Les Grandes Cantates: BWV 51, 80, 82, 106, 140, 147

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Cantate , BWV 80: I. Ein' feste Burg ist unser Gott
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
7:23
2Cantate , BWV 80: II. Mit unserer Macht
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:12
3Cantate , BWV 80: III. Erwäge doch, Kind Gottes, die so große Liebe
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:21
4Cantate , BWV 80: IV. Komm in mein Herzenshaus
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:50
5Cantate , BWV 80: V. Und wenn die Welt voll Teufel wär
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:19
6Cantate , BWV 80: VI. So stehe denn bei Christi blutgefärbter Fahne
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:35
7Cantate , BWV 80: VII. Wie selig sind doch die
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1967)
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:25
8Cantate , BWV 80: VIII. Das Wort sie sollen lassen stehn
instruments:
Consortium Musicum
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1967-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:22
9Cantate , BWV 51: I. Jauchzet Gott in allen Landen
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:47
10Cantate , BWV 51: I. Wir beten zu dem Tempel an
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:14
11Cantate , BWV 51: II. Höchster, mache deine Güte
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:02
12Cantate , BWV 51: III. Sei Lob und Preis mit Ehren
producer:
John Fraser (UK producer)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:53
13Cantate , BWV 51: IV. Alleluja, alleluja
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:03
14Cantate , BWV 140: I. Wachet auf, ruft uns die Stimme
choir vocals:
Süddeutscher Madrigalchor (in 1967-07)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
8:06
15Cantate , BWV 140: II. Er kommt, er kommt, der Bräut'gam kommt
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:11
16Cantate , BWV 140: III. Wann kommst du, mein Heil ?
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:51
17Cantate , BWV 140: IV. Zion hört die Wächter singen
choir vocals:
South German Madrigal Choir
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:44
18Cantate , BWV 140: V. So geh' herein zu mir, du mir erwählte Braut
bass vocals:
Hans Sotin (operatic bass) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:23
19Cantate , BWV 140: VI. Mein Freund ist mein
bass vocals:
Hans Sotin (operatic bass) (in 1967)
soprano vocals:
Elly Ameling (soprano) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:52
20Cantate , BWV 140: VII. Gloria sei dir gesungen
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:57
2▼CD
#TitleRatingLength
1Cantate , BWV 106: I. Sonatina
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor)
performer:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:14
2Cantate , BWV 106: II. Gottes Zeit ist die allerbeste Zeit
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Süddeutscher Madrigalchor (from 1965-05-31 until 1965-06-03)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
8:58
3Cantate , BWV 106: III. In deine Hände
alto vocals:
Sybil Michelow
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Süddeutscher Madrigalchor
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
5:31
4Cantate , BWV 106: IV. Gloria, Lob, Ehr' und Herrlichkeit
choir vocals:
Süddeutscher Madrigalchor
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:58
5Cantate , BWV 82: I. Ich habe genug
bass vocals:
Gérard Souzay (baritone)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
7:56
6Cantate , BWV 82: II. Ich habe genug
bass vocals:
Gérard Souzay (baritone)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:49
7Cantate , BWV 82: III. Schlummert ein
bass vocals:
Gérard Souzay (baritone)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
8:17
8Cantate , BWV 82: IV. Mein Gott
bass vocals:
Gérard Souzay (baritone)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:14
9Cantate , BWV 82: V. Ich freue mich auf meinen Tod
bass vocals:
Gérard Souzay (baritone)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1958-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
4:09
10Cantate , BWV 147: I. Herz und Mund
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
5:01
11Cantate , BWV 147: II. Gebenedeiter Mund !
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:52
12Cantate , BWV 147: III. Schäme dich
oboe d'amore:
Edward Selwyn (oboist) (in 1957)
alto vocals:
Helen Watts (contralto)
contralto vocals:
Helen Watts (contralto) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:41
13Cantate , BWV 147: IV. Verstockung kann Gewaltige verblenden
bass vocals:
Thomas Hemsley (baritone) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:51
14Cantate , BWV 147: V. Bereite dir
soprano vocals:
Joan Sutherland (soprano) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:51
15Cantate , BWV 147: VI. Wohl mir
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:44
16Cantate , BWV 147: VII. Hilf Jesu, hilf
tenor vocals:
Wilfred Brown (tenor) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:13
17Cantate , BWV 147: VIII. Der höchsten Allmacht
alto vocals:
Helen Watts (contralto)
contralto vocals:
Helen Watts (contralto) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:23
18Cantate , BWV 147: IX. Ich will von Jesu
bass vocals:
Thomas Hemsley (baritone) (in 1957)
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:05
19Cantate , BWV 147: X. Jesus bleibet meine Freude
trumpet:
Dennis Clift (trumpeter) (in 1957)
choir vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1957-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:46

Credits

Release

ASIN:DE: B000025WMQ [info]