The Memorial Album

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Blue Days, Black Nights
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar:
Sonny Curtis (on 1956-01-26) and Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
cover recording of:
Blue Days, Black Nights (on 1956-01-26)
lyricist and composer:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly2:05
2Rock Around
recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly feat. Ollie Vee2:12
3That'll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:17
4I'm Looking for Someone to Love
recorded in:
Clovis, New Mexico, United States (on 1957-02-25)
producer:
Norman Petty
bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (on 1957-02-25)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
Buddy Holly1:57
5Words of Love
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (on 1957-04-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
Buddy Holly41:55
6Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:31
7Every Day
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:09
8Oh Boy
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (vocalist and leader of The Picks) (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Buddy Holly42:07
9Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-27)
double bass:
Joe B. Mauldin (on 1957-05-29)
drums (drum set):
Jerry Allison (on 1957-05-27, on 1957-05-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
Buddy Holly4.652:23
10I'm Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
Buddy Holly4.52:15
11Look at Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
percussion [cardboard box]:
Jerry Allison (on 1957-12-19)
piano:
Vi Petty (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
recording of:
Look at Me (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly52:05
12(You're So Square) Baby I Don't Care
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-12-19)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Buddy Holly51:36
13Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
Buddy Holly3.52:21
14Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:02
15Tell Me How
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-05 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Tell Me How (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Buddy Holly42:00
16Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.21:48
17Think It Over
recording of:
Think It Over
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
Buddy Holly1:46
18Early in the Morning
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1958-06-19) and Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19), Al Chernet (on 1958-06-19) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19), Theresa Merritt (on 1958-06-19), Maeretha Stewart (on 1958-06-19), Helen Way (on 1958-06-19) and Harriet Young (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
phonographic copyright (℗) by:
Geffen Records (in 1958)
cover recording of:
Early in the Morning (on 1958-06-19)
writer:
Bobby Darin and Woody Harris
publisher:
Good Music Ltd., Royalty and United Artists Music Co., Inc.
Buddy Holly52:07
19It's So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
Buddy Holly3.52:11
20Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
Buddy Holly4.652:09
2▼CD
#TitleArtistRatingLength
1Well All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
Buddy Holly42:14
2It Doesn't Matter Anymore
producer:
Dick Jacobs (arranger, musician and bandleader) and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Buddy Holly2.752:04
3Raining in My Heart
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly52:49
4Peggy Sue Got Married
recording of:
Peggy Sue Got Married
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
Buddy Holly2:05
5Crying, Waiting, Hoping
recorded in:
New York, New York, United States (on 1958-12-14, on 1959-06-30)
producer:
Jack Hansen
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
bass:
Sanford Bloch (Bass player) (on 1959-06-30)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-06-30)
guitar:
Donald Amone (on 1959-06-30)
piano:
Andrew Ackers (on 1959-06-30)
background vocals:
The Ray Charles Singers (on 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
recording of:
Crying, Waiting, Hoping (from 1958-12-14 until 1959-06-30)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
Buddy Holly2:12
6True Love Ways
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.52:50
7Moondreams
cover recording of:
Moondreams
writer:
Norman Petty
publisher:
Wren Music Co.
Buddy Holly2:41
8Reminiscing
recorded in:
Clovis, New Mexico, United States (on 1958-09-10, in 1962)
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10), Keith McCormack (in 1962) and George Tomsco (in 1962)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
cover recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
Buddy Holly1:55
9Bo Diddley
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Buddy Holly52:22
10Brown Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
11Because I Love You
recording of:
Because I Love You
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Buddy Holly2:39
12Wishing
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Wishing (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly42:02
13Love's Made a Fool of You
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Love’s Made a Fool of You (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
Southern Music Ltd. (publisher) (in 1981)
Buddy Holly32:00
14Dearest
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20) and Clovis, New Mexico, United States (from 1962 until 1963)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
drums (drum set):
Doug Roberts (drummer) (from 1962 until 1963)
guitar:
Keith McCormack (from 1962 until 1963) and George Tomsco (from 1962 until 1963)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Dearest (from 1959-01-01 until 1963)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
Buddy Holly3.351:52
15What to Do
recorded in:
New York, New York, United States (on 1958-12-03) and Clovis, New Mexico, United States (from 1962-06 until 1963-12)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
bass:
Stan Lark (from 1962-06 until 1963-12)
guitar:
George Tomsco (from 1962-06 until 1963-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
recording of:
What to Do (from 1958-12-03 until 1963-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
Buddy Holly1:53
16Interview With Alan Freed
Buddy Holly1:59
17That'll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:29
18Rock-a-bye Rock
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
recording engineer:
Norman Petty (from 1956-02 until 1956-04)
producer:
Norman Petty
drums (drum set):
Jerry Allison (from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
Rock-a-Bye Rock (from 1956-02 until 1956-04)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Buddy Holly2:24
19Old Friend
performer:
Waylon Jennings (US country musician)
recording of:
Old Friend
lyricist and composer:
Waylon Jennings (US country musician)
publisher:
Baron Music Publishing Co.
Buddy Holly feat. Waylon Jennings3:19

Credits

Release

printed in:Netherlands, Kingdom of the Netherlands
design:Hotline (Dutch graphical design company)
distributed by:BMG The Netherlands
copyrighted (©) by and phonographic copyright (℗) by:BMG The Netherlands (in 1995)
marketed by:EVA (for use with NL/BE/FR releases only, see annotation)