Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1CD: Sacred Cantatas: BWV 1-3
2CD: Sacred Cantatas: BWV 4-6
3CD: Sacred Cantatas: BWV 7-9
4CD: Sacred Cantatas: BWV 10-12
5CD: Sacred Cantatas: BWV 13, 14, 16
6CD: Sacred Cantatas: BWV 17-19
7CD: Sacred Cantatas: BWV 20-21
8CD: Sacred Cantatas: BWV 22-25
9CD: Sacred Cantatas: BWV 26-29
10CD: Sacred Cantatas: BWV 30-31
11CD: Sacred Cantatas: BWV 32-34
12CD: Sacred Cantatas: BWV 35-36
13CD: Sacred Cantatas: BWV 37-40
14CD: Sacred Cantatas: BWV 41-43
15CD: Sacred Cantatas: BWV 44-47
16CD: Sacred Cantatas: BWV 48-51
17CD: Sacred Cantatas: BWV 52, 54-56
18CD: Sacred Cantatas: BWV 57-60
19CD: Sacred Cantatas: BWV 61-63
20CD: Sacred Cantatas: BWV 64-66
21CD: Sacred Cantatas: BWV 67-69a
22CD: Sacred Cantatas: BWV 70-73
23CD: Sacred Cantatas: BWV 74-75
24CD: Sacred Cantatas: BWV 76-78
25CD: Sacred Cantatas: BWV 79-82
26CD: Sacred Cantatas: BWV 83-86
27CD: Sacred Cantats BWV 87-90
28CD: Sacred Cantatas BWV 91-93
29CD: Sacred Cantatas BWV 94-96
30CD: Sacred Cantatas BWV 97-99
31CD
32CD
33CD
34CD
35CD
36CD
37CD
38CD
39CD
40CD
41CD
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43CD
44CD
45CD
46CD
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#TitleRatingLength
1Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: I. Coro. Höchsterwünschtes Freudenfest
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
5:04
2Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: II. Recitativo (bass). Unendlich großer Gott
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:10
3Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: III. Aria (bass). Was des Höchsten Glanz erfüllt
baritone vocals:
Thomas Hampson (baritone)
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
4:47
4Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: IV. Recitativo (soprano). Wie könnte dir, du höchstes Angesicht
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:24
5Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: V. Aria (soprano). Hilf, Gott, daß es uns gelingt
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
6:04
6Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: VI. Choral (coro). Heilger Geist ins Himmels Throne
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 100)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
2:13
7Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: VII. Recitativo (tenor). Ihr Heiligen, erfreuet euch
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:07
8Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: VIII. Aria (tenor). Des Höchsten Gegenwart allein
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
3:48
9Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: IX. Recitativo (Duetto) (soprano, bass). Kann wohl ein Mensch
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
2:10
10Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: X. Aria (Duetto) (soprano, bass). O wie wohl ist uns geschehn
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
9:24
11Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: XI. Recitativo (bass). Wohlan demnach, du heilige Gemeine
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
0:46
12Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: XII. Choral (coro). Sprich Ja zu meinen Taten
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Gerhardt (17th century hymn writer) (from 1647 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 268)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:26
13Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) I. Coro. Dem Gerechten muß das Licht
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": I. Coro (Sopran, Alt, Tenor, Bass) "Dem Gerechten muß das Licht immer wieder aufgehen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
5:24
14Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) II. Recitativo (bass). Dem Freudenlicht gerechter Frommen
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": II. Recitativo (Bass) "Dem Freudenlicht gerechter Frommen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
1:20
15Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) III. Aria (bass). Rühmet Gottes Güt und Treu!
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": III. Aria (Bass) "Rühmet Gottes Güt und Treu" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
4:21
16Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) IV. Recitativo (soprano). Wohlan, so knüpfet denn ein Band
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": IV. Recitativo (Sopran) "Wohlan, so knüpfet denn ein Band" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
1:15
17Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) V. Coro. Wir kommen, deine Heiligkeit
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": V. Coro (Sopran, Alt, Tenor, Bass) "Wir kommen, deine Heiligkeit" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
5:52
18Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) VI. Choral (coro). Nun danket all und bringet Ehr
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": VI. Choral "Nun danket all und bringet Ehr" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 236)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
0:45
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Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)
Discogs:https://www.discogs.com/release/23209139 [info]
ASIN:US: B00001IV8B [info]
discography entry:http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]