Jazz for Driving

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Deezer + Spotify)

(As of 2020-10-24).

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  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-10-24 18:17 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Caravan (1955 version)
recording of:
Caravan (in 1955)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington & His Orchestra4:33
2Hit the Road Jack
cover recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Shirley Horn3:11
3Over the Rainbow
bass:
Ken Pendergast (bass player, vocalist)
cello:
Larry Corbett, Christina Soule (cello) and Cécilia Tsan (cellist)
double bass:
Nico Abandolo (Musician - Bass Player) and Drew Dembowski
drums (drum set):
Charlie Patterno (Musician - Drummer)
harp:
Amy Shulma (Musican - Harp Player)
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Bryan Rogers (Musician - Saxophonist)
trumpet:
Patrick Hughes (Musician - Trumpet Player - Vocalist)
vibraphone:
Behn Gillece (vibraphone player, composer)
viola:
Alma Fernandez, Samuel Formicola (violist), Jody Rubin (Musician - Viola Player) and Dave Walther (Musician - Viola Player)
violin:
Darius Campo, Roberto Cani (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov, Audrey Solomon and Irina Voloshina
vocals:
Melody Gardot
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Melody Gardot54:34
4Road Song
guitar:
Wes Montgomery
arranger:
Don Sebesky
recording of:
Road Song
composer:
John L. "Wes" Montgomery
publisher:
Taggie Music Co. (publisher)
Wes Montgomery3:50
5Don’t Dream It’s Over
additional recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (other instruments [orchestra])
recording engineer:
Jorge Vivo (engineer)
programming, sound engineer and mixer:
Jochem van der Saag
co-producer:
Jochem van der Saag
producer:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Jim Keltner (in 2014)
guitar [guitars]:
Michael Thompson (session guitarist)
keyboard [keyboards]:
David Foster (Canadian music producer, arranger and composer)
synthesizer [synths]:
Jochem van der Saag
vocals:
Diana Krall
conductor:
Gavin Greenaway
arranger:
David Foster (Canadian music producer, arranger and composer)
orchestrator:
Vince Mendoza
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2014)
additionally recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (other instruments [orchestra])
recorded at:
Verve Studios in Santa Monica, California, United States
mixed at:
Blue Studios in Agoura Hills, California, United States
cover recording of:
Don’t Dream It’s Over (in 2014)
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Diana Krall3:38
6Come Away With Me
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
Norah Jones3.83:17
7(Get Your Kicks on) Route 66 (remastered)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
Nat King Cole Trio3:01
8How Do You Keep the Music Playing?
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (American pianist, conductor and arranger) (on 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Frank Sinatra3:53
9Perfidia
vocals:
Julie London
Julie London2:33
10Histoire d’un amour
vocals:
Dalida (Egyptian-Italian singer and actress) (in 1957)
recording of:
Histoire d’un amour (in 1957)
writer:
Carlos Eleta Almarán
translator:
Francis Blanche
version of:
Historia de un amor (original)
Dalida33:06
11Drive Time
recorded in:
Hollywood, Los Angeles, California, United States (on 1999-02-01)
bass:
Jon Ossman
electric piano:
Jeff Lorber and Jeff Young (piano)
guitar:
Tim Pierce (US session guitarist) and Larry Saltzman
keyboard:
Chris Botti and Harvey Jones
percussion:
Alex Acuña
piano:
Jeff Young (piano)
trombone:
Mike Davis (trumpet, flugelhorn)
trumpet:
Chris Botti
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recording of:
Drive Time (on 1999-02-01)
composer:
Chris Botti
publisher:
Paul Simon Music
Chris Botti5:32
12Another Day of Sun
producer:
Marius de Vries and Justin Hurwitz (American score composer)
lead vocals:
Angela Parrish
vocals:
Nicholai Baxter, Marius de Vries, Briana Lee and Sam Stone (actor/singer)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2016)
edit of:
Another Day of Sun (with radios) by La La Land Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
Another Day of Sun
orchestrator and composer:
Justin Hurwitz (American score composer)
lyricist:
Benj Pasek and Justin Paul
publisher:
A Lion Music, Breathelike Music, Justin Hurwitz Music, Pick in a Pinch Music, WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), B Lion Music (from 2016 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2016 to present)
part of:
La La Land (2016 musical film score and soundtrack)
La La Land Cast3:48
13You’re Driving Me Crazy
recorded in:
New York, New York, United States (in 1958-08)
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr.
bass:
Sam Jones (US jazz bassist) (in 1958-08)
drums (drum set):
Dannie Richmond (drummer) (in 1958-08)
piano:
Kenny Drew (in 1958-08)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-08)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-08)
instrumental recording of:
You’re Driving Me Crazy (in 1958-08)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Chet Baker2:57
14Basie - Straight Ahead
recording of:
Basie - Straight Ahead
composer:
Sammy Nestico
Count Basie & His Orchestra3:56
15Groovin’ Hard (live at the Tropicana, Las Vegas, NV/1970)
Buddy Rich4:55
16Hit the Road to Dreamland
recorded in:
New York, New York, United States (on 1957-11-26)
vocals:
Sarah Vaughan (on 1957-11-26)
orchestra:
Hal Mooney & His Orchestra (on 1957-11-26)
recording of:
Hit the Road to Dreamland (on 1957-11-26)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Sarah Vaughan2:52
17Moanin’
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey9:32
18Quizas, Quizas, Quizas
Laura Fygi3:25
19In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller Orchestra3:41
20Liquid Spirit (Claptone remix)
vocals:
Gregory Porter
remixer:
Claptone (Berlin DJ & producer duo)
remix of:
Liquid Spirit by Gregory Porter
recording of:
Liquid Spirit
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter6:24
21Manteca (live Japan 1993)
recording engineer:
Bernie Kirsh (on 1993-01-31)
co-producer:
Gretchen Hoffman Abene
producer:
Michael Abene
mixer:
Bernie Kirsh
bass:
John Patitucci (on 1993-01-31)
brass:
Randy Brecker (on 1993-01-31), Chuck Findley (trumpet, trombone, horn player) (on 1993-01-31), Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer) (on 1993-01-31) and Byron Stripling (on 1993-01-31)
clarinet:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) (on 1993-01-31)
drums (drum set):
Dave Weckl (on 1993-01-31)
flute:
Phillip Bent (on 1993-01-31)
piano:
Dave Grusin (American pianist and score composer) (on 1993-01-31)
reeds:
Bob Mintzer (on 1993-01-31)
saxophone:
Eric Marienthal (on 1993-01-31), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (on 1993-01-31) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (on 1993-01-31)
trombone:
George Bohanon (on 1993-01-31)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1993-01-31)
woodwind:
Nelson Rangell (on 1993-01-31)
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
東京簡易保険会館 (Kani Hoken Hall) in Tokyo, Japan (on 1993-01-31)
mixed at:
Mad Hatter Studios (Los Angeles) in Echo Park, Los Angeles, California, United States
GRP All-Star Big Band7:33
22Speedball
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1965-06-25)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-06-25)
piano:
Harold Mabern (American jazz pianist) (on 1965-06-25)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-06-25)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1965-06-25)
recording of:
Speedball (on 1965-06-25)
composer:
Lee Morgan (jazz trumpeter / composer)
live recording of:
Speedball (in 1970)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan5:32
23Open Sesame (alternate take/the Rudy Van Gelder edition/2002 digital remaster)
recording engineer:
Rudy van Gelder (on 1960-06-19)
producer:
Alfred Lion
double bass [bass]:
Sam Jones (US jazz bassist) (on 1960-06-19)
drums (drum set):
Clifford Jarvis (on 1960-06-19)
piano:
McCoy Tyner (jazz pianist) (on 1960-06-19)
tenor saxophone:
Tina Brooks (on 1960-06-19)
trumpet:
Freddie Hubbard (on 1960-06-19)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-19)
recording of:
Open Sesame (on 1960-06-19)
composer:
Harold Floyd Brooks
publisher:
EMI Unart Catalog Inc.
Freddie Hubbard7:16
24Stolen Moments
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Noslen Music Company (Oliver Nelson)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oliver Nelson8:46
25II B.S. (edit)
recorded in:
New York, New York, United States (on 1963-09-20)
recording engineer:
Bob Simpson (US jazz engineer/producer) (from 1963-09-20 to present)
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Eric Dolphy
alto saxophone and flute:
Eric Dolphy (on 1963-09-20)
baritone saxophone and soprano saxophone:
Jerome Richardson (on 1963-09-20)
clarinet and oboe:
Dick Hafer (on 1963-09-20)
double bass:
Charles Mingus (on 1963-09-20)
double bass [bass]:
Charles Mingus
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-09-20)
flute:
Eric Dolphy, Dick Hafer (on 1963-09-20) and Jerome Richardson (on 1963-09-20)
guitar:
Jay Berliner (on 1963-09-20)
piano:
Charles Mingus and Jaki Byard (on 1963-09-20)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1963-09-20) and Dick Hafer (on 1963-09-20)
trombone:
Britt Woodman (on 1963-09-20)
trumpet:
Eddie Preston (on 1963-09-20) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-09-20)
tuba:
Don Butterfield (on 1963-09-20)
recording of:
II B.S. (on 1963-09-20)
composer:
Charles Mingus
Charles Mingus54:49
26Intermission Riff
bongos and timbales:
Chico Guerrero (on 1956-02-11)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-02-11)
guitar:
Ralph Blaze (on 1956-02-11)
piano:
Stan Kenton (on 1956-02-11)
saxophone:
Skeets Herfurt (on 1956-02-11), Vido Musso (on 1956-02-11), Lennie Niehaus (American saxophonist and score composer) (on 1956-02-11), Jack Nimitz (American saxophonist and clarinet player) (on 1956-02-11), Bill Perkins (jazz saxophonist) (on 1956-02-11) and Spence Sinatra (on 1956-02-11)
trombone:
Milt Bernhart (on 1956-02-11), Bob Fitzpatrick (on 1956-02-11), Carl Fontana (on 1956-02-11), Don Kelley (US jazz trombonist) (on 1956-02-11) and Kent Larsen (on 1956-02-11)
trumpet:
Pete Candoli (on 1956-02-11), Maynard Ferguson (on 1956-02-11), Ed Leddy (on 1956-02-11), Sam Noto (on 1956-02-11), Don Paladino (trumpeter) (on 1956-02-11) and Vinnie Tanno (on 1956-02-11)
conductor:
Stan Kenton (on 1956-02-11)
recorded at:
Goldwyn Studios (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States (on 1956-02-11)
recording of:
Intermission Riff (on 1956-02-11)
composer:
Ray Wetzel
Stan Kenton4:15
27The Jeep Is Jumpin’
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone:
Harry Carney (on 1962-08-18)
cornet:
Ray Nance (on 1962-08-18)
double bass and double bass [bass]:
Aaron Bell (jazz double bassist) (on 1962-08-18)
drums (drum set):
Sam Woodyard (on 1962-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-08-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
recording of:
The Jeep Is Jumpin' (on 1962-08-18)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Johnny Hodges
Duke Ellington4:51
28Blue Skies
recorded in:
Hollywood, Los Angeles, California, United States (on 1958-03-18)
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Blue Skies (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald53:45
29What a Wonderful World / What a Wonderful Life
producer:
David Benson (engineer) and Barry Manilow
mixer:
Bill Schnee
vocals:
Barry Manilow
conductor:
Doug Walter
contains samples by:
Louis Armstrong
arranger:
Barry Manilow
orchestrator:
Doug Walter
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2014)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
medley including a recording of:
What a Wonderful Life
lyricist:
Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Obbligato Music and Songs of Kobalt Music Publishing
medley including a recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Barry Manilow with Louis Armstrong24:05
30Reunion
recording engineer:
Rob Eaton (from 1989-05-06 until 1989-05-10)
assistant engineer:
Dan Gellert (sound engineer)
mixer:
Rob Eaton
bass:
Will Lee (US jazz/rock bassist) (from 1989-05-06 until 1989-05-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 1989-05-06 until 1989-05-10)
guitar:
Pat Metheny (from 1989-05-06 until 1989-05-10)
keyboard and piano:
Mitchel Forman (from 1989-05-06 until 1989-05-10)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1989-05-06 until 1989-05-10)
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!) (in 1990)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1989-05-06 until 1989-05-10)
recording of:
Reunion (from 1989-05-06 until 1989-05-10)
composer:
Mitchel Forman
Gary Burton5:16
31Blue Train (live at Gotanda Kan‐i Hoken Hall, Tokyo/1993)
GRP All-Star Big Band4:40
32One Breath
recording of:
One Breath
composer:
Walter Afanasieff and Kenny G (saxophonist)
Kenny G3:32
33Grey Skies
recording engineer:
Daniel Cinelli
producer:
Sharada Banman, Jesse Harris and Phil Ramone
mixer:
Mick Guzauski and Tom Schick
acoustic guitar and electric guitar:
Andy Dacoulis
bass:
Rob Fahie
cello:
Christine Giguère
drums (drum set):
Richard Irwin
Hammond organ and piano:
Paul Shrofel
lead vocals:
Nikki Yanofsky (Canadian jazz-pop singer)
arranger:
Sharada Banman
phonographic copyright (℗) by:
Decca Label Group (not for release label use! defunct North American label group) (from 2010 to present)
recording of:
Grey Skies
writer:
Sharada Banman, Paul Shrofel and Nikki Yanofsky (Canadian jazz-pop singer)
Nikki Yanofsky3:22
34Get Out of Town
Caetano Veloso3:55
35It’s Been a Long, Long Time
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-25)
recording of:
It’s Been a Long, Long Time (on 1958-05-25)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
cover recording of:
It’s Been a Long, Long Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
Peggy Lee2:20
36A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald43:55
37Prelude in E minor
recording engineer:
Tommy Nola
baritone saxophone:
Gerry Mulligan (in 1963-09)
bass:
Bill Crow (in 1963-09)
drums (drum set):
Dave Bailey (US jazz drummer) (in 1963-09)
flugelhorn and trumpet:
Art Farmer (in 1963-09)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1963-09)
trombone:
Bob Brookmeyer (in 1963-09)
instruments arranger:
Gerry Mulligan
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (in 1963-09)
cover recording of:
Prelude in E Minor (arr. Gerry Mulligan) (in 1963-09)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
instruments arranger:
Gerry Mulligan
arrangement of:
Prélude no. 4 in E minor, op. 28: Largo
Gerry Mulligan Sextet4:17
38Mas que nada / De manhã
Jorge Ben Jor3:00
39A mis abuelos
Arturo Sandoval5:24
40Cruise Control
bass:
Alex Al
guitar:
George Benson (jazz guitarist/singer) and DeChown Jenkins
keyboard:
Ricky Peterson (American keyboardist)
membranophone:
Lil' John Roberts (drums)
percussion:
Lenny Castro
synthesizer:
Tim Heintz
vocals:
George Benson (jazz guitarist/singer)
George Benson5:10
41Isn’t It Romantic
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Anthony Ortega (jazz saxophonist)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Jimmy Bond
drums (drum set):
Stan Levey
guitar:
Herb Ellis (jazz guitarist)
piano:
Mike Melvoin
tenor saxophone:
Curtis Amy
trombone:
Mike Barone, John Erwing, Lester Robertson (jazz trombonist) and Ernie Tack
trumpet:
Bud Brisbois, Jules Chaikin, Freddie Hill (trumpet), Melvin Moore (Trumpet, Violin, Voice) and Al Porcino
vocals:
Johnny Hartman (jazz singer)
recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
Johnny Hartman2:05
42Love Is Here to Stay
bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
guitar:
Mundell Lowe
vocals:
Blossom Dearie
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Blossom Dearie3:11
43Mediterráneo
Andrea Motis5:05
44My Way
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-12-30)
engineer:
Lee Herschberg
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) and Don Costa (US pop music arranger & producer)
instruments:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (on 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 79)
cover recording of:
My Way (Frank Sinatra song) (on 1968-12-30)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
Frank Sinatra3.954:37
45California Dreamin’
additional recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (other instruments [orchestra])
recording engineer:
Jorge Vivo (engineer)
programming, sound engineer and mixer:
Jochem van der Saag
co-producer:
Jochem van der Saag
producer:
David Foster (Canadian music producer, arranger and composer)
acoustic guitar:
Ramón Stagnaro
bass:
Christian McBride (American jazz bassist)
ebow [ebow electric guitar]:
Michael Thompson (session guitarist)
keyboard:
David Foster (Canadian music producer, arranger and composer)
piano:
Diana Krall
synthesizer [synths]:
Jochem van der Saag
background vocals:
Graham Nash and Stephen Stills
vocals:
Diana Krall
conductor:
Gavin Greenaway
arranger:
David Foster (Canadian music producer, arranger and composer)
orchestrator:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2014)
additionally recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (other instruments [orchestra])
recorded at:
Verve Studios in Santa Monica, California, United States
mixed at:
Blue Studios in Agoura Hills, California, United States
cover recording of:
California Dreamin’ (in 2014)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Diana Krall43:17
46Lean on Me
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2018)
cover recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
José James4:58
47On the Sunny Side of the Street (English version)
Lisa Ono2:04
48Have You Met Miss Jones?
Stan Getz Quintet3:14
49On a Clear Day (You Can See Forever)
recording engineer:
Ray Hall (engineer) (from 1968-09-23 until 1968-10-21)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1968-09-23 until 1968-10-21)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09-23 until 1968-10-21)
instrumental cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (from 1968-09-23 until 1968-10-21)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Bill Evans4:49
50Makin’ Whoopee!
recorded in:
New York, New York, United States (on 1954-03-29)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-03-29)
cover recording of:
Makin’ Whoopee! (on 1954-03-29)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Ella Fitzgerald3:00
51Orange Colored Sky
Oscar Peterson2:15
52Soul Eyes
recording of:
Soul Eyes
composer:
Mal Waldron (American jazz pianist)
publisher:
Prestige Music (US drum & bass)
Kandace Springs3:22
53Hey Laura
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland (producer, engineer and mixer)
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus (producer, consultant A&R)
mixer:
Jay Newland (producer, engineer and mixer) (from 2013-04 until 2013-05)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter3:19
54Flying Home (single version)
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Lionel Hampton and His Orchestra3:13
55You’re Still the One
assistant recording engineer:
Mikhail Pivovarov (recording engineer)
recording engineer:
Jay Newland (producer, engineer and mixer) (from 2014-04-03 until 2014-04-04)
producer:
John Scofield (US guitarist/composer)
mixer:
Jay Newland (producer, engineer and mixer)
drums (drum set):
Bill Stewart (US jazz drummer) (from 2016-04-03 until 2016-04-04)
electric bass guitar:
Steve Swallow (from 2016-04-03 until 2016-04-04)
guitar:
John Scofield (US guitarist/composer) (from 2016-04-03 until 2016-04-04)
Hammond organ:
Larry Goldings (from 2016-04-03 until 2016-04-04)
recorded at:
Carriage House Studios in Stamford, Connecticut, United States (from 2016-04-03 until 2016-04-04)
instrumental recording of:
You’re Still the One (from 2016-04-03 until 2016-04-04)
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
John Scofield4:20
56Déjà vu
recording of:
Déjà vu
composer:
Walter Afanasieff and Kenny G (saxophonist)
Kenny G5:01
57The Way Home
Chris Botti4:52