The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven: Fidelio (Act I)
2CD: Beethoven: Fidelio (Act II)
3CD: Beethoven: Missa Solemnis [1955]
4CD: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5CD: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6CD: Berg: Wozzeck (Acts I, II & III beg.)
7CD: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8CD: Berg: Lulu (Act II)
9CD: Handel: Giulio Cesare (Highlights)
10CD: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11CD: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12CD: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13CD: Mozart: Idomeneo (Act I)
14CD: Mozart: Idomeneo (Act II)
15CD: Mozart: Idomeneo (Act III)
16CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
19CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
20CD: Mozart: Le nozze di Figaro (Act IV)
21CD: Mozart: Don Giovanni (1967) (Act I beg.)
22CD: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23CD: Mozart: Don Giovanni (1967) (Act II cont.)
24CD: Mozart: Don Giovanni (1977) (Act I beg.)
25CD: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26CD: Mozart: Don Giovanni (1977) (Act II cont.)
27CD: Mozart: Così fan tutte (Act I beg.)
28CD: Mozart: Così fan tutte (Acts I cont. & II)
29CD: Mozart: Die Zauberflöte (Act I)
30CD: Mozart: Die Zauberflöte (Act II beg.)
31CD: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32CD: Mozart: La clemenza di Tito (Act I)
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1La clemenza di Tito, K. 621: Ouverture
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Ouverture (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:50
2La clemenza di Tito, K. 621: Atto Primo. Recitativo “Ma ché? sempre l'istesso” (Vitellia, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:22
3La clemenza di Tito, K. 621: Atto Primo. N. 1 Duetto: “Come ti piace imponi” (Sesto, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:08
4La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Amico, il passo affretta” (Annio, Vitellia, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:48
5La clemenza di Tito, K. 621: Atto Primo. N. 2 Aria: “Deh, se piacer mi vuoi” (Vitellia) / Recitativo: “Amico, ecco il momento” (Annio, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:35
6La clemenza di Tito, K. 621: Atto Primo. N. 3 Duettino: “Deh, prendi un dolce amplesso” (Annio, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:02
7La clemenza di Tito, K. 621: Atto Primo. N. 4 Marcia
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:20
8La clemenza di Tito, K. 621: Atto Primo. N. 5 Coro: “Serbate, oh Dei custodi”
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:48
9La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Te della patria il padre” (Publio, Annio, Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:04
10La clemenza di Tito, K. 621: Atto Primo. N. 4 Marcia - Ripetizione
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia da capo (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:20
11La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Adesso, oh Sesto, parla per me” (Annio, Sesto, Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:26
12La clemenza di Tito, K. 621: Atto Primo. N. 6 Aria: “Deh più sublime soglio” (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:58
13La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Non ci pentiam” (Annio, Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:35
14La clemenza di Tito, K. 621: Atto Primo. N. 7 Duetto: “Ah, perdona al primo affetto” (Annio, Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:20
15La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Che mi rechi in quel folgio?” (Tito, Publio, Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:07
16La clemenza di Tito, K. 621: Atto Primo. N. 8 Aria: “Ah, se fosse intorno al trono” (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:15
17La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Felice me!” (Servilia, Vitellia, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:55
18La clemenza di Tito, K. 621: Atto Primo. N. 9 Aria: “Parto, ma tu, ben mio” (Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset clarinet:
Joachim Muller (clarinetist) (in 1979-01)
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:44
19La clemenza di Tito, K. 621: Atto Primo. Recitativo: “Vedrai, Tito, vedrai” (Vitellia, Publio, Annio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:46
20La clemenza di Tito, K. 621: Atto Primo. N. 10 Terzetto: “Vengo… aspettate… Sesto!…” (Vitellia, Annio, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:36
21La clemenza di Tito, K. 621: Atto Primo. N. 11 Recitativo accompagnato: “O Dei, che smania è questa” (Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:40
22La clemenza di Tito, K. 621: Atto Primo. N. 12 Quintetto con coro: “Deh, conservate, o Dei” (Sesto, Annio, Servilia, coro, Publio, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart7:19
33CD: Mozart: La clemenza di Tito (Act II)
34CD: Mozart: Requiem
35CD: R. Strauss: Salome (Scenes I-IV beg.)
36CD: R. Strauss: Salome: (Scene IV cont.)
37CD: R. Strauss: Elektra (beg.)
38CD: R. Strauss: Elektra (cont.)
39CD: R. Strauss: Der Rosenkavalier (1958) (Act I)
40CD: R. Strauss: Der Rosenkavalier (1958) (Act II)
41CD: R. Strauss: Der Rosenkavalier (1958) (Act III)
42CD: R. Strauss: Der Rosenkavalier (1969) (Act I)
43CD: R. Strauss: Der Rosenkavalier (1969) (Act II)
44CD: R. Strauss: Der Rosenkavalier (1969) (Act III)
45CD: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46CD: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47CD: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48CD: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49CD: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50CD: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51CD: R. Strauss: Die Frau ohne Schatten (Act I)
52CD: R. Strauss: Die Frau ohne Schatten (Act II)
53CD: R. Strauss: Die Frau ohne Schatten (Act III)
54CD: R. Strauss: Arabella (Act I)
55CD: R. Strauss: Arabella (Act II)
56CD: R. Strauss: Arabella (Act III)
57CD: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58CD: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59CD: R. Strauss: Daphne (beg.)
60CD: R. Strauss: Daphne (cont.)
61CD: R. Strauss: Capriccio (Scenes I - IX beg.)
62CD: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
64CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
65CD: Wagner: Tristan und Isolde (Act I)
66CD: Wagner: Tristan und Isolde (Act II)
67CD: Wagner: Tristan und Isolde (Act III)
68CD: Das Vermächtnis meines Meisters
69CD: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70CD: Karl Böhm: Erzähltes Leben

Credits

Release

photography:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
miscellaneous support:Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]