100 Mp3 Vintage Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Data CD
#TitleArtistRatingLength
1Memories Are Made of This
cover recording of:
Memories Are Made of This
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin2:15
2Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (guitarist) (on 1951-08-17)
harp:
Ann Mason Stockton (American harpist) (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (Violin player) (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (violinist) (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:10
3South of the Border
Frank Sinatra2:47
4I Love You but I Don’t Like You
recording of:
I Love You but I Don’t Like You
writer:
Heinie Beau and Peggy Lee (jazz vocalist)
Peggy Lee2:30
5It’s a Lovely Day Today
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1950) and The Fontane Sisters (in 1950)
performer:
Mitchell Ayres and His Orchestra (in 1950)
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
Perry Como2:42
6Please Don’t Talk About Me When I’m Gone
cover recording of:
Please Don’t Talk About Me When I’m Gone
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Sammy Davis Jr.2:38
7Blueberry Hill
recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino2:18
8I Was the OneElvis Presley2:34
9Only You
recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:37
10Sous le ciel de Paris
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
cover recording of:
Sous le ciel de Paris (Under Paris Skies, original French version) (on 1954-10-20)
lyricist:
Jean Dréjac and Hubert Giraud
composer:
Hubert Giraud
publisher:
Éditions Choudens and Première Music Group
Édith Piaf3:32
11Under the Bridges of ParisDean Martin2:45
12Ain’t We Got Fun?
Doris Day2:35
13Whatever Lola Wants
vocals:
Sarah Vaughan (on 1955-03-17)
conductor:
Hugo Peretti (on 1955-03-17)
arranger:
Hugo Peretti
cover recording of:
Whatever Lola Wants (Damn Yankees) (on 1955-03-17)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
part of:
Damn Yankees (1955 musical)
Sarah Vaughan2:34
14If I May
conductor:
Ralph Carmichael (on 1961-04-03)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-04-03)
recording of:
If I May (on 1961-04-03)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
Nat King Cole3:02
15Three Coins in a FountainFrank Sinatra3:03
16Hey Good Lookin’
cover recording of:
Hey, Good Lookin’
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Acuff-Rose Publications, Inc. (BMI) (on 1951-03-16)
Tennessee Ernie Ford & Helen O’Connell2:04
17Jambalaya (On the Bayou)
recording of:
Jambalaya (On the Bayou) (on 1952-06-13)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1952-07-28)
Hank Williams42:52
18Mexican Joe
live recording of:
Mexican Joe (in 1959)
lyricist and composer:
Mitchell Torok
recording of:
Mexican Joe
lyricist and composer:
Mitchell Torok
Jim Reeves42:37
19Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:16
20I Found Out My Troubles
Johnny Otis2:41
21The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Rosemary Clooney2:06
22I Get a Kick Out of You
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra2:53
23Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald3:04
24Une enfant
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
Une enfant (de 16 ans) (on 1951-07-04)
lyricist:
Charles Aznavour
composer:
Charles Aznavour and Robert Chauvigny (French composer, orchestra leader and conductor)
Édith Piaf3:21
25Sway
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Sway (in 1954)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin2:41
26I Can’t Go On (Rosalie)
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
I Can't Go On (on 1955-10-15)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino42:04
27I’m Just a Dancing Partner
recorded in:
Chicago, Illinois, United States (in 1955-09)
The Platters2:13
28Stranger in Paradise
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Tony Bennett3:04
29April in Paris
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday3:02
30Ça
vocals:
Charles Aznavour (in 1955)
conductor:
Jo Moutet (in 1955)
recording of:
Ça ! (C’est formidable) (in 1955)
lyricist:
Charles Aznavour
composer:
Gilbert Bécaud
Charles Aznavour3:01
31A Guy Is a Guy
vocals:
Doris Day (on 1952-02-07)
orchestra:
Paul Weston Orchestra (on 1952-02-07)
conductor:
Paul Weston (on 1952-02-07)
recording of:
A Guy Is a Guy (on 1952-02-07)
lyricist and composer:
Oscar Brand
publisher:
Ludlow Music
Doris Day2:41
32Tina Marie
Perry Como2:32
33Because I Love My Baby So
Johnny Otis3:05
34Candy Lips
vocals:
Doris Day (in 1953) and Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
Candy Lips
lyricist and composer:
Fred Rose (songwriter)
Doris Day2:03
35Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Armstrong3:59
36I’m in Love Again
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 6)
recording of:
I’m in Love Again (on 1955-10-15)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino51:51
37I Walk the Line
recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:42
38Everytime
vocals:
Peggy Lee (jazz vocalist)
Peggy Lee2:59
39Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
Dean Martin2:48
40Papa Loves Mambo
producer:
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1954-08-31) and The Ray Charles Singers (on 1954-08-31)
orchestra:
Mitchell Ayres and His Orchestra (on 1954-08-31)
recording of:
Papa Loves Mambo (on 1954-08-31)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
Perry Como2.52:39
41In the Cool, Cool, Cool of the Evening
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 24th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1951 winner)
Rosemary Clooney3:00
42Love & Marriage
recording of:
Love and Marriage
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
Frank Sinatra2:37
43I Ain’t Got Nobody
Sammy Davis Jr.2:23
44Let’s Do It
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-02-09)
drums (drum set) [drums]:
Alvin Stoller (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Ella Fitzgerald3.53:32
45All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday3:50
46Cold Cold Heart
cover recording of:
Cold, Cold Heart
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
Dinah Washington3:18
47La Valse de l’amour
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
La Valse de l’amour (on 1951-04-13)
lyricist:
Marcel Achard, Mitty Goldin and Édith Piaf
composer:
Marguerite Monnot
Édith Piaf2:21
48The Great Pretender
recording of:
The Great Pretender
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters2:39
49Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
Elvis Presley42:40
50Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry2:22
51I Want You to Be My Baby
Louis Jordan2:55
52I’ll Remember April
Count Basie3:17
53A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:00
54Waiting for the Train to Come InPeggy Lee3:04
55Rags to Riches
recording of:
Rags to Riches
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (from 1953 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
Tony Bennett2:48
56At Sundown
recording of:
At Sundown
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
Doris Day1:32
57I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Dean Martin1:52
58When You’re Smiling
recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Perry Como2:13
59Mixed Emotions
recording of:
Mixed Emotions
lyricist and composer:
Stuart F. Louchheim (Stuart Fleischer Louchheim)
Rosemary Clooney3:06
60In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra2:59
61I Cried
Patti Page2:44
62I Don’t Want to Take a Chance
Ella Fitzgerald3:12
63So Long
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
So Long (on 1955-11-30)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino42:07
64Voo Vee Ah Vee
The Platters2:10
65All of Me
clarinet:
Edmond Hall (American jazz clarinetist, bandleader)
double bass [bass]:
Arvell Shaw
drums (drum set):
Barrett Deems
piano:
Billy Kyle
trombone:
Trummy Young
vocals:
Louis Armstrong
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong3:48
66It’s a Good Day
cover recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
Peggy Lee2:51
67Shake, Rattle and Roll
Bill Haley and His Comets2:27
68Cry Cry Cry
recording of:
Cry! Cry! Cry!
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Carlin Music Corporation and Hill & Range Songs, Inc. (publisher)
Johnny Cash2:24
69(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
Frank Sinatra2:56
70Moments to Remember
mezzo-soprano vocals [singing voice on 1st lead and harmony]:
Lois Winters
spoken vocals [poetic spoken voice]:
Pat Kirby (American jazz singer)
vocals:
The Four Lads
orchestra:
Ray Ellis and His Orchestra & Chorus
conductor:
Ray Ellis (US producer, arranger and conductor)
recording of:
Moments to Remember (1955 song)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. and フジパシフィックミュージック (Fujipacific Music, Inc.)
The Four Lads3:17
71Kiss
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
Dean Martin52:22
72Night Lights
recording of:
Night Lights
lyricist:
Sammy Gallop
Nat King Cole2:48
73Ain’t That a ShameFats Domino2:24
74There You Go
recording of:
There You Go
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Carlin Music
Johnny Cash2:15
75Bimbo
recording of:
Bimbo (1953 song) (on 1953-10-08)
lyricist and composer:
Rod Morris
publisher:
EMI Unart Catalog Inc.
Jim Reeves2:46
76Sixteen Tons
cover recording of:
Sixteen Tons
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford2:37
77Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Elvis Presley2:37
78Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:08
79I Got a Woman
recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:52
80Again
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
Doris Day2:46
81What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Billie Holiday3:11
82From Here to Eternity
recording of:
From Here to Eternity
writer:
Freddie Karger and Robert Wells (songwriter)
publisher:
Barton Music Corp.
Frank Sinatra2:58
83Walking My Baby Back Home
recording of:
Walkin’ My Baby Back Home
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole2:38
84Bye Bye Blackbird
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Dean Martin3:03
85Rambling Rose
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1947) and The Satisfiers (in 1947)
performer:
Russ Case and His Orchestra (in 1947)
recording of:
Rambling Rose
lyricist:
Joseph McCarthy (lyricist, 1885–1943) (in 1947)
composer:
Joe Burke (American composer) (in 1947)
Perry Como2:35
86Quand on n’a que l’amour
vocals:
Jacques Brel (on 1956-09-18)
conductor:
André Popp (on 1956-09-18)
recording of:
Quand on n’a que l’amour (on 1956-09-18)
lyricist and composer:
Jacques Brel
Jacques Brel52:24
87Padam… padam
vocals:
Édith Piaf (on 1951-10-15)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1951-10-15)
recording of:
Padam… padam (on 1951-10-15)
lyricist:
Henri Contet
composer:
Norbert Glanzberg
publisher:
Éditions Salabert
Édith Piaf3:16
88À t’regarder
vocals:
Charles Aznavour (in 1955)
conductor:
Jo Moutet (in 1955)
recording of:
À t’regarder (in 1955)
lyricist:
Charles Aznavour
composer:
Jean Constantin
Charles Aznavour2:41
89What Is This Thing Called Love?
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-09)
conductor:
Buddy Bregman (in 1956, on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Ella Fitzgerald2:02
90Too Marvellous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:48
91Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:47
92My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:17
93Love Me or Leave Me
vocals:
Doris Day
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Doris Day2:15
94I Wish I Had a Record
Perry Como2:15
95Love Is a Many Splendoured Thing
The Four Aces2:53
96I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Ella Fitzgerald3:16
97What a Difference a Day MadeSarah Vaughan2:47
98My Baby Just Cares for MeTony Bennett2:19
99Pennies From Heaven
Dave Brubeck6:27
100Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:22