The Collector’s Edition

~ Release by Edward Elgar (see all versions of this release, 1 available)

Annotation

Performers are listed at https://www.amazon.co.uk/review/R31DTP5044KW7N/.

Annotation last modified on 2016-12-12 09:11 UTC.

Tracklist

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#TitleRatingLength
1Three Bavarian Dances: The Dance (Sonnenbichi): Allegretto giocoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 1. The Dance (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
part of:
Three Bavarian Dances, op. 27a
3:33
2Three Bavarian Dances: Lullaby (In Hammersbach): Moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 2. Lullaby (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
3:15
3Three Bavarian Dances: The Marksman (Bei Murnau): Allegro vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 3. The Marksmen (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
part of:
Three Bavarian Dances, op. 27a
4:50
4Chanson de nuit, op. 15 no. 1
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Chanson de nuit, op. 15 no. 1 (for orchestra)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
version of:
Chanson de nuit, op. 15 no. 1 (for violin and piano)
4:29
5Chanson de matin, op. 15 no. 2
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
3:12
6Fantasia and Fugue in C minor, op. 86: Fantasia
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (on 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-06-04)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (on 1973-06-04)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
5:08
7Fantasia and Fugue in C minor, op. 86: Fugue
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (on 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-06-04)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (on 1973-06-04)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
3:30
8Overture in D minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-09-29 until 1971-02-19)
conductor:
Sir Adrian Boult (conductor) (from 1970-09-29 until 1971-02-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 2004)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29, on 1971-02-19)
recording of:
Overture in D minor (from Handel's Chandos Anthem no. 2) (from 1970-09-29 until 1971-02-19)
orchestrator:
Edward Elgar (composer) (in 1923)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Sonata
5:06
9In the South (Alassio) Concert Overture, op. 50
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
In the South (Alassio), op. 50
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
19:49
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