The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Tracklist

1▶CD: Sacred Cantatas, BWV 1-3
2▶CD: Sacred Cantatas, BWV 4-6
3▶CD: Sacred Cantatas, BWV 7-9
4▶CD: Sacred Cantatas, BWV 10-12
5▶CD: Sacred Cantatas, BWV 13, 14 & 16
6▶CD: Sacred Cantatas, BWV 17-19
7▶CD: Sacred Cantatas, BWV 20 & 21
8▶CD: Sacred Cantatas, BWV 22-25
9▼CD: Sacred Cantatas, BWV 26-29
#TitleRatingLength
1Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 1. [Coro] "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
52:49
2Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 2. Aria (Tenore) "So schnell ein rauschend Wasser schießt"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
7:42
3Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 3. Recitativo (Alto) "Die Freud wird zur Traurigkeit"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:49
4Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 4. Aria (Basso) "An irdische Schätze das Herze zu hängen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
3:53
5Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 5. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht"
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:44
6Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": 6. Choral (Coro) "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 1972-06 until 1973-04)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
0:51
7Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 1. [Coro - Recitativo] (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
4:55
8Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 2. Recitativo (Tenore) "Mein Leben hat kein ander Ziel"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:47
9Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 3. Aria (Alto) "Willkommen! will ich sagen"
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
4:30
10Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 4. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!"
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:38
11Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 5. Aria (Basso) "Gute Nacht, du Weltgetümmel!"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:34
12Cantata, BWV 27 "Wer weiß, wie nahe mir mein Ende?": 6. Choral (Coro) "Welt, ade! ich bin dein müde"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
1:15
13Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 1. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:22
14Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 2. [Coro] "Nun lob, mein Seel, den Herren"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:59
15Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 3. [Recitativo - Arioso] (Basso) "So spricht der Herr"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:54
16Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 4. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:04
17Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 5. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
2:33
18Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": 6. Choral (Coro) "All solch dein Güt wir preisen"
choir vocals:
Chorus Viennensis (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:11
19Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 1. Sinfonia
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:38
20Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 2. [Coro] "Wir danken dir, Gott, wir danken dir"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:03
21Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 3. Aria (Tenore) "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo tenor vocals:
Kurt Equiluz (tenor)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
6:31
22Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 4. Recitativo (Basso) "Gottlob! es geht uns wohl!"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1973-04)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
0:49
23Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 5. Aria (Soprano) "Gedenk an uns mit deiner Liebe"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo treble vocals [Sopran]:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
5:49
24Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 6. Recitativo (Alto, Coro) "Vergiß es ferner nicht, mit deiner Hand"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
0:26
25Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 7. Aria (Alto) "Halleluja, Stärk und Macht"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
countertenor vocals:
Paul Esswood (countertenor) (from 1972-06 until 1973-04)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
1:53
26Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": 8. Choral (Coro) "Sei Lob und Preis mit Ehren"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-06 until 1973-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
1:24
10▶CD: Sacred Cantatas, BWV 30 & 31
11▶CD: Sacred Cantatas, BWV 32-34
12▶CD: Sacred Cantatas, BWV 35 & 36
13▶CD: Sacred Cantatas, BWV 37-40
14▶CD: Sacred Cantatas, BWV 41-43
15▶CD: Sacred Cantatas, BWV 44-47
16▶CD: Sacred Cantatas, BWV 48-51
17▶CD: Sacred Cantatas, BWV 52 & 54-56
18▶CD: Sacred Cantatas, BWV 57-60
19▶CD: Sacred Cantatas, BWV 61-63
20▶CD: Sacred Cantatas, BWV 64-66
21▶CD: Sacred Cantatas, BWV 67-69, 69a
22▶CD: Sacred Cantatas, BWV 70-73
23▶CD: Sacred Cantatas, BWV 74 & 75
24▶CD: Sacred Cantatas, BWV 76-78
25▶CD: Sacred Cantatas, BWV 79-82
26▶CD: Sacred Cantatas, BWV 83-86
27▶CD: Sacred Cantatas, BWV 87-90
28▶CD: Sacred Cantatas, BWV 91-93
29▶CD: Sacred Cantatas, BWV 94-96
30▶CD: Sacred Cantatas, BWV 97-99
31▶CD: Sacred Cantatas, BWV 100-102
32▶CD: Sacred Cantatas, BWV 103-105
33▶CD: Sacred Cantatas, BWV 106-108
34▶CD: Sacred Cantatas, BWV 109-111
35▶CD: Sacred Cantatas, BWV 112-114
36▶CD: Sacred Cantatas, BWV 115-117
37▶CD: Sacred Cantatas, BWV 119-120
38▶CD: Sacred Cantatas, BWV 121-124
39▶CD: Sacred Cantatas, BWV 125-127
40▶CD: Sacred Cantatas, BWV 128-130
41▶CD: Sacred Cantatas, BWV 131-133
42▶CD: Sacred Cantatas, BWV 134-137
43▶CD: Sacred Cantatas, BWV 138-140
44▶CD: Sacred Cantatas, BWV 143-146
45▶CD: Sacred Cantatas, BWV 147-149
46▶CD: Sacred Cantatas, BWV 150-153
47▶CD: Sacred Cantatas, BWV 154-157
48▶CD: Sacred Cantatas, BWV 158, 159, 161 & 162
49▶CD: Sacred Cantatas, BWV 163-166
50▶CD: Sacred Cantatas, BWV 167-169
51▶CD: Sacred Cantatas, BWV 170-173
52▶CD: Sacred Cantatas, BWV 174-176
53▶CD: Sacred Cantatas, BWV 177-179
54▶CD: Sacred Cantatas, BWV 180-182
55▶CD: Sacred Cantatas, BWV 183-185
56▶CD: Sacred Cantatas, BWV 186-187
57▶CD: Sacred Cantatas, BWV 188 & 192
58▶CD: Sacred Cantatas, BWV 194 & 195
59▶CD: Sacred Cantatas, BWV 196 & 197
60▶CD: Sacred Cantatas, BWV 198 & 199
61▶CD: Secular Cantatas, BWV 134A & 173A
62▶CD: Secular Cantatas, BWV 201 & 204
63▶CD: Secular Cantatas, BWV 202, 203 & 209
64▶CD: Secular Cantatas, BWV 206 & 207
65▶CD: Secular Cantatas, BWV 205 & 211
66▶CD: Secular Cantatas, BWV 207A & 210
67▶CD: Secular Cantatas, BWV 208 & 212
68▶CD: Secular Cantatas, BWV 213
69▶CD: Secular Cantatas, BWV 214 & 215
70▶CD: Secular Cantatas, BWV 190, 191 & 193
71▶CD: Secular Cantatas, BWV 63 app., 182 app., 36C & 200
72▶CD: Sacred vocal works, Mass in B minor BWV 232 (I)
73▶CD: Sacred vocal works, Mass in B minor BWV 232 (II)
74▶CD: Sacred vocal works, Missae breves (I) BWV 233, 234 & 239-241
75▶CD: Sacred vocal works, Missae breves (II) BWV 235-238 & 242
76▶CD: Sacred vocal works, Magnificats, BWV 243 & 243A
77▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (I)
78▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (II)
79▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (III)
80▶CD: Sacred vocal works, St John Passion, BWV 245 (I)
81▶CD: Sacred vocal works, St John Passion, BWV 245 (II)
82▶CD: Sacred vocal works, Christmas Oratorio, BWV 248 (I)
83▶CD: Sacred vocal works, Christmas Oratorio, BWV 248 (II)
84▶CD: Sacred vocal works, Psalm 51, BWV 1083; Arias, BWV 245A, B & C
85▶CD: Sacred vocal works, Easter Oratorio, BWV 249
86▶CD: Motets, chorales & songs, Motets, BWV 225-230
87▶CD: Motets, chorales & songs: Chorales, BWV 253-301
88▶CD: Motets, chorales & songs: Chorales, BWV 302-342
89▶CD: Motets, chorales & songs: Chorales, BWV 343-388
90▶CD: Motets, chorales & songs: Chorales, BWV 389-438
91▶CD: Motets, chorales & songs: Sacred songs (Schemelli)
92▶CD: Motets, chorales & songs: Chorales, quodlibet, etc
93▶CD: Organ works: Fantasias, preludes & fugues BWV 531, 542-544, 562, 570, 572, 578, 582 & 588
94▶CD: Organ works: Schübler Chorales, BWV 645-650 & Leipzig Chorales, BWV 651-655 & 668
95▶CD: Organ works: Leipzig Chorales, BWV 656-667
96▶CD: Organ works: Sonatas, BWV 525-530
97▶CD: Organ works: Toccatas, preludes & fugues, BWV 532, 538, 540 & 564-566
98▶CD: Organ works: Clavier-übung III, BWV 552,1 & 669-683
99▶CD: Organ works: Clavier-übung III, BWV 552,2, 684-689, 769A & 802-805
100▶CD: Organ works: Preludes & Fugues, BWV 533, 535, 537, 546, 549, 550, 568, 569, 575; Allabreve, BWV 589
101▶CD: Organ works: Preludes & Fugues, BWV 534, 539, 541, 545, 547, 577, 583, 590 & 598
102▶CD: Organ works: Orgel-Büchlein, BWV 599-644
103▶CD: Organ works: Chorales partitas, BWV 690, 691, 705-708, 728, 729, 763, 766-768, 770 & BWV Anh. II 74
104▶CD: Organ works: Kirnberger chorales BWV 695A, 696, 698 & 711; Chorale arrangements BWV 717, 718, 721, 725, 726, 730-733, 735, 738-741, 754 & 1085
105▶CD: Organ works: Neumeister chorales, BWV 1090-1120; Chorale arrangements, BWV 714, 719, 737, 742 & 957
106▶CD: Organ works: Kirnberger chorales BWV 709, 697, 702, 713, 712, 700, 701, 704, 703, 694, 699; and other chorale arrangements
107▶CD: Organ works: Preludes & fugues, BWV 548, 553-561 & 571; Kleines harmonisches labyrinth, BWV 591; Concerto, BWV 594
108▶CD: Organ works: Concertos, BWV 592, 593 & 595-597; Fantasias, preludes & fugues, BWV 536, 551, 563, 574, 576, 579, 1121
109▶CD: Keyboard works: Inventions, BWV 772-786; Sinfonias, BWV 787-801
110▶CD: Keyboard works: English & French suites 1 & 2
111▶CD: Keyboard works: English & French suites 3 & 4
112▶CD: Keyboard works: English & French suites 5 & 6
113▶CD: Keyboard works: Suites, BWV 818A, 819 & 821, etc.
114▶CD: Keyboard works: Partitas 1-4, BWV 825-828
115▶CD: Keyboard works: Partitas 4-6, BWV 828-830
116▶CD: Keyboard works: The Well-Tempered Clavier I (1) nos. 1-12, BWV 846-857
117▶CD: Keyboard works: The Well-Tempered Clavier I (2) nos. 13-24, BWV 858-869
118▶CD: Keyboard works: The Well-Tempered Clavier II (1) nos. 1-12, BWV 870-881
119▶CD: Keyboard works: The Well-Tempered Clavier II (2) nos. 13-24, BWV 882-893
120▶CD: Keyboard works: Preludes, fantasias & fugues, BWV 894, 900, 902A, 904, 924-927, 929-931, 937, 939, 940 & 994
121▶CD: Keyboard works: Preludes, fantasias & fugues, BWV 933-936, 938, 941-944, 955, 958-959; Sonata, BWV 963; Capriccio, BWV 993
122▶CD: Keyboard works: Toccatas, BWV 910-916
123▶CD: Keyboard works: Chromatic fantasias and fugue, BWV 903; Aria variata, BWV 989; 14 canons, BWV 1087; Suite, BWV 823; etc
124▶CD: Keyboard works: Italian concerto, BWV 971; Overture, BWV 831
125▶CD: Keyboard works: Goldberg Variations, BWV 988
126▶CD: Keyboard works: Sonatas, BWV 964-966 & 968; Fugue, BWV 954
127▶CD: Keyboard works: Preludes & fughettas, BWV 833, 846A, 847A, 851A, 855A, 896, 899, 901, 902, 906, 917, 918, 921, 922 & 929
128▶CD: Keyboard works: Suites, BWV 822 & 832; Fugures, BWV 946-951, 953 & 961, etc
129▶CD: Keyboard works: Concertos after Vivaldi, BWV 972, 973, 975, 976, 978 & 980
130▶CD: Keyboard works: Concertos after various composers, BWV 974, 977, 979 & 981-987
131▶CD: Chamber music: Works for lute, BWV 995-997
132▶CD: Chamber music: Works for lute, BWV 998-1000 & 1006a
133▶CD: Chamber music: Violin sonatas & partitas, BWV 1001-1003
134▶CD: Chamber music: Violin sonatas & partitas, BWV 1004-1006
135▶CD: Chamber music: Cello suites, BWV 1007-1009
136▶CD: Chamber music: Cello suites, BWV 1010-1012
137▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1014-1018
138▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1019, 1019a, 1021 & 1023
139▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1025 & 1026; Sonatas for Viola da gamba and Harpsichord, BWV 1027-1029
140▶CD: Chamber music: Flute and Harpsichord Sonatas, BWV 1030, 1032, 1034, 1035, 1038 & 1039
141▶CD: Chamber music: Canons, BWV 1080/19, 1072-1078, 1086; Flute Sonatas, BWV 1013, 1031, 1033
142▶CD: Chamber music: A Musical Offering, BWV 1079
143▶CD: Chamber music: Art of Fugue, BWV 1080
144▶CD: Orchestral works: Violin concertos, BWV 1041-1043, 1056R & 1060R
145▶CD: Orchestral works: Brandenburg Concertos 1-3, BWV 1046-1048
146▶CD: Orchestral works: Brandenburg Concertos 4-6, BWV 1049-1051
147▶CD: Orchestral works: Harpsichord concertos (I), BWV 1053-1057
148▶CD: Orchestral works: Harpsichord concertos (II), BWV 1052, 1061, 1063 & 1064
149▶CD: Orchestral works: Harpsichord concertos (III), BWV 1058, 1059R, 1060, 1062 & 1065
150▶CD: Orchestral works: Orchestral suites 1 & 2
151▶CD: Orchestral works: Orchestral suites 3 & 4
152▶CD: Orchestral works: Concertos, BWV 1044, 1052R, 1055R & 1045
153▶CD: Orchestral works: Sinfonia, BWV 1046A; Concertos, BWV 1050A & 1064R