher (on 1936-08-26)
xylophone:
Red Norvo (on 1936-08-26)
vocals:
Mildred Bailey (on 1936-08-26)
arranger:
Eddie Sauter
recording of:
A Porter's Love Song to a Chambermaid (on 1936-08-26)
lyricist:
Andy Razaf
composer:
James P. Johnson
Red Norvo & His Orchestra3:15
20It Can Happen to You
recorded in:
New York, New York, United States (on 1936-10-19)
alto saxophone:
Hank D'Amico (on 1936-10-19), Slats Long (on 1936-10-19) and Frank Simeone (on 1936-10-19)
clarinet:
Hank D'Amico (on 1936-10-19) and Slats Long (on 1936-10-19)
double bass:
Pete Peterson (jazz bassist) (on 1936-10-19)
drums (drum set):
Maurice Purtill (on 1936-10-19)
guitar:
Dave Barbour (on 1936-10-19)
piano:
Joe Liss (on 1936-10-19)
tenor saxophone:
Herbie Haymer (on 1936-10-19)
trombone:
Al Mastren (on 1936-10-19) and Leo Moran (on 1936-10-19)
trumpet:
Bill Hyland (on 1936-10-19), Eddie Meyers (on 1936-10-19) and Stew Pletcher (on 1936-10-19)
xylophone:
Red Norvo (on 1936-10-19)
vocals:
Mildred Bailey (on 1936-10-19)
arranger:
Eddie Sauter
Red Norvo & His Orchestra3:10
21For Sentimental Reasons
recorded in:
New York, New York, United States (on 1936-11-09)
clarinet:
Artie Shaw (on 1936-11-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1936-11-09)
drums (drum set):
Cozy Cole (on 1936-11-09)
guitar:
Dave Barbour (on 1936-11-09)
piano:
Teddy Wilson (on 1936-11-09)
tenor saxophone:
Francis Love (on 1936-11-09)
trumpet:
Ziggy Elman (on 1936-11-09)
vocals:
Mildred Bailey (on 1936-11-09)
arranger:
Eddie Sauter
recording of:
For Sentimental Reasons (on 1936-11-09)
lyricist:
Edward Heyman and Al Sherman (Tin Pan Alley songwriter)
composer:
Abner Silver
publisher:
Chappell & Co., Inc. (USA)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mildred Bailey & Her Orchestra3:10
22More Than You Know
recorded in:
New York, New York, United States (on 1936-11-09)
clarinet:
Artie Shaw (on 1936-11-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1936-11-09)
drums (drum set):
Cozy Cole (on 1936-11-09)
guitar:
Dave Barbour (on 1936-11-09)
piano:
Teddy Wilson (on 1936-11-09)
tenor saxophone:
Francis Love (on 1936-11-09)
trumpet:
Ziggy Elman (on 1936-11-09)
vocals:
Mildred Bailey (on 1936-11-09)
arranger:
Eddie Sauter
recording of:
More Than You Know (on 1936-11-09)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Mildred Bailey & Her Orchestra3:16
23I’ve Got My Love to Keep Me Warm
recorded in:
Chicago, Illinois, United States (on 1937-01-08)
alto saxophone:
Frank Simeone (on 1937-01-08)
clarinet:
Hank D'Amico (on 1937-01-08)
double bass:
Pete Peterson (jazz bassist) (on 1937-01-08)
drums (drum set):
Maurice Purtill (on 1937-01-08)
guitar:
Dave Barbour (on 1937-01-08)
piano:
Joe Liss (on 1937-01-08)
tenor saxophone:
Herbie Haymer (on 1937-01-08)
trombone:
Al Mastren (on 1937-01-08)
trumpet:
Bill Hyland (on 1937-01-08), Louis Mucci (trumpetist) (on 1937-01-08) and Stew Pletcher (on 1937-01-08)
xylophone:
Red Norvo (on 1937-01-08)
vocals:
Mildred Bailey (on 1937-01-08)
arranger:
Eddie Sauter
recording of:
I’ve Got My Love to Keep Me Warm (on 1937-01-08)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Red Norvo & His Orchestra2:55
2▼CD-R
#TitleArtistRatingLength
1Slumming on Park Avenue
recorded in:
Chicago, Illinois, United States (on 1937-01-08)
alto saxophone:
Frank Simeone (on 1937-01-08)
clarinet:
Hank D'Amico (on 1937-01-08)
double bass:
Pete Peterson (jazz bassist) (on 1937-01-08)
drums (drum set):
Maurice Purtill (on 1937-01-08)
guitar:
Dave Barbour (on 1937-01-08)
piano:
Joe Liss (on 1937-01-08)
tenor saxophone:
Herbie Haymer (on 1937-01-08)
trombone:
Al Mastren (on 1937-01-08)
trumpet:
Bill Hyland (on 1937-01-08), Louis Mucci (trumpetist) (on 1937-01-08) and Stew Pletcher (on 1937-01-08)
xylophone:
Red Norvo (on 1937-01-08)
vocals:
Mildred Bailey (on 1937-01-08)
arranger:
Eddie Sauter
recording of:
Slumming on Park Avenue (on 1937-01-08)
lyricist and composer:
Irving Berlin (in 1937)
Red Norvo & His Orchestra2:42
2Smoke Dreams
recorded in:
Chicago, Illinois, United States (on 1937-01-08)
alto saxophone:
Frank Simeone (on 1937-01-08)
clarinet:
Hank D'Amico (on 1937-01-08)
double bass:
Pete Peterson (jazz bassist) (on 1937-01-08)
drums (drum set):
Maurice Purtill (on 1937-01-08)
guitar:
Dave Barbour (on 1937-01-08)
piano:
Joe Liss (on 1937-01-08)
tenor saxophone:
Herbie Haymer (on 1937-01-08)
trombone:
Al Mastren (on 1937-01-08)
trumpet:
Bill Hyland (on 1937-01-08), Louis Mucci (trumpetist) (on 1937-01-08) and Stew Pletcher (on 1937-01-08)
xylophone:
Red Norvo (on 1937-01-08)
vocals:
Mildred Bailey (on 1937-01-08)
arranger:
Eddie Sauter
recording of:
Smoke Dreams (on 1937-01-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
Red Norvo & His Orchestra3:05
3My Last Affair
recorded in:
Chicago, Illinois, United States (on 1937-01-19)
alto saxophone:
Scoops Carry (on 1937-01-19)
double bass:
Truck Parham (on 1937-01-19)
drums (drum set):
Zutty Singleton (on 1937-01-19)
guitar:
John Collins (US jazz guitarist) (on 1937-01-19)
piano:
Teddy Cole (jazz pianist) (on 1937-01-19)
tenor saxophone:
Herbie Haymer (on 1937-01-19)
trumpet:
Roy Eldridge (on 1937-01-19)
vocals:
Mildred Bailey (on 1937-01-19)
recording of:
My Last Affair (on 1937-01-19)
lyricist and composer:
Haven A. Johnson
Mildred Bailey & Her Orchestra3:04
4Trust in Me
recorded in:
Chicago, Illinois, United States (on 1937-01-19)
alto saxophone:
Scoops Carry (on 1937-01-19)
double bass:
Truck Parham (on 1937-01-19)
drums (drum set):
Zutty Singleton (on 1937-01-19)
guitar:
John Collins (US jazz guitarist) (on 1937-01-19)
piano:
Teddy Cole (jazz pianist) (on 1937-01-19)
tenor saxophone:
Herbie Haymer (on 1937-01-19)
trumpet:
Roy Eldridge (on 1937-01-19)
vocals:
Mildred Bailey (on 1937-01-19)
recording of:
Trust in Me (on 1937-01-19)
lyricist:
Ned Wever
composer:
Milton Ager and Jean Schwartz
Mildred Bailey & Her Orchestra3:04
5Where Are You?
recorded in:
Chicago, Illinois, United States (on 1937-01-19)
alto saxophone:
Scoops Carry (on 1937-01-19)
double bass:
Truck Parham (on 1937-01-19)
drums (drum set):
Zutty Singleton (on 1937-01-19)
guitar:
John Collins (US jazz guitarist) (on 1937-01-19)
piano:
Teddy Cole (jazz pianist) (on 1937-01-19)
tenor saxophone:
Herbie Haymer (on 1937-01-19)
trumpet:
Roy Eldridge (on 1937-01-19)
vocals:
Mildred Bailey (on 1937-01-19)
recording of:
Where Are You? (on 1937-01-19)
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Mildred Bailey & Her Orchestra3:16
6Never in a Million Years
recorded in:
Chicago, Illinois, United States (on 1937-03-23)
alto saxophone and clarinet:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-03-23), Hank D'Amico (on 1937-03-23) and Frank Simeone (on 1937-03-23)
double bass:
Pete Peterson (jazz bassist) (on 1937-03-23)
drums (drum set):
Maurice Purtill (on 1937-03-23)
guitar:
Dave Barbour (on 1937-03-23)
instruments:
Louis Mucci (trumpetist) (on 1937-03-23)
piano:
Bill Miller (pianist) (on 1937-03-23)
tenor saxophone:
Herbie Haymer (on 1937-03-23)
trombone:
Al Mastren (on 1937-03-23)
trumpet:
Bill Hyland (on 1937-03-23) and Stew Pletcher (on 1937-03-23)
xylophone:
Red Norvo (on 1937-03-23)
vocals:
Mildred Bailey (on 1937-03-23)
arranger:
Eddie Sauter
recording of:
Never in a Million Years (on 1937-03-23)
lyricist:
Mack Gordon
writer:
Mack Gordon and Harry Revel (British-born American composer)
composer:
Harry Revel (British-born American composer)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Red Cape Songs
Mildred Bailey & Her Orchestra2:53
7Rockin’ Chair
recorded in:
Chicago, Illinois, United States (on 1937-03-23)
alto saxophone and clarinet:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-03-23), Hank D'Amico (on 1937-03-23) and Frank Simeone (on 1937-03-23)
double bass:
Pete Peterson (jazz bassist) (on 1937-03-23)
drums (drum set):
Maurice Purtill (on 1937-03-23)
guitar:
Dave Barbour (on 1937-03-23)
instruments:
Louis Mucci (trumpetist) (on 1937-03-23)
piano:
Bill Miller (pianist) (on 1937-03-23)
tenor saxophone:
Herbie Haymer (on 1937-03-23)
trombone:
Al Mastren (on 1937-03-23)
trumpet:
Bill Hyland (on 1937-03-23) and Stew Pletcher (on 1937-03-23)
xylophone:
Red Norvo (on 1937-03-23)
vocals:
Mildred Bailey (on 1937-03-23)
arranger:
Eddie Sauter
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1937-03-23)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Mildred Bailey & Her Orchestra3:14
8The Moon Got in My Eyes
recorded in:
New York, New York, United States (on 1937-06-29)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-06-29)
double bass:
Walter Page (on 1937-06-29)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-06-29)
guitar:
Freddie Green (on 1937-06-29)
piano:
James Sherman (pianist, arranger and songwriter) (on 1937-06-29)
tenor saxophone:
Herschel Evans (on 1937-06-29)
trumpet:
Buck Clayton (on 1937-06-29)
vocals:
Mildred Bailey (on 1937-06-29)
recording of:
The Moon Got in My Eyes (on 1937-06-29)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Chappell & Co., Inc. (USA)
Mildred Bailey & Her Orchestra2:37
9It’s the Natural Thing to Do
recorded in:
New York, New York, United States (on 1937-06-29)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-06-29)
double bass:
Walter Page (on 1937-06-29)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-06-29)
guitar:
Freddie Green (on 1937-06-29)
piano:
James Sherman (pianist, arranger and songwriter) (on 1937-06-29)
tenor saxophone:
Herschel Evans (on 1937-06-29)
trumpet:
Buck Clayton (on 1937-06-29)
vocals:
Mildred Bailey (on 1937-06-29)
recording of:
It's the Natural Thing to Do (on 1937-06-29)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Arthur Johnston (American composer and songwriter)
Mildred Bailey & Her Orchestra3:02
10Worried Over You
recorded in:
Los Angeles, California, United States (on 1937-09-22)
alto saxophone:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-09-22) and Len Goldstein (1930s US jazz musician) (on 1937-09-22)
clarinet:
Hank D'Amico (on 1937-09-22)
double bass:
Pete Peterson (jazz bassist) (on 1937-09-22)
drums (drum set):
George Wettling (on 1937-09-22)
guitar:
Allen Hanlon (jazz guitarist) (on 1937-09-22)
piano:
Bill Miller (pianist) (on 1937-09-22)
tenor saxophone:
Herschel Evans (on 1937-09-22)
trombone:
Al Mastren (on 1937-09-22)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1937-09-22), Zeke Zarchy (on 1937-09-22) and Barney Zudecoff (on 1937-09-22)
xylophone:
Red Norvo (on 1937-09-22)
vocals:
Mildred Bailey (on 1937-09-22)
arranger:
Eddie Sauter
recording of:
Worried Over You (on 1937-09-22)
writer:
Ed G. Nelson (Popular music songwriter and bandleader), Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”) and Fred Rose (songwriter)
Red Norvo & His Orchestra3:02
11Bob White (Watcha Gonna Swing Tonight?)
alto saxophone:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-09-27), Hank D'Amico (on 1937-09-27) and Len Goldstein (1930s US jazz musician) (on 1937-09-27)
baritone saxophone and bass clarinet:
Len Goldstein (1930s US jazz musician) (on 1937-09-27)
clarinet:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-09-27), Hank D'Amico (on 1937-09-27), Len Goldstein (1930s US jazz musician) (on 1937-09-27) and Herbie Haymer (on 1937-09-27)
double bass:
Pete Peterson (jazz bassist) (on 1937-09-27)
drums (drum set):
Maurice Purtill (on 1937-09-27)
guitar:
Red McGarvie (on 1937-09-27)
piano:
Bill Miller (pianist) (on 1937-09-27)
tenor saxophone:
Herbie Haymer (on 1937-09-27)
trombone:
Al Mastren (on 1937-09-27)
trumpet:
Louis Mucci (trumpetist) (on 1937-09-27), Stew Pletcher (on 1937-09-27) and George Wendt (Swing trumpeter) (on 1937-09-27)
xylophone:
Red Norvo (on 1937-09-27)
vocals:
Mildred Bailey (on 1937-09-27)
whistling:
Johnny Mercer (on 1937-09-27)
arranger:
Bill Miller (pianist) and Eddie Sauter
recording of:
Bob White Whatcha Gonna Swing To‐night (on 1937-09-27)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
publisher:
Remick Music Corp. (on 1937-09-21)
Mildred Bailey & Her Orchestra3:00
12Right or Wrong
alto saxophone:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-09-27), Hank D'Amico (on 1937-09-27) and Len Goldstein (1930s US jazz musician) (on 1937-09-27)
baritone saxophone and bass clarinet:
Len Goldstein (1930s US jazz musician) (on 1937-09-27)
clarinet:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1937-09-27), Hank D'Amico (on 1937-09-27), Len Goldstein (1930s US jazz musician) (on 1937-09-27) and Herbie Haymer (on 1937-09-27)
double bass:
Pete Peterson (jazz bassist) (on 1937-09-27)
drums (drum set):
Maurice Purtill (on 1937-09-27)
guitar:
Red McGarvie (on 1937-09-27)
piano:
Bill Miller (pianist) (on 1937-09-27)
tenor saxophone:
Herbie Haymer (on 1937-09-27)
trombone:
Al Mastren (on 1937-09-27)
trumpet:
Louis Mucci (trumpetist) (on 1937-09-27), Stew Pletcher (on 1937-09-27) and George Wendt (Swing trumpeter) (on 1937-09-27)
xylophone:
Red Norvo (on 1937-09-27)
vocals:
Mildred Bailey (on 1937-09-27)
whistling:
Johnny Mercer (on 1937-09-27)
arranger:
Bill Miller (pianist) and Eddie Sauter
recording of:
Right or Wrong (from Something to Sing About) (on 1937-09-27)
lyricist and composer:
Victor Schertzinger
Mildred Bailey & Her Orchestra3:03
13I See Your Face Before Me
recorded in:
New York, New York, United States (on 1938-01-10)
clarinet:
Hank D'Amico (on 1938-01-10)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-10)
drums (drum set):
Dave Tough (jazz drummer) (on 1938-01-10)
guitar:
Allan Reuss (on 1938-01-10)
piano:
Teddy Wilson (on 1938-01-10)
tenor saxophone:
Chu Berry (on 1938-01-10)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-10)
vocals:
Mildred Bailey (on 1938-01-10)
arranger:
Eddie Sauter
recording of:
I See Your Face Before Me (on 1938-01-10)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
Mildred Bailey & Her Orchestra2:58
14Thanks for the Memory
recorded in:
New York, New York, United States (on 1938-01-10)
clarinet:
Hank D'Amico (on 1938-01-10)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-10)
drums (drum set):
Dave Tough (jazz drummer) (on 1938-01-10)
guitar:
Allan Reuss (on 1938-01-10)
piano:
Teddy Wilson (on 1938-01-10)
tenor saxophone:
Chu Berry (on 1938-01-10)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-10)
vocals:
Mildred Bailey (on 1938-01-10)
arranger:
Eddie Sauter
recording of:
Thanks for the Memory (on 1938-01-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
Mildred Bailey & Her Orchestra2:35
15Lover Come Back to Me
recorded in:
New York, New York, United States (on 1938-01-10)
clarinet:
Hank D'Amico (on 1938-01-10)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-10)
drums (drum set):
Dave Tough (jazz drummer) (on 1938-01-10)
guitar:
Allan Reuss (on 1938-01-10)
piano:
Teddy Wilson (on 1938-01-10)
tenor saxophone:
Chu Berry (on 1938-01-10)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-10)
vocals:
Mildred Bailey (on 1938-01-10)
arranger:
Eddie Sauter
recording of:
Lover, Come Back to Me (from "The New Moon") (on 1938-01-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Mildred Bailey & Her Orchestra3:09
16Love Is Here to Stay
recording of:
Love Is Here to Stay (on 1938-01-21)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Red Norvo & His Orchestra2:48
17The Week‐End of a Private Secretary
recording of:
The Weekend of a Private Secretary (on 1938-02-10)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
Red Norvo & His Orchestra2:49
18Please Be Kind
recording of:
Please Be Kind (on 1938-02-10)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
Red Norvo & His Orchestra with Mildred Bailey2:34
19Don’t Be That Way
recording of:
Don’t Be That Way (on 1938-03-14)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
Mildred Bailey & Her Orchestra3:01
20Says My Heart
recording of:
Says My Heart (in 1938)
lyricist:
Frank Loesser (in 1938)
composer:
Burton Lane (in 1938)
Red Norvo & His Orchestra2:55
21I Let a Song Go Out of My Heart
recording of:
I Let a Song Go Out of My Heart (in 1938)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
Mildred Bailey & Her Orchestra2:55
22My Melancholy Baby
recorded in:
New York, New York, United States (on 1938-05-09)
alto saxophone:
Joe Allard (1930s US jazz musician) (on 1938-05-09) and Hank D'Amico (on 1938-05-09)
baritone saxophone and bass clarinet:
Joe Allard (1930s US jazz musician) (on 1938-05-09)
clarinet:
Joe Allard (1930s US jazz musician) (on 1938-05-09), Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1938-05-09), Hank D'Amico (on 1938-05-09) and Jerry Jerome (on 1938-05-09)
double bass:
Pete Peterson (jazz bassist) (on 1938-05-09)
drums (drum set):
George Wettling (on 1938-05-09)
guitar:
Allen Hanlon (jazz guitarist) (on 1938-05-09)
piano:
Bill Miller (pianist) (on 1938-05-09)
tenor saxophone:
Charles Lamphere (Jazz saxophonist. Played with Red Norvo.) (on 1938-05-09) and Jerry Jerome (on 1938-05-09)
trombone:
Wes Hein (1930s US jazz trombone player) (on 1938-05-09)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-05-09), Zeke Zarchy (on 1938-05-09) and Barney Zudecoff (on 1938-05-09)
xylophone:
Red Norvo (on 1938-05-09)
vocals:
Mildred Bailey (on 1938-05-09)
arranger:
Bill Miller (pianist) and Eddie Sauter
recording of:
My Melancholy Baby (on 1938-05-09)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Mildred Bailey & Her Orchestra2:49
23Small Fry
recorded in:
New York, New York, United States (on 1938-06-29)
vocals:
Mildred Bailey (on 1938-06-29)
orchestra:
Mildred Bailey & Her Orchestra (on 1938-06-29)
recording of:
Small Fry (on 1938-07-26)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
Mildred Bailey & Her Orchestra2:54
24So Help Me (If I Don’t Love You)
recorded in:
New York, New York, United States (on 1938-06-29)
vocals:
Mildred Bailey (on 1938-06-29)
orchestra:
Mildred Bailey & Her Orchestra (on 1938-06-29)
recording of:
So Help Me If I Don’t Love You (on 1938-07-26)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
Mildred Bailey & Her Orchestra2:45
25Garden of the Moon
recorded in:
New York, New York, United States (on 1938-07-26)
vocals:
Mildred Bailey (on 1938-07-26)
orchestra:
Red Norvo & His Orchestra (on 1938-07-26)
recording of:
Garden of the Moon (on 1938-07-26)
lyricist:
Al Dubin and Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
Red Norvo & His Orchestra2:53
3▼CD-R
#TitleArtistRatingLength
1My Reverie
recorded in:
New York, New York, United States (on 1938-07-26)
alto saxophone:
Frank Simeone (on 1938-07-26)
clarinet:
Hank D'Amico (on 1938-07-26)
double bass:
Pete Peterson (jazz bassist) (on 1938-07-26)
drums (drum set):
George Wettling (on 1938-07-26)
guitar:
Allen Hanlon (jazz guitarist) (on 1938-07-26)
piano:
Bill Miller (pianist) (on 1938-07-26)
tenor saxophone:
George Berg (on 1938-07-26) and Maurice Kogan (on 1938-07-26)
trombone:
Al George (on 1938-07-26) and Andy Russo (Jazz trombonist) (on 1938-07-26)
trumpet:
Jack Owens (jazz trumpeter) (on 1938-07-26), Jack Palmer (jazz trumpeter and singer) (on 1938-07-26) and Barney Zudecoff (on 1938-07-26)
xylophone:
Red Norvo (on 1938-07-26)
vocals:
Mildred Bailey (on 1938-07-26)
arranger:
Eddie Sauter (on 1938-07-26)
recording of:
My Reverie (english lyrics) (on 1938-07-26)
lyricist:
Larry Clinton (in 1938)
writer:
André Baruch
composer:
Claude Debussy (French composer) (in 1890)
is based on:
Rêverie, L. 68, CD 76 (for piano)
Mildred Bailey & Her Orchestra2:57
2Have You Forgotten So Soon?
recording of:
Have You Forgotten So Soon? (on 1938-09-29)
lyricist:
Sam Coslow and Edward Heyman
composer:
Abner Silver
Mildred Bailey & Her Orchestra2:46
3I Go for That
Mildred Bailey & Her Orchestra2:41
4Blame It on My Last Affair
recording of:
Blame It on My Last Affair (on 1938-12-08)
writer:
Irving Mills and Henry Nemo
Mildred Bailey & Her Orchestra3:06
5I Cried for You
Mildred Bailey & Her Orchestra2:46
6St. Louis Blues
Mildred Bailey & Her Orchestra2:37
7Tain’t What You Do (It’s the Way That Cha Do It)
Mildred Bailey & Her Orchestra2:40
8Gulf Coast Blues
recorded in:
New York, New York, United States (on 1939-03-16)
double bass:
John Williams (jazz bassist) (on 1939-03-16)
electric guitar:
Floyd Smith (30s/40s blues guitarist) (on 1939-03-16)
piano:
Mary Lou Williams (American jazz pianist and composer) (on 1939-03-16)
vocals:
Mildred Bailey (on 1939-03-16)
recording of:
The Gulf Coast Blues (on 1939-03-16)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1923)
Mildred Bailey & Her Oxford Greys3:09
9Arkansas Blues
recorded in:
New York, New York, United States (on 1939-03-16)
double bass:
John Williams (jazz bassist) (on 1939-03-16)
electric guitar:
Floyd Smith (30s/40s blues guitarist) (on 1939-03-16)
piano:
Mary Lou Williams (American jazz pianist and composer) (on 1939-03-16)
vocals:
Mildred Bailey (on 1939-03-16)
recording of:
Arkansas Blues (on 1939-03-16)
writer:
Anton Lada (US jazz drummer, composer & bandleader) and Spencer Williams (US jazz composer, pianist & singer)
Mildred Bailey & Her Oxford Greys3:02
10There’ll Be Some Changes Made
recorded in:
New York, New York, United States (on 1939-03-16)
double bass:
John Williams (jazz bassist) (on 1939-03-16)
electric guitar:
Floyd Smith (30s/40s blues guitarist) (on 1939-03-16)
piano:
Mary Lou Williams (American jazz pianist and composer) (on 1939-03-16)
vocals:
Mildred Bailey (on 1939-03-16)
recording of:
There’ll Be Some Changes Made (on 1939-03-16)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Mildred Bailey & Her Oxford Greys3:13
11Moon Love
recorded in:
New York, New York, United States (on 1939-06-14)
alto saxophone:
Russell Procope (on 1939-06-14)
clarinet:
Buster Bailey (clarinetist) (on 1939-06-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1939-06-14)
drums (drum set):
Cozy Cole (on 1939-06-14)
piano:
Billy Kyle (on 1939-06-14)
trumpet:
Charlie Shavers (on 1939-06-14)
xylophone:
Red Norvo (on 1939-06-14)
vocals:
Mildred Bailey (on 1939-06-14)
arranger:
Eddie Sauter
recording of:
Moon Love (on 1939-06-14)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
André Kostelanetz (conductor)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
is based on:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
Mildred Bailey & Her Orchestra2:52
12You’re the Moment in My Life
recorded in:
New York, New York, United States (on 1939-06-27)
alto saxophone:
Russell Procope (on 1939-06-27)
clarinet:
Buster Bailey (clarinetist) (on 1939-06-27)
drums (drum set):
Cozy Cole (on 1939-06-27)
piano:
Billy Kyle (on 1939-06-27)
trumpet:
Charlie Shavers (on 1939-06-27)
xylophone:
Red Norvo (on 1939-06-27)
vocals:
Mildred Bailey (on 1939-06-27)
arranger:
Eddie Sauter
recording of:
You're the Moment in My Life (on 1939-06-27)
writer:
Henry Nemo
Mildred Bailey & Her Orchestra2:31
13(I Don’t Stand) A Ghost of a Chance
recorded in:
New York, New York, United States (on 1939-06-27)
alto saxophone:
Russell Procope (on 1939-06-27)
clarinet:
Buster Bailey (clarinetist) (on 1939-06-27)
drums (drum set):
Cozy Cole (on 1939-06-27)
piano:
Billy Kyle (on 1939-06-27)
trumpet:
Charlie Shavers (on 1939-06-27)
xylophone:
Red Norvo (on 1939-06-27)
vocals:
Mildred Bailey (on 1939-06-27)
arranger:
Eddie Sauter
recording of:
(I Don’t Stand) A Ghost of a Chance (on 1939-06-27)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
Mildred Bailey & Her Orchestra3:10
14I Thought About You
recorded in:
New York, New York, United States (on 1939-10-20)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1939-10-20) and Toots Mondello (on 1939-10-20)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1939-10-20)
double bass:
Artie Bernstein (on 1939-10-20)
drums (drum set):
Nick Fatool (on 1939-10-20)
guitar:
Arnold Covey (on 1939-10-20)
piano:
Fletcher Henderson (on 1939-10-20)
tenor saxophone:
Bus Bassey (on 1939-10-20) and Jerry Jerome (on 1939-10-20)
trombone:
Red Ballard (on 1939-10-20), Vernon Brown (on 1939-10-20) and Ted Vesely (on 1939-10-20)
trumpet:
Ziggy Elman (on 1939-10-20), Johnny Martel (1930s US jazz trumpet player) (on 1939-10-20) and Jimmy Maxwell (Trumpet) (on 1939-10-20)
vocals:
Mildred Bailey (on 1939-10-20)
arranger:
Fletcher Henderson and Eddie Sauter
recording of:
I Thought About You (on 1939-10-20)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Benny Goodman & His Orchestra2:33
15Bluebirds in the Moonlight
recorded in:
New York, New York, United States (on 1939-10-24)
alto saxophone:
Toots Mondello and Buff Estes (Sterling Buford Estes) (on 1939-10-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1939-10-24)
double bass:
Artie Bernstein (on 1939-10-24)
drums (drum set):
Nick Fatool (on 1939-10-24)
guitar:
Arnold Covey (on 1939-10-24)
piano:
Fletcher Henderson (on 1939-10-24)
tenor saxophone:
Bus Bassey (on 1939-10-24) and Jerry Jerome (on 1939-10-24)
trombone:
Red Ballard (on 1939-10-24), Vernon Brown (on 1939-10-24) and Ted Vesely (on 1939-10-24)
trumpet:
Ziggy Elman (on 1939-10-24), Johnny Martel (1930s US jazz trumpet player) (on 1939-10-24) and Jimmy Maxwell (Trumpet) (on 1939-10-24)
vocals:
Mildred Bailey (on 1939-10-24)
arranger:
Fletcher Henderson and Eddie Sauter
recording of:
Bluebirds in the Moonlight (on 1939-10-24)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
Benny Goodman & His Orchestra3:12
16Darn That Dream
recorded in:
New York, New York, United States (on 1939-11-22)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1939-11-22) and Toots Mondello (on 1939-11-22)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1939-11-22)
double bass:
Artie Bernstein (on 1939-11-22)
drums (drum set):
Nick Fatool (on 1939-11-22)
guitar:
Arnold Covey (on 1939-11-22)
piano:
Fletcher Henderson (on 1939-11-22)
tenor saxophone:
Bus Bassey (on 1939-11-22) and Jerry Jerome (on 1939-11-22)
trombone:
Red Ballard (on 1939-11-22), Vernon Brown (on 1939-11-22) and Ted Vesely (on 1939-11-22)
trumpet:
Ziggy Elman (on 1939-11-22), Johnny Martel (1930s US jazz trumpet player) (on 1939-11-22) and Jimmy Maxwell (Trumpet) (on 1939-11-22)
vocals:
Mildred Bailey (on 1939-11-22)
arranger:
Fletcher Henderson and Eddie Sauter
recording of:
Darn That Dream (on 1939-11-22)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Benny Goodman & His Orchestra2:58
17Wham (Re‐Bop‐Boom‐Bam!)
alto saxophone:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1940-01-15)
bass clarinet:
Carl Prager (1940s US jazz clarinetist & saxophonist) (on 1940-01-15)
clarinet:
Robert Burns (1940 US jazz musician) (on 1940-01-15)
double bass:
Ted Sturgis (on 1940-01-15)
drums (drum set):
Bill Beason (on 1940-01-15)
flute:
Eddie Powell (on 1940-01-15)
guitar:
John Collins (US jazz guitarist) (on 1940-01-15)
oboe:
Mitch Miller (on 1940-01-15)
piano:
Teddy Wilson (on 1940-01-15)
trumpet:
Roy Eldridge (on 1940-01-15)
vocals:
Mildred Bailey (on 1940-01-15) and Roy Eldridge (on 1940-01-15)
arranger:
Eddie Sauter
recording of:
Wham (Re-Bop-Boom-Bam) (on 1940-01-15)
lyricist:
Marion Joseph "Taps" Miller
composer:
Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Victoria Music Publishing Co. Ltd.
Mildred Bailey3:17
18It’s So Peaceful in the Country
recorded in:
New York, New York, United States (on 1941-06-24)
piano:
Herman Chittison (on 1941-06-24)
vocals:
Mildred Bailey (on 1941-06-24) and The Delta Rhythm Boys (vocal harmony group) (on 1941-06-24)
recording of:
It’s So Peaceful in the Country (on 1941-06-24)
lyricist and composer:
Alec Wilder (American composer)
Mildred Bailey3:13
19It’s a Woman’s Prerogative
recorded in:
New York, New York, United States (on 1946-03-05)
vocals:
Mildred Bailey (on 1946-03-05)
conductor:
Ted Dale (Orchestra leader) (on 1946-03-05)
recording of:
It’s a Woman’s Prerogative (on 1946-03-05)
lyricist:
Johnny Mercer
composer:
Harold Arlen
Mildred Bailey2:58
20Penthouse Serenade (When We’re Alone)
recorded in:
New York, New York, United States (on 1946-03-05)
vocals:
Mildred Bailey (on 1946-03-05)
conductor:
Ted Dale (Orchestra leader) (on 1946-03-05)
recording of:
Penthouse Serenade (on 1946-03-05)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. and Silver Seahorse Music LLC
Mildred Bailey2:48
21Me and the Blues
clarinet:
Hank D'Amico (on 1946-10-18)
double bass:
Bob Haggart (on 1946-10-18)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1946-10-18)
guitar:
Barry Galbraith (on 1946-10-18)
piano:
Ellis Larkins (on 1946-10-18)
trombone:
Henderson Chambers (on 1946-10-18)
trumpet:
Irving Randolph (on 1946-10-18)
vocals:
Mildred Bailey (on 1946-10-18)
conductor:
Ellis Larkins (on 1946-10-18)
recording of:
Me and the Blues (on 1946-10-18)
lyricist:
Ted Koehler
composer:
Harry Warren (US composer and lyricist)
Mildred Bailey3:08
22At Sundown
clarinet:
Hank D'Amico (on 1946-10-18)
double bass:
Bob Haggart (on 1946-10-18)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1946-10-18)
guitar:
Barry Galbraith (on 1946-10-18)
piano:
Ellis Larkins (on 1946-10-18)
trombone:
Henderson Chambers (on 1946-10-18)
trumpet:
Irving Randolph (on 1946-10-18)
vocals:
Mildred Bailey (on 1946-10-18)
conductor:
Ellis Larkins (on 1946-10-18)
recording of:
At Sundown (on 1946-10-18)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
Mildred Bailey3:23
23Almost Like Being in Love
recorded in:
New York, New York, United States (in 1947-05)
vocals:
Mildred Bailey (in 1947-05)
orchestra:
Julian Work's Orchestra (in 1947-05)
conductor:
Julian Work (in 1947-05)
arranger:
Julian Work
recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1947-05)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Mildred Bailey3:06
24Born to Be Blue
recorded in:
New York, New York, United States (on 1947-11-20)
double bass:
Beverly Peer (on 1947-11-20)
guitar:
Barry Galbraith (on 1947-11-20)
piano:
Elly Larkins (on 1947-11-20)
vocals:
Mildred Bailey (on 1947-11-20)
performer:
Ellis Larkins Trio (on 1947-11-20)
recording of:
Born to Be Blue (on 1947-11-20)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Mildred Bailey2:53
25Can’t We Be Friends
recorded in:
New York, New York, United States (on 1947-11-20)
double bass:
Beverly Peer (on 1947-11-20)
guitar:
Barry Galbraith (on 1947-11-20)
piano:
Elly Larkins (on 1947-11-20)
vocals:
Mildred Bailey (on 1947-11-20)
performer:
Ellis Larkins Trio (on 1947-11-20)
recording of:
Can’t We Be Friends? (on 1947-11-20)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Mildred Bailey3:05