The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Tracklist

1▶CD: Sacred Cantatas, BWV 1-3
2▶CD: Sacred Cantatas, BWV 4-6
3▶CD: Sacred Cantatas, BWV 7-9
4▶CD: Sacred Cantatas, BWV 10-12
5▶CD: Sacred Cantatas, BWV 13, 14 & 16
6▶CD: Sacred Cantatas, BWV 17-19
7▶CD: Sacred Cantatas, BWV 20 & 21
8▶CD: Sacred Cantatas, BWV 22-25
9▶CD: Sacred Cantatas, BWV 26-29
10▶CD: Sacred Cantatas, BWV 30 & 31
11▶CD: Sacred Cantatas, BWV 32-34
12▶CD: Sacred Cantatas, BWV 35 & 36
13▶CD: Sacred Cantatas, BWV 37-40
14▶CD: Sacred Cantatas, BWV 41-43
15▶CD: Sacred Cantatas, BWV 44-47
16▶CD: Sacred Cantatas, BWV 48-51
17▶CD: Sacred Cantatas, BWV 52 & 54-56
18▶CD: Sacred Cantatas, BWV 57-60
19▶CD: Sacred Cantatas, BWV 61-63
20▶CD: Sacred Cantatas, BWV 64-66
21▶CD: Sacred Cantatas, BWV 67-69, 69a
22▶CD: Sacred Cantatas, BWV 70-73
23▶CD: Sacred Cantatas, BWV 74 & 75
24▶CD: Sacred Cantatas, BWV 76-78
25▶CD: Sacred Cantatas, BWV 79-82
26▶CD: Sacred Cantatas, BWV 83-86
27▶CD: Sacred Cantatas, BWV 87-90
28▶CD: Sacred Cantatas, BWV 91-93
29▶CD: Sacred Cantatas, BWV 94-96
30▶CD: Sacred Cantatas, BWV 97-99
31▶CD: Sacred Cantatas, BWV 100-102
32▶CD: Sacred Cantatas, BWV 103-105
33▶CD: Sacred Cantatas, BWV 106-108
34▶CD: Sacred Cantatas, BWV 109-111
35▶CD: Sacred Cantatas, BWV 112-114
36▶CD: Sacred Cantatas, BWV 115-117
37▶CD: Sacred Cantatas, BWV 119-120
38▶CD: Sacred Cantatas, BWV 121-124
39▶CD: Sacred Cantatas, BWV 125-127
40▶CD: Sacred Cantatas, BWV 128-130
41▶CD: Sacred Cantatas, BWV 131-133
42▶CD: Sacred Cantatas, BWV 134-137
43▶CD: Sacred Cantatas, BWV 138-140
44▶CD: Sacred Cantatas, BWV 143-146
45▶CD: Sacred Cantatas, BWV 147-149
46▶CD: Sacred Cantatas, BWV 150-153
47▶CD: Sacred Cantatas, BWV 154-157
48▶CD: Sacred Cantatas, BWV 158, 159, 161 & 162
49▶CD: Sacred Cantatas, BWV 163-166
50▶CD: Sacred Cantatas, BWV 167-169
51▶CD: Sacred Cantatas, BWV 170-173
52▶CD: Sacred Cantatas, BWV 174-176
53▶CD: Sacred Cantatas, BWV 177-179
54▶CD: Sacred Cantatas, BWV 180-182
55▶CD: Sacred Cantatas, BWV 183-185
56▶CD: Sacred Cantatas, BWV 186-187
57▶CD: Sacred Cantatas, BWV 188 & 192
58▶CD: Sacred Cantatas, BWV 194 & 195
59▶CD: Sacred Cantatas, BWV 196 & 197
60▶CD: Sacred Cantatas, BWV 198 & 199
61▶CD: Secular Cantatas, BWV 134A & 173A
62▶CD: Secular Cantatas, BWV 201 & 204
63▶CD: Secular Cantatas, BWV 202, 203 & 209
64▶CD: Secular Cantatas, BWV 206 & 207
65▶CD: Secular Cantatas, BWV 205 & 211
66▶CD: Secular Cantatas, BWV 207A & 210
67▶CD: Secular Cantatas, BWV 208 & 212
68▶CD: Secular Cantatas, BWV 213
69▶CD: Secular Cantatas, BWV 214 & 215
70▶CD: Secular Cantatas, BWV 190, 191 & 193
71▶CD: Secular Cantatas, BWV 63 app., 182 app., 36C & 200
72▶CD: Sacred vocal works, Mass in B minor BWV 232 (I)
73▶CD: Sacred vocal works, Mass in B minor BWV 232 (II)
74▶CD: Sacred vocal works, Missae breves (I) BWV 233, 234 & 239-241
75▶CD: Sacred vocal works, Missae breves (II) BWV 235-238 & 242
76▶CD: Sacred vocal works, Magnificats, BWV 243 & 243A
77▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (I)
78▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (II)
79▶CD: Sacred vocal works, St Matthew Passion, BWV 244 (III)
80▶CD: Sacred vocal works, St John Passion, BWV 245 (I)
81▶CD: Sacred vocal works, St John Passion, BWV 245 (II)
82▼CD: Sacred vocal works, Christmas Oratorio, BWV 248 (I)
#TitleRatingLength
1Christmas Oratorio, BWV 248: Part 1, 1. Chorus "Jauchzet, frohlocket"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:29
2Christmas Oratorio, BWV 248: Part 1, 2. Evangelist (Tenore) "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:09
3Christmas Oratorio, BWV 248: Part 1, 3. Accompagnato (Alto) "Nun wird mein liebster Bräutigam"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:53
4Christmas Oratorio, BWV 248: Part 1, 4. Air (Alto) "Bereite dich, Zion"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:57
5Christmas Oratorio, BWV 248: Part 1, 5. Chorale "Wie soll ich dich empfangen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:08
6Christmas Oratorio, BWV 248: Part 1, 6. Evangelist "Und sie gebar"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:24
7Christmas Oratorio, BWV 248: Part 1, 7. Chorale, Recitative (Soprano, Basso) "Er ist auf Erden kommen arm"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:56
8Christmas Oratorio, BWV 248: Part 1, 8. Air (Basso) "Großer Herr, o starker König"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:26
9Christmas Oratorio, BWV 248: Part 1, 9. Chorale "Ach mein herzliebes Jesulein"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:12
10Christmas Oratorio, BWV 248: Part 2, 10. Sinfonia
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:43
11Christmas Oratorio, BWV 248: Part 2, 11. Evangelist "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:31
12Christmas Oratorio, BWV 248: Part 2, 12. Chorale "Brich an, o schönes Morgenlicht"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:08
13Christmas Oratorio, BWV 248: Part 2, 13. Evangelist, Angelus (Soprano) "Und der Engel sprach zu ihnen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:41
14Christmas Oratorio, BWV 248: Part 2, 14. Recitative (Basso) "Was Gott dem Abraham verheissen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:40
15Christmas Oratorio, BWV 248: Part 2, 15. Air (Tenore) "Frohe Hirten, eilt"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:45
16Christmas Oratorio, BWV 248: Part 2, 16. Evangelist "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:18
17Christmas Oratorio, BWV 248: Part 2, 17. Chorale "Schaut hin, dort liegt im finstern Stall"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:37
18Christmas Oratorio, BWV 248: Part 2, 18. Recitative (Basso) "So geht denn hin"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:49
19Christmas Oratorio, BWV 248: Part 2, 19. Air (Alto) "Schlafe, mein Liebster"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
9:23
20Christmas Oratorio, BWV 248: Part 2, 20. Evangelist "Und alsobald war da bei dem Engel"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:16
21Christmas Oratorio, BWV 248: Part 2, 21. Chorus "Ehre sei Gott in der Höhe"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:55
22Christmas Oratorio, BWV 248: Part 2, 22. Recitative (Basso) "So recht, ihr Engel"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:22
23Christmas Oratorio, BWV 248: Part 2, 23. Chorale "Wir singen dir in deinem Heer"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:13
24Christmas Oratorio, BWV 248: Part 3, 24. Chorus "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:18
25Christmas Oratorio, BWV 248: Part 3, 25. Evangelist "Und da die Engel"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:11
26Christmas Oratorio, BWV 248: Part 3, 26. Chorus (Shepherds) "Lasset uns nun gehen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:47
27Christmas Oratorio, BWV 248: Part 3, 27. Recitative (Basso) "Er hat sein Volk getröst'"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:38
28Christmas Oratorio, BWV 248: Part 3, 28. Chorale "Dies hat er alles uns getan"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:51
29Christmas Oratorio, BWV 248: Part 3, 29. Air duett (Soprano, Basso) "Herr, dein Mitleid"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:50
30Christmas Oratorio, BWV 248: Part 3, 30. Evangelist "Und sie kamen eilend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:08
31Christmas Oratorio, BWV 248: Part 3, 31. Air (Alto) "Schließe, mein Herze"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:04
32Christmas Oratorio, BWV 248: Part 3, 32. Recitative (Alto) "Ja, ja, mein Herz"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:28
33Christmas Oratorio, BWV 248: Part 3, 33. Choral "Ich will dich mit Fleiß bewahren"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:59
83▶CD: Sacred vocal works, Christmas Oratorio, BWV 248 (II)
84▶CD: Sacred vocal works, Psalm 51, BWV 1083; Arias, BWV 245A, B & C
85▶CD: Sacred vocal works, Easter Oratorio, BWV 249
86▶CD: Motets, chorales & songs, Motets, BWV 225-230
87▶CD: Motets, chorales & songs: Chorales, BWV 253-301
88▶CD: Motets, chorales & songs: Chorales, BWV 302-342
89▶CD: Motets, chorales & songs: Chorales, BWV 343-388
90▶CD: Motets, chorales & songs: Chorales, BWV 389-438
91▶CD: Motets, chorales & songs: Sacred songs (Schemelli)
92▶CD: Motets, chorales & songs: Chorales, quodlibet, etc
93▶CD: Organ works: Fantasias, preludes & fugues BWV 531, 542-544, 562, 570, 572, 578, 582 & 588
94▶CD: Organ works: Schübler Chorales, BWV 645-650 & Leipzig Chorales, BWV 651-655 & 668
95▶CD: Organ works: Leipzig Chorales, BWV 656-667
96▶CD: Organ works: Sonatas, BWV 525-530
97▶CD: Organ works: Toccatas, preludes & fugues, BWV 532, 538, 540 & 564-566
98▶CD: Organ works: Clavier-übung III, BWV 552,1 & 669-683
99▶CD: Organ works: Clavier-übung III, BWV 552,2, 684-689, 769A & 802-805
100▶CD: Organ works: Preludes & Fugues, BWV 533, 535, 537, 546, 549, 550, 568, 569, 575; Allabreve, BWV 589
101▶CD: Organ works: Preludes & Fugues, BWV 534, 539, 541, 545, 547, 577, 583, 590 & 598
102▶CD: Organ works: Orgel-Büchlein, BWV 599-644
103▶CD: Organ works: Chorales partitas, BWV 690, 691, 705-708, 728, 729, 763, 766-768, 770 & BWV Anh. II 74
104▶CD: Organ works: Kirnberger chorales BWV 695A, 696, 698 & 711; Chorale arrangements BWV 717, 718, 721, 725, 726, 730-733, 735, 738-741, 754 & 1085
105▶CD: Organ works: Neumeister chorales, BWV 1090-1120; Chorale arrangements, BWV 714, 719, 737, 742 & 957
106▶CD: Organ works: Kirnberger chorales BWV 709, 697, 702, 713, 712, 700, 701, 704, 703, 694, 699; and other chorale arrangements
107▶CD: Organ works: Preludes & fugues, BWV 548, 553-561 & 571; Kleines harmonisches labyrinth, BWV 591; Concerto, BWV 594
108▶CD: Organ works: Concertos, BWV 592, 593 & 595-597; Fantasias, preludes & fugues, BWV 536, 551, 563, 574, 576, 579, 1121
109▶CD: Keyboard works: Inventions, BWV 772-786; Sinfonias, BWV 787-801
110▶CD: Keyboard works: English & French suites 1 & 2
111▶CD: Keyboard works: English & French suites 3 & 4
112▶CD: Keyboard works: English & French suites 5 & 6
113▶CD: Keyboard works: Suites, BWV 818A, 819 & 821, etc.
114▶CD: Keyboard works: Partitas 1-4, BWV 825-828
115▶CD: Keyboard works: Partitas 4-6, BWV 828-830
116▶CD: Keyboard works: The Well-Tempered Clavier I (1) nos. 1-12, BWV 846-857
117▶CD: Keyboard works: The Well-Tempered Clavier I (2) nos. 13-24, BWV 858-869
118▶CD: Keyboard works: The Well-Tempered Clavier II (1) nos. 1-12, BWV 870-881
119▶CD: Keyboard works: The Well-Tempered Clavier II (2) nos. 13-24, BWV 882-893
120▶CD: Keyboard works: Preludes, fantasias & fugues, BWV 894, 900, 902A, 904, 924-927, 929-931, 937, 939, 940 & 994
121▶CD: Keyboard works: Preludes, fantasias & fugues, BWV 933-936, 938, 941-944, 955, 958-959; Sonata, BWV 963; Capriccio, BWV 993
122▶CD: Keyboard works: Toccatas, BWV 910-916
123▶CD: Keyboard works: Chromatic fantasias and fugue, BWV 903; Aria variata, BWV 989; 14 canons, BWV 1087; Suite, BWV 823; etc
124▶CD: Keyboard works: Italian concerto, BWV 971; Overture, BWV 831
125▶CD: Keyboard works: Goldberg Variations, BWV 988
126▶CD: Keyboard works: Sonatas, BWV 964-966 & 968; Fugue, BWV 954
127▶CD: Keyboard works: Preludes & fughettas, BWV 833, 846A, 847A, 851A, 855A, 896, 899, 901, 902, 906, 917, 918, 921, 922 & 929
128▶CD: Keyboard works: Suites, BWV 822 & 832; Fugures, BWV 946-951, 953 & 961, etc
129▶CD: Keyboard works: Concertos after Vivaldi, BWV 972, 973, 975, 976, 978 & 980
130▶CD: Keyboard works: Concertos after various composers, BWV 974, 977, 979 & 981-987
131▶CD: Chamber music: Works for lute, BWV 995-997
132▶CD: Chamber music: Works for lute, BWV 998-1000 & 1006a
133▶CD: Chamber music: Violin sonatas & partitas, BWV 1001-1003
134▶CD: Chamber music: Violin sonatas & partitas, BWV 1004-1006
135▶CD: Chamber music: Cello suites, BWV 1007-1009
136▶CD: Chamber music: Cello suites, BWV 1010-1012
137▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1014-1018
138▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1019, 1019a, 1021 & 1023
139▶CD: Chamber music: Violin and Harpsichord Sonatas, BWV 1025 & 1026; Sonatas for Viola da gamba and Harpsichord, BWV 1027-1029
140▶CD: Chamber music: Flute and Harpsichord Sonatas, BWV 1030, 1032, 1034, 1035, 1038 & 1039
141▶CD: Chamber music: Canons, BWV 1080/19, 1072-1078, 1086; Flute Sonatas, BWV 1013, 1031, 1033
142▶CD: Chamber music: A Musical Offering, BWV 1079
143▶CD: Chamber music: Art of Fugue, BWV 1080
144▶CD: Orchestral works: Violin concertos, BWV 1041-1043, 1056R & 1060R
145▶CD: Orchestral works: Brandenburg Concertos 1-3, BWV 1046-1048
146▶CD: Orchestral works: Brandenburg Concertos 4-6, BWV 1049-1051
147▶CD: Orchestral works: Harpsichord concertos (I), BWV 1053-1057
148▶CD: Orchestral works: Harpsichord concertos (II), BWV 1052, 1061, 1063 & 1064
149▶CD: Orchestral works: Harpsichord concertos (III), BWV 1058, 1059R, 1060, 1062 & 1065
150▶CD: Orchestral works: Orchestral suites 1 & 2
151▶CD: Orchestral works: Orchestral suites 3 & 4
152▶CD: Orchestral works: Concertos, BWV 1044, 1052R, 1055R & 1045
153▶CD: Orchestral works: Sinfonia, BWV 1046A; Concertos, BWV 1050A & 1064R