The Collector’s Edition

~ Release by Edward Elgar (see all versions of this release, 1 available)

Annotation

Performers are listed at https://www.amazon.co.uk/review/R31DTP5044KW7N/.

Annotation last modified on 2016-12-12 09:11 UTC.

Tracklist

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1Variations on an Original Theme ‘Enigma’, op. 36: Theme
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:29
2Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (Caroline Alice Edgar)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
3Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:49
4Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:28
5Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:30
6Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:17
7Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:16
8Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:04
9Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
10Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A.J. Jaeger)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1962-05-09 until 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
3:35
11Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:25
12Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:00
13Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:53
14Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:46
15Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale: E.D.U. (The Composer)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
5:36
16Pomp and Circumstance Military Marches, op. 39: No. 1 in D major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
6:40
17Pomp and Circumstance Military Marches, op. 39: No. 2 in A minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (on 1966-07-14)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Pomp and Circumstance Military Marches, op. 39
5:06
18Pomp and Circumstance Military Marches, op. 39: No. 3 in C minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1904)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Pomp and Circumstance Military Marches, op. 39
6:06
19Pomp and Circumstance Military Marches, op. 39: No. 4 in G major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (on 1962-08-29)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
5:22
20Pomp and Circumstance Military Marches, op. 39: No. 5 in C major
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1930)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1930-09-20)
part of:
Pomp and Circumstance Military Marches, op. 39
6:09
21Serenade in E minor, op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
3:59
22Serenade in E minor, op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
6:00
23Serenade in E minor, op. 20: III. Allegretto – Come prima
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
3:08
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