Viva Verdi

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Oberto
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Sinfonia (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
5:45
2Un giorno di regno: "A non m'hanno ingannata!"
mezzo-soprano vocals [Marchesa] and mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°7 Scena e cavatina “Ah non m'hanno ingannato” … “Grave a core innamorato” (Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto I
5:44
3Nabucco: "Va pensiero, sull'ali dorate"
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1965-10)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:48
4I lombardi: "La mia letizia infondere"
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
6:51
5Ernani: "Da qual di che t'ho veduta"
baritone vocals:
Lajos Miller (Hungarian baritone) (in 1981-08)
soprano vocals:
Sylvia Sass (Hungarian soprano) (in 1981-08)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (in 1981-08)
conductor:
Lamberto Gardelli (conductor) (in 1981-08)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1981-08)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira) (in 1981-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:19
6I due Foscari: "Notte! Perpetua notte"
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Lamberto Gardelli (conductor)
recording of:
I due Foscari: Atto II. “Notte, perpetua notte”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto II
3:39
7Giovanna d'Arco: "Sotto una quercia parverni"
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nello Santi (conductor)
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
3:12
8Alzira: "Riposa. Tutte, in suo dolor vegliante"
choir vocals:
Chœur du Grand Théâtre de Genève
mezzo-soprano vocals:
Jana Iliev (mezzo-soprano)
soprano vocals:
Marina Mescheriakova (Russian soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Fabio Luisi (conductor)
recording of:
Alzira: Atto I, scena 1. “Riposa” (Alzira, donzelle)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Atto I. Vita per vita
11:03
9Attila: "E' gettata la mia sorte"
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto II. N°10 “È gettata la mia sorte” (Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
2:34
10Macbeth: "Vieni! T'affretta! - Or tutti sorgete"
bass vocals:
Giovanni Foiani (operatic bass)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
7:37
11I masnadieri: "Un ignoto"
bass vocals:
Ruggero Raimondi (bass-baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lamberto Gardelli (conductor)
recording of:
I masnadieri: Atto III. N°11 Finale: c) “Un ignoto, tre lune or saranno” (Massimiliano, Carlo, masnadieri)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto III.
3:18
12Jerusalem: "Je veux encore entendre ta voix"
tenor vocals:
Marcello Giordani (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Fabio Luisi (conductor)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
3:17
13Il corsaro: "Né sulla terra creatura alcuna"
soprano vocals:
Montserrat Caballé (soprano)
tenor vocals:
Alexander Oliver (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lamberto Gardelli (conductor)
recording of:
Il corsaro: Atto II, Scena I, "Né sulla terra creatura alcuna" (Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
recording of:
Il corsaro: Atto II, Scena I, "Vola talor dal carcere" (Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
recording of:
Il corsaro: Atto II, Scena II, "Seide celebra con gioia e festa" (Eunuco, Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
4:38
14La battaglia di Legnano: "Viva Italia!"
choir vocals:
ORF-Chor (Austrian Broadcasting Corporation Choir) (in 1977)
orchestra:
ORF-Symphonie-Orchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1977)
conductor:
Lamberto Gardelli (conductor) (in 1977)
recording of:
La battaglia di Legnano: Atto I. Coro: “Viva Italia!” (popolo milanese) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
2:59
15Luisa Miller: Quando le sere al placido"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:50
16Stiffelio: "Stiffelio! - Eccomi"
baritone vocals [Stankar]:
Matteo Manuguerra (baritone) (in 1979-06)
bass vocals [Jorg]:
Wladimiro Ganzarolli (bass-baritone) (in 1979-06)
choir vocals:
Chor des Österreichischen Rundfunks (Austrian Broadcasting Corporation Choir) (in 1979-06)
mezzo-soprano vocals [Dorotea]:
Maria Venuti (soprano) (in 1979-06)
soprano vocals [Lina]:
Sylvia Sass (Hungarian soprano) (in 1979-06)
tenor vocals [Federico]:
Thomas Moser (tenor) (in 1979-06)
tenor vocals [Stiffelio]:
José Carreras (Spanish tenor) (in 1979-06)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1979-06)
conductor:
Lamberto Gardelli (conductor) (in 1979-06)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1979-06)
recording of:
Stiffelio: Atto III. Scena finale: “Stiffelio!... Eccomi” (Jorg, Stiffelio, Lina, Stankar, Dorotea, Federico, coro) (in 1979-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto III
3:37
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1Rigoletto: Quartetto 'Bella figlia dell' amore'
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1979-09)
mezzo-soprano vocals [Maddalena]:
Elena Obraztsova (mezzo-soprano) (in 1979-09)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Vienna Philharmonic (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:27
2Il trovatore: Stride la vampa!
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:49
3La Traviata: Atto I, preludio
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Preludio (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
3:36
4La Traviata: Libiamo ne' lieti calici
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
2:59
5La Traviata: Scena ed aria: Finale
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
3:37
6La Traviata: Follie! Delirio vano é questo! ... Sempre Libera
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerischer Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
4:27
7Les vepres siciliennes: Giorno di pianto
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nello Santi (conductor)
recording of:
I vespri siciliani: Atto IV. “Giorno di pianto” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
4:33
8Simon Boccanegra: Atto I, preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
2:16
9Aroldo: Scena e quartetto finale (excerpt)
baritone vocals:
Anthony Michaels‐Moore (baritone)
bass vocals:
Roberto Scandiuzzi (italian operatic bass)
choir vocals:
Coro del Maggio Musicale Fiorentino
soprano vocals:
Carol Vaness (soprano)
tenor vocals:
Neil Shicoff (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Fabio Luisi (conductor)
4:09
10Un ballo in maschera: Di' tu se fedele
choir vocals:
London Opera Chorus
tenor vocals:
Luciano Pavarotti (tenor) (from 1983-05 until 1983-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1983-05 until 1983-06)
conductor:
Sir Georg Solti (conductor) (from 1983-05 until 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-05 until 1983-06)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:09
11La forza del destino: Pace, pace mio Dio
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (in 1955-07)
vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
5:54
12Don Carlos: Dio, che nell'alma infondere
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (baritone) (in 1965)
bass vocals:
Tugomir Franc (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Carlo]:
Carlo Bergonzi (tenor) (in 1965)
tenor vocals [un frate]:
Vincenzo Bello (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (conductor) (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:40
13Aida: Se quel guerrier io fossi! ... Celeste Aida
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra dell'Opera, Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1961)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:43
14Aida: Qui Radamés verrá ... O patria mia!
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1962)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1962)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1962)
chorus master:
Giuseppe Conca (chorus master)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1962)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
7:22
15Otello: Ave Maria
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
5:03
16Falstaff: Facciamo il parentado ... Tutto nel mondo é burla
baritone vocals:
Renato Bruson (baritone) and Leo Nucci (baritone)
bass vocals:
William Wildermann (German-born American bass-baritone)
choir vocals:
Los Angeles Master Chorale
mezzo-soprano vocals:
Brenda Boozer (mezzo-soprano) and Lucia Valentini Terrani (mezzo soprano)
soprano vocals:
Barbara Hendricks (soprano) and Katia Ricciarelli (soprano)
tenor vocals:
Francis Egerton (tenor), Dalmacio Gonzalez (tenor) and Michael Sells (tenor)
orchestra:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
3:27
17Requiem: Requiem aeternam, Kyrie
bass vocals:
Martti Talvela (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
9:06