The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1CD: Vol 1. Cantatas CD 1
2CD: Vol 1. Cantatas CD 2
3CD: Vol 1. Cantatas CD 3
4CD: Vol 1. Cantatas CD 4
5CD: Vol 2. Cantatas CD 1
6CD: Vol 2. Cantatas CD 2
7CD: Vol 2. Cantatas CD 3
8CD: Vol 2. Cantatas CD 4
9CD: Vol 3. Cantatas CD 1
10CD: Vol 3. Cantatas CD 2
11CD: Vol 3. Cantatas CD 3
12CD: Vol 3. Cantatas CD 4
13CD: Vol 4. Cantatas CD 1
14CD: Vol 4. Cantatas CD 2
15CD: Vol 4. Cantatas CD 3
16CD: Vol 4. Cantatas CD 4
17CD: Vol 5. Cantatas CD 1
18CD: Vol 5. Cantatas CD 2
19CD: Vol 5. Cantatas CD 3
20CD: Vol 5. Cantatas CD 4
21CD: Vol 6. Cantatas CD 1
22CD: Vol 6. Cantatas CD 2
23CD: Vol 6. Cantatas CD 3
24CD: Vol 6. Cantatas CD 4
25CD: Vol 7. Cantatas CD 1
26CD: Vol 7. Cantatas CD 2
27CD: Vol 7. Cantatas CD 3
28CD: Vol 7. Cantatas CD 4
29CD: Vol 8. Cantatas CD 1
30CD: Vol 8. Cantatas CD 2
31CD: Vol 8. Cantatas CD 3
32CD: Vol 8. Cantatas CD 4
33CD: Vol 9. Cantatas CD 1
34CD: Vol 9. Cantatas CD 2
35CD: Vol 9. Cantatas CD 3
36CD: Vol 9. Cantatas CD 4
37CD: Vol 10. Cantatas CD 1
38CD: Vol 10. Cantatas CD 2
39CD: Vol 10. Cantatas CD 3
40CD: Vol 10. Cantatas CD 4
41CD: Vol 11. Cantatas CD 1
42CD: Vol 11. Cantatas CD 2
43CD: Vol 11. Cantatas CD 3
44CD: Vol 11. Cantatas CD 4
45CD: Vol 12. Cantatas CD 1
46CD: Vol 12. Cantatas CD 2
47CD: Vol 12. Cantatas CD 3
48CD: Vol 12. Cantatas CD 4
49CD: Vol 13. Cantatas CD 1
50CD: Vol 13. Cantatas CD 2
51CD: Vol 13. Cantatas CD 3
52CD: Vol 13. Cantatas CD 4
53CD: Vol 14. Cantatas CD 1
54CD: Vol 14. Cantatas CD 2
55CD: Vol 14. Cantatas CD 3
56CD: Vol 14. Cantatas CD 4
57CD: Vol 15. Cantatas CD 1
58CD: Vol 15. Cantatas CD 2
59CD: Vol 15. Cantatas CD 3
60CD: Vol 15. Cantatas CD 4
61CD: Vol 16. Cantatas CD 1
62CD: Vol 16. Cantatas CD 2
63CD: Vol 16. Cantatas CD 3
64CD: Vol 16. Cantatas CD 4
65CD: Vol 17. Cantatas CD 1
66CD: Vol 17. Cantatas CD 2
67CD: Vol 17. Cantatas CD 3
68CD: Vol 17. Cantatas CD 4
69CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
#TitleRatingLength
1Magnificat Es‐Dur, BWV 243a: I. Coro „Magnificat anima mea Dominum“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:53
2Magnificat Es‐Dur, BWV 243a: IIa. Aria (Sopran II) „Et exsultavit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:17
3Magnificat Es‐Dur, BWV 243a: IIb. Coro (a‐cappella) „Vom Himmel hoch“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:29
4Magnificat Es‐Dur, BWV 243a: III. Aria (Sopran I) „Quia respexit“
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:28
5Magnificat Es‐Dur, BWV 243a: IV. Coro „Omnes generationes“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:14
6Magnificat Es‐Dur, BWV 243a: Va. Aria (Bass) „Quia fecit mihi magna“
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:02
7Magnificat Es‐Dur, BWV 243a: Vb. Coro „Freut euch und jubiliert“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:20
8Magnificat Es‐Dur, BWV 243a: VI. Aria (Alt, Tenor) „Et misericordia“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
3:25
9Magnificat Es‐Dur, BWV 243a: VIIa. Coro „Fecit potentiam“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:53
10Magnificat Es‐Dur, BWV 243a: VIIb. Coro „Gloria in excelsis Deo“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:02
11Magnificat Es‐Dur, BWV 243a: VIII. Aria (Tenor) „Deposuit potentes“
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:55
12Magnificat Es‐Dur, BWV 243a: IXa. Aria (Alt) „Esurientes implevit bonis“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:55
13Magnificat Es‐Dur, BWV 243a: IXb. Aria (Sopran, Bass) „Virga Jesse floruit“
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:58
14Magnificat Es‐Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) „Suscepit Israel“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03) and Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:39
15Magnificat Es‐Dur, BWV 243a: XI. Coro „Sicut locutus est“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
1:49
16Magnificat Es‐Dur, BWV 243a: XII. Coro „Gloria Patri et filio“
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
2:11
17h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:08
18h‐Moll‐Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) „Et in unum Dominum“
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-03)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-03)
soprano vocals [Soprano I]:
Sibylla Rubens (soprano) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:01
19Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: II. Recitativo (Bass) „Wie, daß der Liebe hohe Kraft“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
0:39
20Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Tenor) e Recitativo (Alt) „Siehe, also wird gesegnet“
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
tenor vocals:
Christoph Prégardien (tenor) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
4:58
21Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: VI. Recitativo (Sopran) „Das ist vor dich, o ehrenwürdger Mann“
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": VII. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
0:55
22Kantate, BWV 69a „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Ach, daß ich tausend Zungen hätte“
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
0:53
23Kantate, BWV 69a „Lobe den Herrn, meine Seele“: III. Aria (Tenor) „Meine Seele, auf, erzähle“
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
5:41
24Kantate, BWV 69a „Lobe den Herrn, meine Seele“: IV. Recitativo (Alt) „Gedenk ich nur zurück“
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
1:34
25Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: II. Recitativo (Bass, Tenor) e Coro „Wie wunderbar, o Gott, sind deine Werke“
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
3:23
26Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: V. Recitativo (Tenor, Coro) „Herr Zebaoth“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:31
27Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VI. Aria (Alt, Tenor) „Herr, fange an und sprich den Segen“
alto vocals:
Ingeborg Danz (mezzo soprano) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
7:01
28Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VII. Recitativo (Bass) „Der Herr, Herr unser Gott“
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:35
29Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VIII. Choral „Lobe den Herren“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
1:45
30Kantate, BWV 197a „Ehre sei Gott in der Höhe“: V. Recitativo (Bass) „Das Kind ist mein“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:30
31Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VI. Aria (Bass) „Ich lasse dich nicht“
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
3:07
32Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VII. Choral „Wohlan! so will ich mich“
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
1:05
91CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93CD: Vol 24. A Book Of Chorale-Settings CD 1
94CD: Vol 24. A Book Of Chorale-Settings CD 2
95CD: Vol 24. A Book Of Chorale-Settings CD 3
96CD: Vol 24. A Book Of Chorale-Settings CD 4
97CD: Vol 25. Organ Works CD 1
98CD: Vol 25. Organ Works CD 2
99CD: Vol 25. Organ Works CD 3
100CD: Vol 25. Organ Works CD 4
101CD: Vol 26. Organ Works CD 1
102CD: Vol 26. Organ Works CD 2
103CD: Vol 26. Organ Works CD 3
104CD: Vol 26. Organ Works CD 4
105CD: Vol 27. Organ Works CD 1
106CD: Vol 27. Organ Works CD 2
107CD: Vol 27. Organ Works CD 3
108CD: Vol 27. Organ Works CD 4
109CD: Vol 28. Organ Works CD 1
110CD: Vol 28. Organ Works CD 2
111CD: Vol 28. Organ Works CD 3
112CD: Vol 28. Organ Works CD 4
113CD: Vol 29. Organ Works CD 1
114CD: Vol 29. Organ Works CD 2
115CD: Vol 29. Organ Works CD 3
116CD: Vol 29. Organ Works CD 4
117CD: Vol 30. Harpsichord Music CD 1
118CD: Vol 30. Harpsichord Music CD 2
119CD: Vol 30. Harpsichord Music CD 3
120CD: Vol 30. Harpsichord Music CD 4
121CD: Vol 31. Keyboard Works CD 1
122CD: Vol 31. Keyboard Works CD 2
123CD: Vol 31. Keyboard Works CD 3
124CD: Vol 31. Keyboard Works CD 4
125CD: Vol 32. Keyboard Works CD 1
126CD: Vol 32. Keyboard Works CD 2
127CD: Vol 32. Keyboard Works CD 3
128CD: Vol 32. Keyboard Works CD 4
129CD: Vol 33. Keyboard Works CD 1
130CD: Vol 33. Keyboard Works CD 2
131CD: Vol 33. Keyboard Works CD 2
132CD: Vol 33. Keyboard Works CD 4
133CD: Vol 34. Keyboard Works CD 1
134CD: Vol 34. Keyboard Works CD 2
135CD: Vol 34. Keyboard Works CD 3
136CD: Vol 34. Keyboard Works CD 4
137CD: Vol 35. Keyboard Works CD 1
138CD: Vol 35. Keyboard Works CD 2
139CD: Vol 35. Keyboard Works CD 3
140CD: Vol 35. Keyboard Works CD 4
141CD: Vol 36. Keyboard Works CD 1
142CD: Vol 36. Keyboard Works CD 2
143CD: Vol 36. Keyboard Works CD 3
144CD: Vol 36. Keyboard Works CD 4
145CD: Vol 37. Keyboard Works CD 1
146CD: Vol 37. Keyboard Works CD 2
147CD: Vol 37. Keyboard Works CD 3
148CD: Vol 37. Keyboard Works CD 4
149CD: Vol 38. Orchestral Music CD 1
150CD: Vol 38. Orchestral Music CD 2
151CD: Vol 38. Orchestral Music CD 3
152CD: Vol 38. Orchestral Music CD 4
153CD: Vol 39. Works For Violin CD 1
154CD: Vol 39. Works For Violin CD 2
155CD: Vol 39. Works For Violin CD 3
156CD: Vol 39. Works For Violin CD 4
157CD: Vol 40. Harpsichord Concertos CD 1
158CD: Vol 40. Harpsichord Concertos CD 2
159CD: Vol 40. Harpsichord Concertos CD 3
160CD: Vol 40. Harpsichord Concertos CD 4
161CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3