The Memorial Album

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Well All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
Buddy Holly42:14
2It Doesn't Matter Anymore
producer:
Dick Jacobs (arranger, musician and bandleader) and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Buddy Holly2.752:04
3Raining in My Heart
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly52:49
4Peggy Sue Got Married
recording of:
Peggy Sue Got Married
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
Buddy Holly2:05
5Crying, Waiting, Hoping
recorded in:
New York, New York, United States (on 1958-12-14, on 1959-06-30)
producer:
Jack Hansen
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
bass:
Sanford Bloch (Bass player) (on 1959-06-30)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-06-30)
guitar:
Donald Amone (on 1959-06-30)
piano:
Andrew Ackers (on 1959-06-30)
background vocals:
The Ray Charles Singers (on 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
recording of:
Crying, Waiting, Hoping (from 1958-12-14 until 1959-06-30)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
Buddy Holly2:12
6True Love Ways
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.52:50
7Moondreams
cover recording of:
Moondreams
writer:
Norman Petty
publisher:
Wren Music Co.
Buddy Holly2:41
8Reminiscing
recorded in:
Clovis, New Mexico, United States (on 1958-09-10, in 1962)
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10), Keith McCormack (in 1962) and George Tomsco (in 1962)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
cover recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
Buddy Holly1:55
9Bo Diddley
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Buddy Holly52:22
10Brown Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
11Because I Love You
recording of:
Because I Love You
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Buddy Holly2:39
12Wishing
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Wishing (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly42:02
13Love's Made a Fool of You
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Love’s Made a Fool of You (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
Southern Music Ltd. (publisher) (in 1981)
Buddy Holly32:00
14Dearest
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20) and Clovis, New Mexico, United States (from 1962 until 1963)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
drums (drum set):
Doug Roberts (drummer) (from 1962 until 1963)
guitar:
Keith McCormack (from 1962 until 1963) and George Tomsco (from 1962 until 1963)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Dearest (from 1959-01-01 until 1963)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
Buddy Holly3.351:52
15What to Do
recorded in:
New York, New York, United States (on 1958-12-03) and Clovis, New Mexico, United States (from 1962-06 until 1963-12)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
bass:
Stan Lark (from 1962-06 until 1963-12)
guitar:
George Tomsco (from 1962-06 until 1963-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
recording of:
What to Do (from 1958-12-03 until 1963-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
Buddy Holly1:53
16Interview With Alan Freed
Buddy Holly1:59
17That'll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:29
18Rock-a-bye Rock
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
recording engineer:
Norman Petty (from 1956-02 until 1956-04)
producer:
Norman Petty
drums (drum set):
Jerry Allison (from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
Rock-a-Bye Rock (from 1956-02 until 1956-04)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Buddy Holly2:24
19Old Friend
performer:
Waylon Jennings (US country musician)
recording of:
Old Friend
lyricist and composer:
Waylon Jennings (US country musician)
publisher:
Baron Music Publishing Co.
Buddy Holly feat. Waylon Jennings3:19

Credits

Release

printed in:Netherlands, Kingdom of the Netherlands
design:Hotline (Dutch graphical design company)
distributed by:BMG The Netherlands
copyrighted (©) by and phonographic copyright (℗) by:BMG The Netherlands (in 1995)
marketed by:EVA (for use with NL/BE/FR releases only, see annotation)