The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven: Fidelio (Act I)
2CD: Beethoven: Fidelio (Act II)
3CD: Beethoven: Missa Solemnis [1955]
4CD: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5CD: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6CD: Berg: Wozzeck (Acts I, II & III beg.)
7CD: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8CD: Berg: Lulu (Act II)
9CD: Handel: Giulio Cesare (Highlights)
10CD: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11CD: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12CD: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13CD: Mozart: Idomeneo (Act I)
14CD: Mozart: Idomeneo (Act II)
15CD: Mozart: Idomeneo (Act III)
16CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
19CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
20CD: Mozart: Le nozze di Figaro (Act IV)
21CD: Mozart: Don Giovanni (1967) (Act I beg.)
22CD: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23CD: Mozart: Don Giovanni (1967) (Act II cont.)
#TitleArtistRatingLength
1Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
bass vocals [Masetto]:
Alfredo Mariotti (baritone) (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
soprano vocals [Zerlina]:
Reri Grist (American soprano) (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:27
2Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 20 Aria: "Ah, pietà, signori miei" (Leporello)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:45
3Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. Recitativo: "Ferma, perfido ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
bass vocals [Masetto]:
Alfredo Mariotti (baritone) (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
soprano vocals [Zerlina]:
Reri Grist (American soprano) (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:42
4Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 21a Aria: "Il mio tesoro intanto" (Don Ottavio)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:49
5Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 21b Recitativo accompagnato [K. 540c - Vienna, 1788]: "In quali eccessi, o Numi" (Donna Elvira)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart1:51
6Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 21b Aria [K. 540c - Vienna, 1788]: "Mi tradì quell'alma ingrata" (Donna Elvira)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart4:03
7Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. Recitativo: "Ah, ah, ah, questa è buona!" (Don Giovanni, Leporello, Commentadore)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (in 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
bass vocals [Il Commendatore]:
Martti Talvela (operatic bass) (in 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (in 1967-03)
orchestra:
Orchestra of The National Theatre Prague (in 1967-03)
conductor:
Karl Böhm (Austrian conductor) (in 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
8Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 22 Duetto: "O statua gentilissima" (Leporello, Don Giovanni)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (in 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (in 1967-03)
orchestra:
Orchestra of The National Theatre Prague (in 1967-03)
conductor:
Karl Böhm (Austrian conductor) (in 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:29
9Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. Recitativo: "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
soprano vocals [Donna Anna]:
Birgit Nilsson (soprano) (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:55
10Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 23 Recitativo accampagnato: "Crudele! - Ah no, mio bene!" (Donna Anna)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
soprano vocals [Donna Anna]:
Birgit Nilsson (soprano) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
edit of:
Don Giovanni: »Crudele! Ah no, mio bene / Non mir dir, bell’ idol mio«: Rezitativ und Arie der Donna Anna by Birgit Nilsson (soprano), Orchester des Nationaltheaters Prag, Karl Böhm (Austrian conductor)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:40
11Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 23 Rondo: "Non mi dir, bell'idol mio" (Donna Anna)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
soprano vocals [Donna Anna]:
Birgit Nilsson (soprano) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
edit of:
Don Giovanni: »Crudele! Ah no, mio bene / Non mir dir, bell’ idol mio«: Rezitativ und Arie der Donna Anna by Birgit Nilsson (soprano), Orchester des Nationaltheaters Prag, Karl Böhm (Austrian conductor)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:45
12Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:19
13Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 24 Finale II: "Già la mensa è preparata" (Don Giovanni, Leporello)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (in 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (in 1967-03)
orchestra:
Orchestra of The National Theatre Prague (in 1967-03)
conductor:
Karl Böhm (Austrian conductor) (in 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:58
14Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 24 Finale II: "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1967-02 until 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:43
15Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 24 Finale II: "Don Giovanni, a cenar teco m'invitasti" (Commendatore, Don Giovanni, Leporello, Coro)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (in 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (in 1967-03)
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1967-03)
orchestra:
Orchestra of The National Theatre Prague (in 1967-03)
conductor:
Karl Böhm (Austrian conductor) (in 1967-03)
chorus master:
Josef Vesalka (choral conductor) (in 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:52
16Don Giovanni, ossia Il dissoluto punito, K. 527: Atto Secondo. N. 24 Finale II: "Ah! dov'è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
bass vocals [Leporello]:
Ezio Flagello (operatic bass / baritone) (from 1967-02 until 1967-03)
bass vocals [Masetto]:
Alfredo Mariotti (baritone) (from 1967-02 until 1967-03)
soprano vocals [Donna Anna]:
Birgit Nilsson (soprano) (from 1967-02 until 1967-03)
soprano vocals [Donna Elvira]:
Martina Arroyo (soprano) (from 1967-02 until 1967-03)
soprano vocals [Zerlina]:
Reri Grist (American soprano) (from 1967-02 until 1967-03)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:06
24CD: Mozart: Don Giovanni (1977) (Act I beg.)
25CD: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26CD: Mozart: Don Giovanni (1977) (Act II cont.)
27CD: Mozart: Così fan tutte (Act I beg.)
28CD: Mozart: Così fan tutte (Acts I cont. & II)
29CD: Mozart: Die Zauberflöte (Act I)
30CD: Mozart: Die Zauberflöte (Act II beg.)
31CD: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32CD: Mozart: La clemenza di Tito (Act I)
33CD: Mozart: La clemenza di Tito (Act II)
34CD: Mozart: Requiem
35CD: R. Strauss: Salome (Scenes I-IV beg.)
36CD: R. Strauss: Salome: (Scene IV cont.)
37CD: R. Strauss: Elektra (beg.)
38CD: R. Strauss: Elektra (cont.)
39CD: R. Strauss: Der Rosenkavalier (1958) (Act I)
40CD: R. Strauss: Der Rosenkavalier (1958) (Act II)
41CD: R. Strauss: Der Rosenkavalier (1958) (Act III)
42CD: R. Strauss: Der Rosenkavalier (1969) (Act I)
43CD: R. Strauss: Der Rosenkavalier (1969) (Act II)
44CD: R. Strauss: Der Rosenkavalier (1969) (Act III)
45CD: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46CD: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47CD: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48CD: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49CD: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50CD: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51CD: R. Strauss: Die Frau ohne Schatten (Act I)
52CD: R. Strauss: Die Frau ohne Schatten (Act II)
53CD: R. Strauss: Die Frau ohne Schatten (Act III)
54CD: R. Strauss: Arabella (Act I)
55CD: R. Strauss: Arabella (Act II)
56CD: R. Strauss: Arabella (Act III)
57CD: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58CD: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59CD: R. Strauss: Daphne (beg.)
60CD: R. Strauss: Daphne (cont.)
61CD: R. Strauss: Capriccio (Scenes I - IX beg.)
62CD: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
64CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
65CD: Wagner: Tristan und Isolde (Act I)
66CD: Wagner: Tristan und Isolde (Act II)
67CD: Wagner: Tristan und Isolde (Act III)
68CD: Das Vermächtnis meines Meisters
69CD: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70CD: Karl Böhm: Erzähltes Leben

Credits

Release

photography:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
miscellaneous support:Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]