Così fan tutte

~ Release by Mozart; Elisabeth Schwarzkopf, Christa Ludwig, Hanny Steffek, Alfredo Kraus, Giuseppe Taddei, Walter Berry, The Philharmonia Orchestra and Chorus, Karl Böhm (see all versions of this release, 5 available)

Tracklist

1▶Hybrid SACD
2▼Hybrid SACD
#TitleArtistRatingLength
1Così fan tutte: Atto I, scena 4. “Ah, che tutto in un momento”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:19
2Così fan tutte: Atto I, scena 4. “Ah, che del sole il raggio”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
partial recording of:
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:28
3Così fan tutte: Atto I, scena 4. “Eccovi il medico”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:28
4Così fan tutte: Atto I, scena 4. “Dove son? Che loco è questo?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:51
5Così fan tutte: Atto I, scena 4. “Dammi un bacio, o mio tesoro”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:31
6Così fan tutte: Atto II, scena 1. “Madame… trattar l’amore”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:04
7Così fan tutte: Atto II, scena 1. “Una donna a quindici anni”
producer:
Walter Legge (British classical producer)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:56
8Così fan tutte: Atto II, scena 1. “Sorella, cosa dici?”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:30
9Così fan tutte: Atto II, scena 1. “Prenderò quel brunettino”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:09
10Così fan tutte: Atto II, scena 2. “Secondate, aurette amiche”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:12
11Così fan tutte: Atto II, scena 2. “Cos’è tal mascherata?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:38
12Così fan tutte: Atto II, scena 2. “La mano a me date”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:53
13Così fan tutte: Atto II, scena 2. “Oh, che bella giornata!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:22
14Così fan tutte: Atto II, scena 2. “Il core vi dono”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:41
15Così fan tutte: Atto II, scena 2. “Barbara, perché fuggi?”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:38
16Così fan tutte: Atto II, scena 2. “Ei parte… senti… ah no!”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:26
17Così fan tutte: Atto II, scena 2. “Per pietà, ben mio, perdona”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:05
18Così fan tutte: Atto II, scena 2. “Amico, abbiamo vinto!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:42
19Così fan tutte: Atto II, scena 2. “Donne mie, la fate a tanti a tanti”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:22
20Così fan tutte: Atto II, scena 2. “In qual fiero contrasto”
producer:
Walter Legge (British classical producer)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:15
21Così fan tutte: Atto II, scena 2. “Tradito, schernito”
producer:
Walter Legge (British classical producer)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:21
3▶Hybrid SACD