Così fan tutte

~ Release by Mozart; Elisabeth Schwarzkopf, Christa Ludwig, Hanny Steffek, Alfredo Kraus, Giuseppe Taddei, Walter Berry, The Philharmonia Orchestra and Chorus, Karl Böhm (see all versions of this release, 5 available)

Tracklist

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1▼Hybrid SACD
#TitleArtistRatingLength
1Così fan tutte: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Ouvertura (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:48
2Così fan tutte: Atto I, scena 1. “La mia Dorabella capace non è”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:03
3Così fan tutte: Atto I, scena 1. “Fuor la spada”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:59
4Così fan tutte: Atto I, scena 1. “È la fede delle femmine”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:12
5Così fan tutte: Atto I, scena 1. “Scioccherie di poeti!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:04
6Così fan tutte: Atto I, scena 1. “Una bella serenata”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:22
7Così fan tutte: Atto I, scena 2. “Ah, guarda, sorella”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:44
8Così fan tutte: Atto I, scena 2. “Mi par che stamattina”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:02
9Così fan tutte: Atto I, scena 2. “Barbaro fato!… Vorrei dir, e cor non ho”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:40
10Così fan tutte: Atto I, scena 2. “Stelle! Per carità, Signor Alfonso”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:56
11Così fan tutte: Atto I, scena 2. “Sento, oddio, che questo piede”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:48
12Così fan tutte: Atto I, scena 2. “La commedia è graziosa”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “La commedia è graziosa” (Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:23
13Così fan tutte: Atto I, scena 2. “Bella vita militar!”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:47
14Così fan tutte: Atto I, scena 2. “Non v’è più tempo”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:28
15Così fan tutte: Atto I, scena 2. “Muoio d’affanno!… Di scrivermi ogni giorno”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:58
16Così fan tutte: Atto I, scena 2. “Bella vita militar!”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 8a Coro “Bella vita militar!” (Coro) (ripresa) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:57
17Così fan tutte: Atto I, scena 2. “Dove son?”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Dove son?… Son partiti” (Dorabella, Don Alfonso, Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:51
18Così fan tutte: Atto I, scena 2. “Soave sia il vento”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:03
19Così fan tutte: Atto I, scena 2. “Non son cattivo comico”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:04
20Così fan tutte: Atto I, scena 3. “Che vita maledetta”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:51
21Così fan tutte: Atto I, scena 3. “Ah, scostati!”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:56
22Così fan tutte: Atto I, scena 3. “Smanie implacabili che m’agitate”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:57
23Così fan tutte: Atto I, scena 3. “Signora Dorabella, Signora Fiordiligi”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:50
24Così fan tutte: Atto I, scena 3. “In uomini, in soldati sperare fedeltà?”
producer:
Walter Legge (British classical producer)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:37
25Così fan tutte: Atto I, scena 3. “Che silenzio! Che aspetto di tristezza”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:11
26Così fan tutte: Atto I, scena 3. “Alla bella Despinetta”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:42
27Così fan tutte: Atto I, scena 3. “Che sussurro! Che strepito!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:26
28Così fan tutte: Atto I, scena 3. “L’intatta fede”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:49
29Così fan tutte: Atto I, scena 3. “Come scoglio immoto resta”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (, from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:30
30Così fan tutte: Atto I, scena 3. “Ah, non partite!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:45
31Così fan tutte: Atto I, scena 3. “Non siate ritrosi”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:28
32Così fan tutte: Atto I, scena 3. “E voi ridete?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:00
33Così fan tutte: Atto I, scena 3. “La cagion di quel riso?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:31
34Così fan tutte: Atto I, scena 3. “Un’aura amorosa del nostro tesoro”
producer:
Walter Legge (British classical producer)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (, from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:45
2▼Hybrid SACD
#TitleArtistRatingLength
1Così fan tutte: Atto I, scena 4. “Ah, che tutto in un momento”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:19
2Così fan tutte: Atto I, scena 4. “Ah, che del sole il raggio”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
partial recording of:
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:28
3Così fan tutte: Atto I, scena 4. “Eccovi il medico”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:28
4Così fan tutte: Atto I, scena 4. “Dove son? Che loco è questo?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:51
5Così fan tutte: Atto I, scena 4. “Dammi un bacio, o mio tesoro”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:31
6Così fan tutte: Atto II, scena 1. “Madame… trattar l’amore”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:04
7Così fan tutte: Atto II, scena 1. “Una donna a quindici anni”
producer:
Walter Legge (British classical producer)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:56
8Così fan tutte: Atto II, scena 1. “Sorella, cosa dici?”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:30
9Così fan tutte: Atto II, scena 1. “Prenderò quel brunettino”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:09
10Così fan tutte: Atto II, scena 2. “Secondate, aurette amiche”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:12
11Così fan tutte: Atto II, scena 2. “Cos’è tal mascherata?”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:38
12Così fan tutte: Atto II, scena 2. “La mano a me date”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:53
13Così fan tutte: Atto II, scena 2. “Oh, che bella giornata!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:22
14Così fan tutte: Atto II, scena 2. “Il core vi dono”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:41
15Così fan tutte: Atto II, scena 2. “Barbara, perché fuggi?”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:38
16Così fan tutte: Atto II, scena 2. “Ei parte… senti… ah no!”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:26
17Così fan tutte: Atto II, scena 2. “Per pietà, ben mio, perdona”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:05
18Così fan tutte: Atto II, scena 2. “Amico, abbiamo vinto!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:42
19Così fan tutte: Atto II, scena 2. “Donne mie, la fate a tanti a tanti”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:22
20Così fan tutte: Atto II, scena 2. “In qual fiero contrasto”
producer:
Walter Legge (British classical producer)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:15
21Così fan tutte: Atto II, scena 2. “Tradito, schernito”
producer:
Walter Legge (British classical producer)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:21
3▼Hybrid SACD
#TitleArtistRatingLength
1Così fan tutte: Atto II, scena 3. “Ora vedo che siete una donna di garbo”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:22
2Così fan tutte: Atto II, scena 3. “È amore un ladroncello”
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:00
3Così fan tutte: Atto II, scena 3. “Come tutto congiura”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:41
4Così fan tutte: Atto II, scena 3. “Fra gli amplessi in pochi istanti”
producer:
Walter Legge (British classical producer)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:09
5Così fan tutte: Atto II, scena 3. “Ah, poveretto me, cosa ho veduto!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. Recitativo “Ah poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:57
6Così fan tutte: Atto II, scena 3. “Tutti accussan le donne”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:08
7Così fan tutte: Atto II, scena 4. “Fate presto, o cari amici”
producer:
Walter Legge (British classical producer)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:56
8Così fan tutte: Atto II, scena 4. “Benedetti i doppi coniugi”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:33
9Così fan tutte: Atto II, scena 4. “E nel tuo, nel mio bicchiero”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “E nel tuo, nel mio bicchiero” (Fiordiligi, Dorabella, Ferrando, Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:09
10Così fan tutte: Atto II, scena 4. “Miei, signori, tutto è fatto”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:52
11Così fan tutte: Atto II, scena 4. “Bella vita militar!”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:57
12Così fan tutte: Atto II, scena 4. “Richiamata da regio contrordine”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
partial recording of:
Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:41
13Così fan tutte: Atto II, scena 4. “Ah, Signor, son rea di morte”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “Giusto ciel! Voi qui scriveste” … “Ah, signor, son rea di morte” … “A voi s’inchina” … “V’ingannai” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:05
14Così fan tutte: Atto II, scena 4. “Fortunato l’uom che prende”
producer:
Walter Legge (British classical producer)
baritone vocals [Guglielmo]:
Giuseppe Taddei (baritone) (from 1962-09-10 until 1962-09-18)
bass vocals [Don Alfonso]:
Walter Berry (bass‐baritone) (from 1962-09-10 until 1962-09-18)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-09-10 until 1962-09-18)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Despina]:
Hanny Steffek (soprano) (from 1962-09-10 until 1962-09-18)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1962-09-10 until 1962-09-18)
tenor vocals [Ferrando]:
Alfredo Kraus (tenor) (from 1962-09-10 until 1962-09-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-09-10 until 1962-09-18)
conductor:
Karl Böhm (Austrian conductor) (from 1962-09-10 until 1962-09-18)
balance engineer:
Douglas Larter (from 1962-09-10 until 1962-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-09-10 until 1962-09-18)
recording of:
Così fan tutte: Atto II. “Fortunato l’uom che prende” (Tutti) (from 1962-09-10 until 1962-09-18)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:46