Viva Verdi

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Oberto
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Sinfonia (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
5:45
2Un giorno di regno: "A non m'hanno ingannata!"
mezzo-soprano vocals [Marchesa] and mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°7 Scena e cavatina “Ah non m'hanno ingannato” … “Grave a core innamorato” (Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto I
5:44
3Nabucco: "Va pensiero, sull'ali dorate"
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1965-10)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:48
4I lombardi: "La mia letizia infondere"
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
6:51
5Ernani: "Da qual di che t'ho veduta"
baritone vocals:
Lajos Miller (Hungarian baritone) (in 1981-08)
soprano vocals:
Sylvia Sass (Hungarian soprano) (in 1981-08)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (in 1981-08)
conductor:
Lamberto Gardelli (conductor) (in 1981-08)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1981-08)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira) (in 1981-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:19
6I due Foscari: "Notte! Perpetua notte"
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
I due Foscari: Atto II. “Notte, perpetua notte”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto II
3:39
7Giovanna d'Arco: "Sotto una quercia parverni"
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nello Santi (conductor)
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
3:12
8Alzira: "Riposa. Tutte, in suo dolor vegliante"
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Jana Iliev (mezzo-soprano)
soprano vocals:
Marina Mescheriakova (Russian soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Fabio Luisi (conductor)
recording of:
Alzira: Atto I, scena 1. “Riposa” (Alzira, donzelle)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Atto I. Vita per vita
11:03
9Attila: "E' gettata la mia sorte"
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:34
10Macbeth: "Vieni! T'affretta! - Or tutti sorgete"
bass vocals:
Giovanni Foiani (operatic bass)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
7:37
11I masnadieri: "Un ignoto"
bass vocals:
Ruggero Raimondi (bass-baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lamberto Gardelli (conductor)
recording of:
I masnadieri: Atto III. N°11 Finale: c) “Un ignoto, tre lune or saranno” (Massimiliano, Carlo, masnadieri)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto III.
3:18
12Jerusalem: "Je veux encore entendre ta voix"
tenor vocals:
Marcello Giordani (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Fabio Luisi (conductor)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
3:17
13Il corsaro: "Né sulla terra creatura alcuna"
soprano vocals:
Montserrat Caballé (soprano)
tenor vocals:
Alexander Oliver (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lamberto Gardelli (conductor)
recording of:
Il corsaro: Atto II, Scena I, "Né sulla terra creatura alcuna" (Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
recording of:
Il corsaro: Atto II, Scena I, "Vola talor dal carcere" (Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
recording of:
Il corsaro: Atto II, Scena II, "Seide celebra con gioia e festa" (Eunuco, Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
4:38
14La battaglia di Legnano: "Viva Italia!"
choir vocals:
ORF-Chor (Austrian Broadcasting Corporation Choir) (in 1977)
orchestra:
ORF-Symphonie-Orchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1977)
conductor:
Lamberto Gardelli (conductor) (in 1977)
recording of:
La battaglia di Legnano: Atto I. Coro: “Viva Italia!” (popolo milanese) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
2:59
15Luisa Miller: Quando le sere al placido"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:50
16Stiffelio: "Stiffelio! - Eccomi"
baritone vocals [Stankar]:
Matteo Manuguerra (baritone) (in 1979-06)
bass vocals [Jorg]:
Wladimiro Ganzarolli (bass-baritone) (in 1979-06)
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir) (in 1979-06)
mezzo-soprano vocals [Dorotea]:
Maria Venuti (soprano) (in 1979-06)
soprano vocals [Lina]:
Sylvia Sass (Hungarian soprano) (in 1979-06)
tenor vocals [Federico]:
Thomas Moser (tenor) (in 1979-06)
tenor vocals [Stiffelio]:
José Carreras (Spanish tenor) (in 1979-06)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1979-06)
conductor:
Lamberto Gardelli (conductor) (in 1979-06)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1979-06)
recording of:
Stiffelio: Atto III. Scena finale: “Stiffelio!... Eccomi” (Jorg, Stiffelio, Lina, Stankar, Dorotea, Federico, coro) (in 1979-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto III
3:37
2▶CD