Secular Songs & Dances from the Middle Ages

~ Release by Modo Antiquo, Bettina Hoffmann (see all versions of this release, 1 available)

Annotation

Cardboard box, containing 6 individual cardboard sleeves for each cd.

Individual barcodes:

CD 1: 5028421288819
CD 2: 5028421288826
CD 3: 5028421288833
CD 4: 5028421288840
CD 5: 5028421288857
CD 6: 5028421288864

92888/* are the individual disc cat#s.

Annotation last modified on 2017-07-23 00:00 UTC.

Tracklist

1CD: Carmina Burana, Part I
2CD: Carmina Burana, Part II
3CD: Music for the Crusades, Part I
#TitleArtistRatingLength
1I. Appellatio Crucifigat omnes, CB 47
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Crucifigat omnes
composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 47)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:39
2I. Appellatio, Seignor, sachiez qui or ne s'en ira
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Seignor, saichies qi or ne s'en ira (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
Thibaut de Champagne6:56
3I. Appellatio, La Quinte Estampie Real
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
La quinte Estampie real (from 2000-01-24 until 2000-01-29)
writer:
[anonymous] (special purpose artist)
[anonymous]3:12
4I. Appellatio, Parti de mal et a bien atourné
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Parti de mal (from 2000-01-24 until 2000-01-29)
writer:
French medieval anonymous ([anonymous], special purpose artist)
[anonymous]5:14
5I. Appellatio, Chevalier, mult estes guariz
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Chevaliers, mult estes guariz (from 2000-01-24 until 2000-01-29)
writer:
[anonymous] (special purpose artist)
[anonymous]6:14
6I. Appellatio, De transfretantibus
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]1:45
7I. Appellatio, Au tans plain de felonie
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Au tens plain de felonnie (from 2000-01-24 until 2000-01-29)
writer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
translated version of:
Pieśń malkontenta (Au tans plain de felonie)
Thibaut de Champagne3:44
8II. Dure Departie, La Seconde Estampie Royal
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:01
9Bien me defisse targier
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Bien me deüsse targier (from 2000-01-24 until 2000-01-29)
writer:
Conon de Béthune (in 1188)
Conon de Béthune7:22
10II. Dure Departie, Dame, ensinc est qu'il m'en covient aler
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Dame, ensinc est qu'il m'en covient aler
composer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253) (in 1225)
Thibaut de Champagne5:01
11II. Dure Departie, A vous, Amors, plus qu'a nule autre gent
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
A vous, Amors, plus qu'a nule autre gent (from 2000-01-24 until 2000-01-29)
writer:
Le Chatelain de Coucy
Le Chatelain de Coucy5:07
12II. Dure Departie, Li departirs de la douce contree
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Li departirs de la douce contrée
writer:
Chardon de Croisilles
Chardon de Croisilles5:53
13II. Dure Departie, Li nouveax temps et maiz et violete
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Li noviaus tens (from 2000-01-24 until 2000-01-29)
writer:
Le Chatelain de Coucy
Le Chatelain de Coucy7:44
14II. Dure Departie, Aler m'estuet la ou je trerai paine
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Aler m'estuet la ou je trerai paine (Lyrics excerpted from "Du Secrestain et de la Dame au Chevalier") (from 2000-01-24 until 2000-01-29)
lyricist:
Rutebeuf
writer:
[anonymous] (special purpose artist)
[anonymous]8:16
4CD: Music for the Crusades, Part II
5CD: French and English Instrumental Dances in the Middle-Ages
6CD: Dança Amorosa, Italian Dances