Secular Songs & Dances from the Middle Ages

~ Release by Modo Antiquo, Bettina Hoffmann (see all versions of this release, 1 available)

Annotation

Cardboard box, containing 6 individual cardboard sleeves for each cd.

Individual barcodes:

CD 1: 5028421288819
CD 2: 5028421288826
CD 3: 5028421288833
CD 4: 5028421288840
CD 5: 5028421288857
CD 6: 5028421288864

92888/* are the individual disc cat#s.

Annotation last modified on 2017-07-23 00:00 UTC.

Tracklist

1▼CD: Carmina Burana, Part I
#	Title	Artist	Rating	Length
1	Ich was ein chint so wolgetan, CB 185 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Ich was ein chint so wolgetan (Carmina Burana) composer: [anonymous] (special purpose artist) part of: Carmina Amoris Infelicis and Carmina Burana (number: 185) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		4:04
2	Axe Phebus aureo, CB 71 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Axe Phebus aureo composer: [anonymous] (special purpose artist) part of: Carmina Amoris Infelicis and Carmina Burana (number: 71) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		2:35
3	Bache bene venies, CB 200 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Bacche, bene venies part of: Carmina Gulatorum et Potatorum and Carmina Burana (number: 200) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		4:28
4	Dulce solum, CB 119 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Dulce solum composer: [anonymous] (special purpose artist) part of: Carmina Burana (number: 119) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		9:48
5	In taberna quando sumus, CB 196 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: In taberna quando sumus composer: [anonymous] (special purpose artist) part of: Carmina Gulatorum et Potatorum and Carmina Burana (number: 196) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:14
6	Veris dulcis in tempore, CB 85 e 159 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Veris dulcis in tempore composer: [anonymous] (special purpose artist) part of: Carmina Veris et Amoris and Carmina Burana (number: 159) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:09
7	Alte clamat Epicurus, CB 211 e 211˚ orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Alte clamat Epicurus (Carmina Burana) part of: Carmina Gulatorum et Potatorum and Carmina Burana (number: 211) parody version of: Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		5:07
8	Exiit dilucolo rustica puella, CB 90 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Exiit diluculo composer: [anonymous] (special purpose artist) part of: Carmina Veris et Amoris and Carmina Burana (number: 90) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:23
9	Olim sudor Herculis, CB 63 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Olim sudor Herculis lyricist and composer: [anonymous] (special purpose artist) part of: Carmina Veris et Amoris and Carmina Burana (number: 63) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Petrus Blesensis		9:44
10	Virent prata hiemata, CB 151 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Virent prata hiemata composer: [anonymous] (special purpose artist) part of: Carmina Gulatorum et Potatorum, Carmina Veris et Amoris and Carmina Burana (number: 151 et 151a) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:44
11	Sic mea fata, CB 116 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Sic mea fata canendo solor part of: Carmina Burana (number: 116) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		6:26
12	Walthers ton (da CB 211) orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Walthers ton part of: Carmina Burana (number: 211a) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Walther von der Vogelweide		1:18
13	Tempus transit gelidum (CB 153) orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana, Italy (from 1998-10-20 until 1998-10-29) recording of: Tempus transit gelidum part of: Carmina Burana (number: 153) is based on: Fulget dies celebris part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:12

2▶CD: Carmina Burana, Part II

3▶CD: Music for the Crusades, Part I

4▶CD: Music for the Crusades, Part II

5▶CD: French and English Instrumental Dances in the Middle-Ages

6▶CD: Dança Amorosa, Italian Dances

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Discogs:	https://www.discogs.com/release/5842683 [info]
ASIN:	DE: B000E40P2K [info]

Secular Songs & Dances from the Middle Ages

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