The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1CD: Vol 1. Cantatas CD 1
2CD: Vol 1. Cantatas CD 2
3CD: Vol 1. Cantatas CD 3
4CD: Vol 1. Cantatas CD 4
5CD: Vol 2. Cantatas CD 1
6CD: Vol 2. Cantatas CD 2
7CD: Vol 2. Cantatas CD 3
8CD: Vol 2. Cantatas CD 4
9CD: Vol 3. Cantatas CD 1
10CD: Vol 3. Cantatas CD 2
11CD: Vol 3. Cantatas CD 3
12CD: Vol 3. Cantatas CD 4
13CD: Vol 4. Cantatas CD 1
14CD: Vol 4. Cantatas CD 2
15CD: Vol 4. Cantatas CD 3
16CD: Vol 4. Cantatas CD 4
17CD: Vol 5. Cantatas CD 1
18CD: Vol 5. Cantatas CD 2
19CD: Vol 5. Cantatas CD 3
20CD: Vol 5. Cantatas CD 4
21CD: Vol 6. Cantatas CD 1
22CD: Vol 6. Cantatas CD 2
23CD: Vol 6. Cantatas CD 3
24CD: Vol 6. Cantatas CD 4
25CD: Vol 7. Cantatas CD 1
26CD: Vol 7. Cantatas CD 2
27CD: Vol 7. Cantatas CD 3
28CD: Vol 7. Cantatas CD 4
29CD: Vol 8. Cantatas CD 1
30CD: Vol 8. Cantatas CD 2
31CD: Vol 8. Cantatas CD 3
32CD: Vol 8. Cantatas CD 4
33CD: Vol 9. Cantatas CD 1
34CD: Vol 9. Cantatas CD 2
35CD: Vol 9. Cantatas CD 3
36CD: Vol 9. Cantatas CD 4
37CD: Vol 10. Cantatas CD 1
38CD: Vol 10. Cantatas CD 2
#TitleRatingLength
1Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: I. Coro „Preise, Jerusalem, den Herrn“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
6:57
2Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: II. Recitativo (Tenor) „Gesegnet Land! glückselge Stadt“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:23
3Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: III. Aria (Tenor) „Wohl dir, du Volk der Linden“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
3:09
4Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: IV. Recitativo (Bass) „So herrlich stehst du, liebe Stadt“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:57
5Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: V. Aria (Alt) „Die Obrigkeit ist Gottes Gabe“
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
2:49
6Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VI. Recitativo (Sopran) „Nun! Wir erkennen es und bringen dir“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:03
7Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VII. Coro „Der Herr hat Guts an uns getan“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
6:23
8Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: VIII. Recitativo (Alt) „Zuletzt! Da du uns Herr, zu deinem Volk gesetzt“
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:47
9Kantate, BWV 119 „Preise, Jerusalem, den Herrn“: IX. Choral „Hilf deinem Volk, Herr Jesu Christ“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (from 1978-01 until 1978-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Breitkopf 389 Choralgesänge (number: 134)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:58
10Kantate, BWV 120 „Gott, man lobet dich in der Stille“: I. Aria (Alt) „Gott, man lobet dich in der Stille“
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
5:41
11Kantate, BWV 120 „Gott, man lobet dich in der Stille“: II. Coro „Jauchzet, ihr erfreuten Stimmen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
7:15
12Kantate, BWV 120 „Gott, man lobet dich in der Stille“: III. Recitativo (Bass) „Auf, du geliebte Lindenstadt“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
1:27
13Kantate, BWV 120 „Gott, man lobet dich in der Stille“: IV. Aria (Sopran) „Heil und Segen“
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
5:56
14Kantate, BWV 120 „Gott, man lobet dich in der Stille“: V. Recitativo (Tenor) „Nun, Herr, so weihe selbst“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
0:56
15Kantate, BWV 120 „Gott, man lobet dich in der Stille“: VI. Choral „Nun hilf uns, Herr, den Dienern dein“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 135)
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
1:10
16Kantate, BWV 121 „Christum wir sollen loben schon“: I. Coro „Christum wir sollen loben schon“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
3:32
17Kantate, BWV 121 „Christum wir sollen loben schon“: II. Aria (Tenor) „O du von Gott erhöhte Kreatur“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
5:15
18Kantate, BWV 121 „Christum wir sollen loben schon“: III. Recitativo (Alt) „Der Gnad unermeßlichs Wesen“
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:22
19Kantate, BWV 121 „Christum wir sollen loben schon“: IV. Aria (Bass) „Johannis freudenvolles Springen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:09
20Kantate, BWV 121 „Christum wir sollen loben schon“: V. Recitativo (Sopran) „Doch wie erblickt es dich in deiner Krippen“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:17
21Kantate, BWV 121 „Christum wir sollen loben schon“: VI. Choral „Lob, Ehr und Dank sei dir gesagt“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1980-02 until 1980-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:11
39CD: Vol 10. Cantatas CD 3
40CD: Vol 10. Cantatas CD 4
41CD: Vol 11. Cantatas CD 1
42CD: Vol 11. Cantatas CD 2
43CD: Vol 11. Cantatas CD 3
44CD: Vol 11. Cantatas CD 4
45CD: Vol 12. Cantatas CD 1
46CD: Vol 12. Cantatas CD 2
47CD: Vol 12. Cantatas CD 3
48CD: Vol 12. Cantatas CD 4
49CD: Vol 13. Cantatas CD 1
50CD: Vol 13. Cantatas CD 2
51CD: Vol 13. Cantatas CD 3
52CD: Vol 13. Cantatas CD 4
53CD: Vol 14. Cantatas CD 1
54CD: Vol 14. Cantatas CD 2
55CD: Vol 14. Cantatas CD 3
56CD: Vol 14. Cantatas CD 4
57CD: Vol 15. Cantatas CD 1
58CD: Vol 15. Cantatas CD 2
59CD: Vol 15. Cantatas CD 3
60CD: Vol 15. Cantatas CD 4
61CD: Vol 16. Cantatas CD 1
62CD: Vol 16. Cantatas CD 2
63CD: Vol 16. Cantatas CD 3
64CD: Vol 16. Cantatas CD 4
65CD: Vol 17. Cantatas CD 1
66CD: Vol 17. Cantatas CD 2
67CD: Vol 17. Cantatas CD 3
68CD: Vol 17. Cantatas CD 4
69CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93CD: Vol 24. A Book Of Chorale-Settings CD 1
94CD: Vol 24. A Book Of Chorale-Settings CD 2
95CD: Vol 24. A Book Of Chorale-Settings CD 3
96CD: Vol 24. A Book Of Chorale-Settings CD 4
97CD: Vol 25. Organ Works CD 1
98CD: Vol 25. Organ Works CD 2
99CD: Vol 25. Organ Works CD 3
100CD: Vol 25. Organ Works CD 4
101CD: Vol 26. Organ Works CD 1
102CD: Vol 26. Organ Works CD 2
103CD: Vol 26. Organ Works CD 3
104CD: Vol 26. Organ Works CD 4
105CD: Vol 27. Organ Works CD 1
106CD: Vol 27. Organ Works CD 2
107CD: Vol 27. Organ Works CD 3
108CD: Vol 27. Organ Works CD 4
109CD: Vol 28. Organ Works CD 1
110CD: Vol 28. Organ Works CD 2
111CD: Vol 28. Organ Works CD 3
112CD: Vol 28. Organ Works CD 4
113CD: Vol 29. Organ Works CD 1
114CD: Vol 29. Organ Works CD 2
115CD: Vol 29. Organ Works CD 3
116CD: Vol 29. Organ Works CD 4
117CD: Vol 30. Harpsichord Music CD 1
118CD: Vol 30. Harpsichord Music CD 2
119CD: Vol 30. Harpsichord Music CD 3
120CD: Vol 30. Harpsichord Music CD 4
121CD: Vol 31. Keyboard Works CD 1
122CD: Vol 31. Keyboard Works CD 2
123CD: Vol 31. Keyboard Works CD 3
124CD: Vol 31. Keyboard Works CD 4
125CD: Vol 32. Keyboard Works CD 1
126CD: Vol 32. Keyboard Works CD 2
127CD: Vol 32. Keyboard Works CD 3
128CD: Vol 32. Keyboard Works CD 4
129CD: Vol 33. Keyboard Works CD 1
130CD: Vol 33. Keyboard Works CD 2
131CD: Vol 33. Keyboard Works CD 2
132CD: Vol 33. Keyboard Works CD 4
133CD: Vol 34. Keyboard Works CD 1
134CD: Vol 34. Keyboard Works CD 2
135CD: Vol 34. Keyboard Works CD 3
136CD: Vol 34. Keyboard Works CD 4
137CD: Vol 35. Keyboard Works CD 1
138CD: Vol 35. Keyboard Works CD 2
139CD: Vol 35. Keyboard Works CD 3
140CD: Vol 35. Keyboard Works CD 4
141CD: Vol 36. Keyboard Works CD 1
142CD: Vol 36. Keyboard Works CD 2
143CD: Vol 36. Keyboard Works CD 3
144CD: Vol 36. Keyboard Works CD 4
145CD: Vol 37. Keyboard Works CD 1
146CD: Vol 37. Keyboard Works CD 2
147CD: Vol 37. Keyboard Works CD 3
148CD: Vol 37. Keyboard Works CD 4
149CD: Vol 38. Orchestral Music CD 1
150CD: Vol 38. Orchestral Music CD 2
151CD: Vol 38. Orchestral Music CD 3
152CD: Vol 38. Orchestral Music CD 4
153CD: Vol 39. Works For Violin CD 1
154CD: Vol 39. Works For Violin CD 2
155CD: Vol 39. Works For Violin CD 3
156CD: Vol 39. Works For Violin CD 4
157CD: Vol 40. Harpsichord Concertos CD 1
158CD: Vol 40. Harpsichord Concertos CD 2
159CD: Vol 40. Harpsichord Concertos CD 3
160CD: Vol 40. Harpsichord Concertos CD 4
161CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3