Essential Ella

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Notes

Somewhat (strangely) obscure Verve sampler, apparently issued only in the UK during the mid 90s.
Material is drawn from the Verve vaults, which essentially means it's excellent, though the logic driving the cuts choice and the packaging aren't really appealing.
Obviously fit for newcomers rather than amateurs, it might still provide them an honest glimpse at Ella's best period if found at a decent price.

Anmerkung zuletzt geändert am 2017-06-29 12:56 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Manhattan
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Manhattan (am 1956-08-29)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:53
2With a Song in My Heart
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
With a Song in My Heart (am 1956-08-30)
Texter:
Lorenz Hart (in 1929)
Komponist(in):
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:47
3Ev’ry Time We Say Goodbye
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
Orchester:
Buddy Bregman Orchestra (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.53:34
4Let’s Face the Music and Dance
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
Orchester:
Paul Weston & His Orchestra (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
arranger:
Paul Weston (in 1958)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
2:58
5The Man I Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-01-05)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1959-01-05)
Bass:
Joe Mondragon (am 1959-01-05)
Bassposaune:
George Roberts (american bass trombone) (am 1959-01-05)
Bratsche / Viola:
Alvin Dinkin (am 1959-01-05), Stanley Harris (US big band viola player) (am 1959-01-05) und Barbara Simons (am 1959-01-05)
Cello:
Armand Kaproff (am 1959-01-05), Kurt Reher (cellist) (am 1959-01-05) und Eleanor Slatkin (US cellist, b. Aller) (am 1959-01-05)
Geige / Violine:
Victor Bay (am 1959-01-05), Alex Beller (am 1959-01-05), James Getzoff (American concertmaster and violinist) (am 1959-01-05), Ben Gill (am 1959-01-05), Jacques Gasselin (am 1959-01-05), Murray Kellner (am 1959-01-05), Nat Ross (am 1959-01-05), Eudice Shapiro (Violinist) (am 1959-01-05), Felix Slatkin (am 1959-01-05) und Marshall Sosson (am 1959-01-05)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-01-05)
Holzblasinstrumente:
Buddy Collette (am 1959-01-05), Harry Klee (am 1959-01-05), Joe Koch (am 1959-01-05) und Champ Webb (am 1959-01-05)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1959-01-05)
Perkussion:
Frank Flynn (am 1959-01-05)
Posaune:
Milt Bernhart (am 1959-01-05), Richard Noel (trombonist) (am 1959-01-05) und Tommy Pederson (am 1959-01-05)
Schlagzeug:
Alvin Stoller (am 1959-01-05)
Trompete:
Cappy Lewis (am 1959-01-05), Dale McMickle (am 1959-01-05), Shorty Sherock (am 1959-01-05) und Vito Mangano (am 1959-01-05)
Waldhorn:
Vincent DeRosa (am 1959-01-05)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-01-05)
Orchester:
Nelson Riddle and His Orchestra (am 1959-01-05)
conductor:
Nelson Riddle (am 1959-01-05)
arranger:
Nelson Riddle
cover recording of:
The Man I Love (am 1959-01-05)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
3:53
6A Fine Romance
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1963)
conductor:
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
A Fine Romance (from “Swing Time”) (in 1963)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
23:39
7Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3:13
8Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
5:06
9Let’s Do It (Let’s Fall in Love)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass [bass]:
Joe Mondragon (am 1956-02-09)
Schlagzeug [drums]:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
3.53:35
10Love for Sale
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-08)
conductor:
Buddy Bregman (in 1956, am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Love for Sale (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:55
11It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
3:09
12What Is This Thing Called Love?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-09)
conductor:
Buddy Bregman (in 1956, am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:05
13But Not for Me
cover recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:07
14’S Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-07-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Ronnie Lang (am 1959-07-16)
baritone saxophone:
Chuck Gentry (am 1959-07-16)
Bass:
Joe Comfort (am 1959-07-16)
Bassposaune:
George Roberts (american bass trombone) (am 1959-07-16)
Bratsche / Viola:
Alvin Dinkin (am 1959-07-16), Lou Kievman (violist) (am 1959-07-16), Ralph Lane (viola) (am 1959-07-16) und Barbara Simons (am 1959-07-16)
Cello:
Armand Kaproff (am 1959-07-16), Edgar Lustgarten (am 1959-07-16) und Kurt Reher (cellist) (am 1959-07-16)
Geige / Violine:
Victor Bay (am 1959-07-16), Alex Beller (am 1959-07-16), Ben Gill (am 1959-07-16), Jacques Gasselin (am 1959-07-16), Joseph Livoti (violinist) (am 1959-07-16), Dan Lube (am 1959-07-16), Misha Russell (am 1959-07-16), Paul Shure (am 1959-07-16), Marshall Sosson (am 1959-07-16) und Gerald Vinci (American violinist and strings conductor) (am 1959-07-16)
Gitarre:
Herb Ellis (jazz guitarist) (am 1959-07-16)
Holzblasinstrumente:
Buddy Collette (am 1959-07-16), Harry Klee (am 1959-07-16) und Champ Webb (am 1959-07-16)
Klavier:
Lou Levy (am 1959-07-16)
Perkussion:
Frank Flynn (am 1959-07-16)
Posaune:
James Priddy (am 1959-07-16), Richard Noel (trombonist) (am 1959-07-16) und Tommy Pederson (am 1959-07-16)
Schlagzeug:
Alvin Stoller (am 1959-07-16)
Trompete:
Pete Candoli (am 1959-07-16), Cappy Lewis (am 1959-07-16), Dale McMickle (am 1959-07-16) und Shorty Sherock (am 1959-07-16)
Tuba:
Red Callender (am 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (am 1959-07-16)
conductor:
Nelson Riddle (am 1959-07-16)
Interpret(in):
Nelson Riddle and His Orchestra (am 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (am 1959-07-16)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
Texter:
Mitchell Parish (in 1937)
Komponist(in):
Stuff Smith (jazz violinist) (in 1937)
3:31
15I Could Write a Book
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
Flügelhorn:
Vince DeRosa (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
I Could Write a Book (am 1956-08-30)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:40
16Let’s Fall in Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Let’s Fall in Love (in 1960)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
24:05
17The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.53:23
18My Funny Valentine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1956-08-30)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
43:55
19Bewitched
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (am 1956-08-30)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
2.57:04
20There’s a Small Hotel
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (am 1956-08-29)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
2:50
21Love Is Here to Stay
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
3:52

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