Trane (40 Tracks Remastered)

~ Release by John Coltrane (see all versions of this release, 1 available)

Annotation

Amazon music digital release that seems to have since been removed.

Annotation last modified on 2025-09-21 14:12 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Olé
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
soprano saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Olé (on 1961-05-25)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
El vito (traditional Andalusian)
18:20
2Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3.354:47
3Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
10:43
4My Favorite Things
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3.613:45
5Shifting Down
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
recording of:
Shifting Down (on 1958-10-13)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
10:44
6Moment's Notice
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Moment’s Notice (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
59:10
7Original Untitled Ballad (To Her Ladyship Her Ladyship)
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone and soprano saxophone, soprano saxophone and tenor saxophone:
John Coltrane (on 1961-05-25)
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
cover recording of:
To Her Ladyship (on 1961-05-25)
writer:
Billy Frazier (jazz saxophonist)
9:01
8I'm Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:57
9But Not for Me
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
But Not for Me (on 1960-10-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
9:42
10Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
32:25
11Summertime
recording engineer:
Tom Dowd (on 1960-10-24) and Phil Iehle (on 1960-10-24)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1960-10-24)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:35
12Syeeda's Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
47:06
13Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:25
14Dial Africa
recording engineer:
Rudy van Gelder (on 1958-06-24)
double bass:
Ali Jackson (Detroit jazz bassist, 1931-1987) (on 1958-06-24)
drums (drum set):
Art Taylor (on 1958-06-24)
flugelhorn:
Wilbur Harden (on 1958-06-24)
piano:
Tommy Flanagan (on 1958-06-24)
tenor saxophone:
John Coltrane (on 1958-06-24)
trombone:
Curtis Fuller (on 1958-06-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-06-24)
recording of:
Dial Africa (on 1958-06-24)
composer:
Wilbur Harden
8:06
15Russian Lullaby
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
Russian Lullaby (on 1958-02-07)
lyricist and composer:
Irving Berlin
5:34
16Mr. P.c.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
47:03
17Theme for Ernie
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
cover recording of:
Theme for Ernie (on 1958-02-07)
composer:
Fred Lacey (US jazz guitarist)
named after artist:
Ernie Henry
publisher:
Prestige Music (US drum & bass)
44:58
18Cat Walk
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
cover recording of:
Cat Walk (on 1957-04-20)
composer:
Teddy Charles
7:12
19Aisha
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Aisha (on 1961-05-25)
composer:
McCoy Tyner (jazz pianist)
57:46
20Dakar
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
cover recording of:
Dakar (on 1957-04-20)
composer:
Teddy Charles
7:09
21Like Someone in Love
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
instrumental cover recording of:
Like Someone in Love (on 1958-10-13)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
8:14
22Mary's Blues
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
recording of:
Mary's Blues (on 1957-04-20)
composer:
Pepper Adams (baritone saxophonist)
6:48
23Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:50
24Good Bait
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
Good Bait (on 1958-02-07)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
12:07
25E.F.F.P.H.
recording engineer:
Rudy van Gelder (on 1958-03-13)
producer:
Ozzie Cadena
double bass:
Doug Watkins (on 1958-03-13)
drums (drum set):
Louis Hayes (on 1958-03-13)
flugelhorn:
Wilbur Harden (on 1958-03-13)
piano:
Tommy Flanagan (on 1958-03-13)
tenor saxophone:
John Coltrane (on 1958-03-13)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-13)
recording of:
E.F.F.P.H. (on 1958-03-13)
composer:
Wilbur Harden
5:28
26Route 4
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
cover recording of:
Route 4 (on 1957-04-20)
composer:
Teddy Charles
6:56
27Ev'ry Time We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:45
28Lazy Bird
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Lazy Bird (original instrumental composition) (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:06
29Dahomey Dance
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Dahomey Dance (on 1961-05-25)
composer:
John Coltrane
10:53
30B.J.
recording engineer:
Rudy van Gelder (on 1958-05-13)
double bass:
Ali Jackson (Detroit jazz bassist, 1931-1987) (on 1958-05-13)
drums (drum set):
Art Taylor (on 1958-05-13)
flugelhorn and trumpet:
Wilbur Harden (on 1958-05-13)
piano:
Howard Williams (USA pianist) (on 1958-05-13)
tenor saxophone:
John Coltrane (on 1958-05-13)
trombone:
Curtis Fuller (on 1958-05-13)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-05-13)
recording of:
B.J. (on 1958-05-13)
composer:
Wilbur Harden
4:57
31Witches' Pit
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
recording of:
Witches' Pit (on 1957-04-20)
composer:
Pepper Adams (baritone saxophonist)
6:43
32Double Clutching
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
recording of:
Double Clutching (on 1958-10-13)
composer:
Chuck Israels
publisher:
EMI Unart Catalog Inc.
8:24
33Locomotion
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Locomotion (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:14
34Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun (on 1959-05-04)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
46:03
35I Want to Talk About You
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
I Want to Talk About You (on 1958-02-07)
lyricist and composer:
Billy Eckstine
publisher:
Belinda Scandinavia AB
10:54
36Velvet Scene
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
cover recording of:
Velvet Scene (on 1957-04-20)
composer:
Mal Waldron (American jazz pianist)
4:54
37You Say You Care
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
You Say You Care (Gentlemen Prefer Blondes) (on 1958-02-07)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
6:17
38Once in a While
recording engineer:
Rudy van Gelder (on 1958-05-13)
producer:
Ozzie Cadena
brass and flugelhorn:
Wilbur Harden (on 1958-05-13)
double bass:
Ali Jackson (Detroit jazz bassist, 1931-1987) (on 1958-05-13)
drums (drum set):
Art Taylor (on 1958-05-13)
piano:
Howard Williams (USA pianist) (on 1958-05-13)
tenor saxophone:
John Coltrane (on 1958-05-13)
trombone:
Curtis Fuller (on 1958-05-13)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-05-13)
instrumental cover recording of:
Once in a While (on 1958-05-13)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
9:31
39Tanganyika Strut
recording engineer:
Rudy van Gelder (on 1958-06-24)
producer:
Ozzie Cadena
double bass:
Ali Jackson (Detroit jazz bassist, 1931-1987) (on 1958-06-24)
drums (drum set):
Art Taylor (on 1958-06-24)
flugelhorn:
Wilbur Harden (on 1958-06-24)
piano:
Tommy Flanagan (on 1958-06-24)
tenor saxophone:
John Coltrane (on 1958-06-24)
trombone:
Curtis Fuller (on 1958-06-24)
phonographic copyright (℗) by:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-06-24)
recording of:
Tanganyika Strut (on 1958-06-24)
composer:
Curtis Fuller
9:59
40Just Friends
recorded in:
New York, New York, United States (on 1958-10-13)
recording engineer:
Fernando Vargas (on 1958-10-13)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass:
Chuck Israels (on 1958-10-13)
drums (drum set):
Louis Hayes (on 1958-10-13)
piano:
Cecil Taylor (on 1958-10-13)
tenor saxophone:
John Coltrane (on 1958-10-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-10-13)
instrumental cover recording of:
Just Friends (on 1958-10-13)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
6:18