Les Grandes Cantates: BWV 51, 80, 82, 106, 140, 147

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Cantate , BWV 80: I. Ein' feste Burg ist unser Gott
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
7:23
2Cantate , BWV 80: II. Mit unserer Macht
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:12
3Cantate , BWV 80: III. Erwäge doch, Kind Gottes, die so große Liebe
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:21
4Cantate , BWV 80: IV. Komm in mein Herzenshaus
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:50
5Cantate , BWV 80: V. Und wenn die Welt voll Teufel wär
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:19
6Cantate , BWV 80: VI. So stehe denn bei Christi blutgefärbter Fahne
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:35
7Cantate , BWV 80: VII. Wie selig sind doch die
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1967)
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:25
8Cantate , BWV 80: VIII. Das Wort sie sollen lassen stehn
instruments:
Consortium Musicum
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1967-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:22
9Cantate , BWV 51: I. Jauchzet Gott in allen Landen
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:47
10Cantate , BWV 51: I. Wir beten zu dem Tempel an
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:14
11Cantate , BWV 51: II. Höchster, mache deine Güte
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:02
12Cantate , BWV 51: III. Sei Lob und Preis mit Ehren
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:53
13Cantate , BWV 51: IV. Alleluja, alleluja
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:03
14Cantate , BWV 140: I. Wachet auf, ruft uns die Stimme
choir vocals:
Süddeutscher Madrigalchor (in 1967-07)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
8:06
15Cantate , BWV 140: II. Er kommt, er kommt, der Bräut'gam kommt
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:11
16Cantate , BWV 140: III. Wann kommst du, mein Heil ?
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:51
17Cantate , BWV 140: IV. Zion hört die Wächter singen
choir vocals:
South German Madrigal Choir
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:44
18Cantate , BWV 140: V. So geh' herein zu mir, du mir erwählte Braut
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:23
19Cantate , BWV 140: VI. Mein Freund ist mein
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:52
20Cantate , BWV 140: VII. Gloria sei dir gesungen
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:57
2CD

Credits

Release

ASIN:DE: B000025WMQ [info]